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INTERN OPPORTUNITY AT LEYLINE MCGUINNESS PUTS MORE PRESSURE ON ISPS TO PLAY BALL As previously reported, McGuiness began the year by making a headline grabbing keynote speech at music convention MIDEM accusing the ISPs of failing to do their bit in building the digital music market by refusing to get involved in the campaign to curb online piracy. That speech added momentum to the record industry’s attempts to persuade and, maybe, force the ISPs, through government intervention, to take on a proactive role in policing illegal file sharing – something that seems to have become a top priority of those within the record industry charged with the task of fighting P2P. The ISPS, in the main, are not keen to take on such a role. McGuinness returned to the topic during a key note speech at the Hong Kong music conference Music Matters yesterday. Perhaps in a slightly more conciliatory mood than during his MIDEM presentation, he admitted that he recognises that "a real commercial partnership" between the ISPs and the music business is required for the digital music market to prosper, but added that the ISPs need to do more for that partnership to work, both in tackling the continued illegal distribution of music online, and in sharing the income they generate through music based services. He told the conference: "Privately negotiated revenue-sharing partnerships are, I believe, a key model for the future. One way or another, ISPs and mobile operators are the business partners of the future for the recorded-music business. But they are going to have to share the money in a way that reflects what music is doing for their business". In a bid to illustrate that that is not currently the case McGuiness took a local example, claiming that "China Mobile makes hundreds of millions of dollars each year from sales of ringtones and ringback tones, yet pays a minuscule fraction of that to performers, producers and composers. That to me is not a fair business partnership". Since McGuinness' MIDEM speech the British government has indicated that if the ISPs will not voluntarily take on a more proactive role in policing P2P they may introduce new laws that forces them to – maybe even legislating to introduce a three strike system where illegal file sharers receive two warnings and then have their net connection cut off. Music industry types seem split on the merits of government intervention – some, frustrated at the failure of talks with ISPs to reach any conclusion to date, see the possibility of legislation in the area as the light at the end of the tunnel. Others reckon a voluntary solution between the two industries is still possible and much more desirable. McGuinness welcomed moves by the British and other governments (France in particular) in this domain and, according to Billboard, told a press briefing after his keynote: "Progress depends on national governments. I would like to see the workers [artists] paid, which they aren't at the moment". Concluding with a few words for those who say the traditional copyright owners are the problem in the growth of the net, McGuinness said: "The music business once had to bear the accusation that it was full of dinosaurs who looked back to an old business model rather than embracing a new one. Today, though, it is the music business that is charting the way to the future. If there are dinosaurs around today, I think they are the internet free-thinkers of the past who believe that copyright is the great obstacle to progress, that the distributors of content should enjoy profits without responsibilities and that the creators and producers of music should simply subordinate their rights to the rights of everyone else. We have not reversed the troubles of the music industry yet - but at least the dinosaurs are no longer running the show". -------------------------------------------------- CULTURE SEC OPEN MINDED ABOUT COPYRIGHT TERM, OFFICIAL The minister discussed various issues affecting the wider music industry in his speech, though it is probably the copyright term issue that most of the people in the room were interested in – more so even that the aforementioned ISP/P2P debate. As previously reported, the UK government’s Gowers Review of copyright laws recommended that the copyright term for recorded music stay at the current fifty years, despite calls from across the record industry to increase it, to bring it closer to the 95 years awarded to recordings in the US and the life plus seventy years copyright enjoyed by songwriters. But there is a European dimension to this debate, and EU Commissioner Charlie McCreevy has been more supportive of proposals for a term extension. Commenting on that, Burnham told the PPL AGM "I will take a close look at McCreevy's details when they are revealed later in the summer. I understand the issues and will engage constructively in the process and join in the debate with my European counterparts". It was during a Q&A session that Burnham added that he had an "open mind" on the copyright term issue, calling the whole thing a "work in