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WANTED: SENIOR PRESS OFFICER / ACCOUNT MANAGER -- OUTPOST OPPORTUNITIES ONLINE ACCOUNT MANAGER RADIO PLUGGER Both roles require event attendance outside normal working hours as well as a strong desire to search out new and exciting music/projects! Please apply in writing, including CV, to [email protected] clearly stating which role you are applying for. |
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NEW INDUSTRY-WIDE TRADE BODY LAUNCHES - UKMUSIC UKMusic is a new organisation that will support and represent the wider music industry, or at least those companies and people involved in recordings, music publishing, performing, songwriting and artist management. It is the result of Feargal Sharkey's widely known ambition to expand the remit of British Music Rights, and to form a body that can speak for the whole music business rather than just one part of it. And, as a Derry boy, possibly also to ensure that the trade body he works for doesn't exclude Northern Ireland in its name. British Music Rights, for those not paying attention, was set up in 1996 by the three organisations that exist to support those involved in writing, publishing and licensing songs - the British Academy, MCPS-PRS and the Music Publishers Association. It didn't replace those organisations, which each have somewhat different and sometimes conflicting remits, but existed to represent their common interests to government, the media and society at large. If we're being honest, for their first decade in existence British Music Rights was a pretty rubbish organisation, with possibly the lowest profile of all the trade bodies and something of a phobia for returning phone calls. But all that changed when former Undertones man Feargal Sharkey was appointed as CEO last year. He promptly became something of a rent-a-quote for the music industry, and his team suddenly learned how to use phones. From the word go Sharkey let it be known that he believed that what the British music industry needed most was a central organisation who could speak on its behalf, especially to government and the media, and that in his mind British Music Rights was best positioned to become that organisation. And he is probably right to hold that belief. It's true that quite often neither government nor the media have the time or the inclination to get their heads around what the various sectors within the music business do, let alone which of the various music business trade bodies is most relevant to their enquiry. Although the Music Business Forum, set up in 2002, encouraged communication between the twenty trade bodies that operate in the music space, and occasionally spoke on their behalf to government, the MBF was never positioned as a first-port-of-call spokesperson for the UK music industry, and in reality when most people wanted a generic quote from the music business they'd head to the most high profile trade body - the BPI - who, of course, only actually represent those music companies involved in the recordings business. All of which brings us to UKMusic, created last week via a memorandum of understanding between eight of those trade bodies - the aforementioned BPI plus the Association Of Independent Music and collecting society PPL on the recordings side, the Music Managers Forum and Musicians' Union on the management and performer side, and BMR's original sponsors from the songwriting and publishing domain, the British Academy, the Music Publisher Association and their collecting society MCPS-PRS. The new body will be headed up by BMR's CEO and Chairman, Feargal Sharkey and Andy Heath respectively, and will be based at BMR's London HQ, a complex which is also already the home of some of those other trade bodies like the MMF and MCPS-PRS. As with BMR, UKMusic will not aim to replicate the work done by the trade bodies who signed the MOA, but will represent their common interests to government and the media, and will also stage various research and education initiatives. Confirming the launch of the new body, Sharkey told CMU: "From the talent and creativity of songwriters, composers, artists and musicians to the vital role played by publishers, management, record labels and collecting societies, all of us within the UK's commercial music sector are bound by strong, interconnected relationships. Through UKMusic, we now have a collective vehicle to reflect and express this common ground". Andy Heath added: "Today is a true landmark. UKMusic's broad and dynamic membership will meet 21st century challenges and expectations, and promote our fantastic industry with a clear and coherent voice". Of course the only weakness of a body like UKMusic is that sometimes the interests of different parts of the music industry conflict - such as with the relatively recent run in between the record industry and the music publishing sector over online royalties, which was ultimately resolved without going to Copyright Tribunal, but which was pretty heated for a time. UKMusic will presumably look to stay neutral in such disputes, and maybe even mediate between the music firms and trade bodies involved - which it no doubt could do, though any such conflict will result in some tricky and tedious politics for Sharkey et al to negotiate. The one big bit of the music business missing from the UKMusic equation is, of course, the live sector - venues, promoters and ticketing agents - which is ironic given that, prior to joining British Music Rights, Sharkey gained much of his experience in dealing with government by heading up the Live Music Forum, a body set up to investigate the impact of new entertainment licensing rules on the live sector. Presumably UKMusic will look to bring trade bodies from this sector on board in due course. Come to think of it, until he does, there probably won't be many lasers or much smoke. Unless you count the laser in your CD player. And the smoke that will surely appear if and when any dispute between the signed up trade bodies arises. -------------------------------------------------- FRANCE STANDS BY THREE STRIKES PROPOSAL DESPITE NEW EURO-RULES As much previously reported, French President Nicolas Sarkozy last year threw his support behind proposals to force French internet service providers to send official warnings to individuals that the record industry believe are illegally sharing music online and, if said warnings are not heeded, to cut said individual's internet connections off. A similar proposal has been discussed here in the UK, where the British government has made similar noises to the effect that it would force the ISPs to act if they do not voluntarily take appropriate action to curb online piracy - though they have not been quite so explicit with regards making the three strikes proposal law, and with the UK net firms seemingly starting to take a more proactive role of sorts without new legislation, there's a chance we'll never find out whether that was actually being considered by political types. But back to France, where the proposed 'internet and creation' law, which includes the three strikes proposal, is still on the agenda. The plans are yet to go before the French parliament, and some commentators questioned whether it ever would after an amendment to internet privacy rules in the European Parliament last week. The amendment, part of the European body's telecoms regulations, says: "No restriction may be imposed on the fundamental rights and freedoms of end-users without a prior ruling of the judicial authorities... save when public security is threatened, in which case the ruling may be subsequent". That might mean a system where net users suspected of file sharing are cut off without any court ruling on their guilt would be unlawful in the eyes of the European Parliament. And the MEP behind the amendment, Guy Bono, explicitly