progress" and again stressing the importance of the European debate on the issue. The boss of PPL, Fran Nevrkla, is seemingly optimistic about McGreevy’s intentions for the copyright term, and unsurprisingly happy at the Europe-level support for an extension after the disappointment of the Gowers conclusion on the topic. In his speech to the AGM he said: "Following the rather hostile, deeply flawed and now largely discredited Gowers Review we are much encouraged by the brave, intelligent and far-sighted initiative taken in Brussels by the European Commissioner for the Internal Market and Services, Charlie McCreevy, who clearly sees no justification why the deliberate and insupportable discrimination against performers and record companies should continue. We are very grateful to Commissioner McCreevy for his visionary and supportive approach, and his recommendation that the term of copyright protection for sound recordings should be extended from the current 50 years to 95 years". Noting his main guest at the AGM, he added: "The recent appointment of Andy Burnham MP, into the role of Secretary Of State For Culture, Media And Sport gives us grounds for fresh hope and optimism. I know that Andy is genuinely enthusiastic about and supportive of the creative industries, which is always a good start, so, hopefully, watch this space!" Elsewhere in his speech, Nevrkla revealed the body had passed the £100 million milestone in annual revenues for the first time last year, bringing in £115 million in royalties for its record label and recording artist members. Noting the increased importance of royalty collection to record labels in a market where traditional record sales continue to decline, even when new download revenues are taken into account, Nevrkla concluded: "I have always said that collecting societies should not be satisfied by comparing themselves with other similar bodies but rather, we should strive to achieve the standards of performance maintained by the best run companies in any commercial business environment. This is only achievable with two essential ingredients: first class teams of high calibre, motivated people and excellent systems. We certainly have the former and we are busy developing the latter". -------------------------------------------------- MTV FINED OVER OFFENSIVE LANGUAGE Amongst the numerous breaches of the rules were a trailer for 'Totally Jodie Marsh', which contained the phrase "I just don’t want you settling down with some fucking wanker from a modelling agency", which apparently was even more offensive than Jodie Marsh being on TV to start with. There were also repeated use of the words "motherfucker", "fuck you" and "fuck" in Aphex Twin's 'Windowlicker' video, excerpts from the film 'Superbad', broadcast at 9am, which contained the phrases "what the fuck", "hold his fucking hand... fucking hold my hand", and "give me a fucking warning before you do that", and a text message-based show on MTV Hits called 'Mr Know It All', which explained to viewers the meaning of the word "Spunkbelly". In a statement, Ofcom said: "Pop video and entertainment channels like those controlled by MTV Networks attract large numbers of viewers under 15. They have a responsibility to these children and their parents to ensure their compliance arrangements are robust and effective". A spokesman for MTV said: "We take this sanction and fine very fucking seriously. [We have taken] a series of steps to minimise as much as possible the chances of the wankers who work here making any breaches in the future". Well, they said some of that. -------------------------------------------------- NOT EVEN CLOSE: R KELLY TRIAL UPDATE One was relative Leroy Edwards, who brought with him a photo he had taken of the girl between 1998 and 1999. While there are definite similarities between the girl in that photo and the girl in the video he claimed to not recognise the girl in the video frame presented in court. Another relative, Shonna Edwards, who performed in a pop group with the alleged victim around about the same time as the video is claimed to have been filmed, also denied it could be the girl in the vid. She shared a hotel room with her while the group were on tour, so Kelly’s defence lawyer asked if the alleged victim had been as "fully developed" and "matured" as the girl in the video at the time it would have been filmed. "Not even close", Shonna responded. Elsewhere in the first day of the defence’s case at the trial, Kelly’s legal rep called, erm, another of Kelly’s legal reps to the witness stand. Jason Wallace is a clerk for the Sam Adam Jr & Sr law firm, and he was called to testify in a bid to discredit the prosecution’s star witness Lisa Van Allen who claimed she had three threesomes with Kelly and the alleged victim. The defence claim Van Allen has been heavily influenced by her boyfriend Yul Brown and, they allege, she is lying in a bid to secure financial gain and leniency from prosecutors in an unrelated case involving Brown. Wallace told the court he and a colleague had met with Van Allen and Brown at the start of the trial, and that Brown had dominated the meeting, and that he had implied there was a deal to be done – ie Van Allen’s silence could be bought. The clerk said Brown told them, "We know Lisa's name will be dragged through the mud. Kelly knows what he has to do to make this thing right". In a busy day in the court room, Sun-Times journalist Jim DeRogatis who, as previously reported, originally handed over a copy of the infamous sex tape to police, and who has tried to avoid having to testify in the trial using various US and Illinois legal protections for journalists, finally took to the witness stand, though said very little indeed, pleading First and Fifth amendment rights to avoid answering pretty much any question he was asked. Kelly, of course, is accused of filming himself having sex with an underage girl. He faces fifteen years in jail if found guilty. The case continues. -------------------------------------------------- NE-YO PLEADS NO CONTEST TO DRIVING CHARGES -------------------------------------------------- BRITNEY'S EX THREATENED As previously reported, Adnan was attacked in April, leaving him with a stab wound to the arm, lacerations to the face and a black eye by Britney fans who believed he was leading her astray. He said: "Yes I was injured. This is still being investigated. I can’t say much about the cowardly attack other than, a) you better come a lot stronger than that if you want to make a point and b) most will be surprised by those behind it". -------------------------------------------------- AMY BACK IN COURT FOR BLAKE -------------------------------------------------- WINEHOUSE BACKS BACKING BAND In a statement, the singer said: "I was really upset that anyone would suggest that I would act that way to my band. My band are my family and I did not 'scream' at my horn players and would never be 'sick of the sight of them'. We have been through a lot together and I would never lose my temper in that way with them. I suffered from a sore throat all week and was given the option to cancel. But I was determined to show my fans that I was back and working. I'm looking forward to my remaining dates throughout the summer". -------------------------------------------------- FORMBY INSTRUMENT AUCTIONED -------------------------------------------------- FIRST SLICETHEPIE ACT RELEASE DUE Barber said: "I am humbled by the extraordinary support [my fans] have thrown my way by voting for me, out of 600 songwriters, to win the first Slicethepie singer/songwriter showcase". As previously reported, Slicethepie is a company offering artists a way to raise money for recording outside of traditional channels. Artists sign up to the service by paying twenty quid. Users of the Slicethepie website are then invited to invest in signed up bands. When a band gets £15,000 of support from users they are ready to start work on an album. The site's owners reckon that if backed artists sell 1000 albums then those who invested in them will have recouped on their investment. They will continue to make an income from album sales, though the rights to the master recording and songs remain with the artists. -------------------------------------------------- ROLLING STONE JOINS STARSAILOR Speaking to Billboard about the song, entitled 'All The Plans We Made', frontman James Walsh said: "We kept asking him if he'd be up for playing some guitar on the record, and at the time he was busy promoting [Stones documentary 'Shine a Light']. So, there were a couple of months there where he just wasn't available to do it. Then I got a call about half past six one evening from his son Jesse saying, 'My dad really wants to do this now. Can you be at the studio [at] nine o'clock?' So, from having sort of given up the ghost it all came together out of the blue. It was amazing; he stood there playing the guitar, saying the song reminded him of 'Maggie May' - quite high praise, indeed". Asked how this album would be different from their last, Walsh said: "On this album, there's a lot more light to it, and we've reverted back to the more acoustic guitar- and piano-driven sound on a lot of the tracks. It's hard to encapsulate it in one word or phrase, though". -------------------------------------------------- BABYSHAMBLER WANTS UNCOOL KIDS TO LIKE NEW PROJECT -------------------------------------------------- FALL OUT BOY EAGER TO WORK ON NEXT ALBUM He added: "The band is really not talking about a record yet, but we're all itching to do one. We're always writing. We've had material since [2007 album] ‘Infinity On High’ dropped. So there is plenty just floating around. There is nothing 'hiatus' or 'indefinite' about what's going on with Fall Out Boy right now". -------------------------------------------------- LIARS TO RELEASE EP WITH VIDS -------------------------------------------------- YEAH YEAH YEAHS ON STUFF Writing on their MySpace, the band confirmed they had gone rural for this album saying: "Yeah Yeah Yeahs have been hopscotching down the road less traveled- from a barn in the Northeast to a ranch in the Southwest on our journey for the next sound. Why go RURAL? We're not yet sure ourselves, but one thing the city don't have that the country got is SPACE and there has been plenty of spacing out in the studio as of late". On the cats, they add: "Fuzzy soft muses aka kittens have played a major role in the writing process of YYYs current and past records. Show Your Bones was written in Sam Spiegel's home studio amidst the birth of a litter of kittens, little gold lions scrambling around. Amazingly therapeutic, nothing turns a frown upside down (there are many frowns in the record writing process) as a purring kitten in your lap. Alas our favorite kitten of all beloved SQUEAKER arrived just in time for record three! Abandoned by his mother, we've watched him grow before our very eyes from a blind and helpless little thing into a frisky and fierce little beauty- much like the tunes we're writing. Go figure". -------------------------------------------------- GIRLS ALOUD TO FRONT CHAT SHOW --------------------------------------------------
-------------------------------------------------- FOO’S SISTER FILLS IN ON RAVEONETTES TOUR -------------------------------------------------- YOUNG KNIVES ANNOUNCE INTIMATE LONDON SHOW Announcing the gig on their MySpace blog, the band said: "The Young Knives have never been a cool band. In fact, we have actively rallied against all things trendy, happening and London-centric. We are also massive hypocrites and it is in this capacity that we would like to announce a double-super-trendy gig for our mega-hip management and media company, Scruffy Bird. The Gig is in uber-wanky London venue The Star of Bethnal Green on 11 Jun and is a warm up for the Glastonbury mud-fest. Tickets are well limited to insure over subscription and super-exclusive-coolness so get in touch now to make sure you are not disappointed". -------------------------------------------------- WHY? POSTPONE UK TOUR The new tour dates are as follows: 29 Jun: London, Madame Jojos -------------------------------------------------- YES REUNION CANCELLED OVER FRONTMAN HEALTH SCARE -------------------------------------------------- END OF THE ROAD ADDITIONS -------------------------------------------------- EAVIS EXCITED ABOUT NEW CULTURAL MIX FOR GLASTO On the various criticism of the hip hopper’s booking, he said: "Everywhere I go kids come up to me in the street and say it's fantastic Jay-Z is playing. Lovely kids in their teens. And I say, 'Have you bought tickets?' and they say, 'No, but we're all coming!' We need a whole cultural mix of people. We need an age mix and a cultural mix. That's what we're looking for. This is a huge success, it really is. It's never been so talked about". -------------------------------------------------- -------------------------------------------------- ROUNDER DO GLOBAL DEAL WITH UNIVERSAL Rounder co-founder Marian Leighton Levy told Billboard: "Robert and Alison's record just shows that things are off to a very auspicious start. I think it will be good for them and us. We're very happy with Universal in North America, but this is the first time we've had a such a connection in the rest of the world", London based Decca chairman Christopher Roberts adds: "Rounder is one of the last great independent labels. Decca and Universal are honored to be part of this new relationship. We're confident our new partnership will result in success, both for the catalog, as well as the many great current artists on the Rounder label". -------------------------------------------------- PANDORA RELEASE SOFTWARE PLAYER -------------------------------------------------- EMI SIGN UP TO Q-TRAX Qtrax founder Allan Klepfisz told reporters: "This is a revolutionary time for the music industry. [EMI boss] Guy Hands and EMI Music have demonstrated great vision and leadership and we couldn’t be more thrilled to have their support. Music fans will soon be able to legally download tracks from EMI’s rich, storied catalogue, giving them access to one of the world’s largest repertoires of music". Qtrax already have Beggars, Universal and all four major publishers on board. -------------------------------------------------- VINYL SALES UP IN US -------------------------------------------------- NATIONWIDE LAUNCH RECOMMENDS WEBSITE NMP’s Dan Ford told CMU: "We are really pleased that the introduction of ‘Nationwide Mercury Prize Recommends’ has enabled us to extend the Prize’s recommendation in this way. It’s great that we can offer music fans some hot tips on what’s happening in music on a more regular basis". Nationwide's Sponsorship Controller Chris Hull added: "We are incredibly excited at providing this additional service for music fans through our sponsorship of the Nationwide Mercury Prize. ‘Nationwide Mercury Prize Recommends’ will give music followers a compelling and evolving list of albums, videos, tracks and live music". -------------------------------------------------- BBC1 TO SIMULCAST ONLINE -------------------------------------------------- GCAP CONFIRM PLANET ROCK SALE -------------------------------------------------- WU-TANG MAN LAUNCHES CHESS NETWORK |
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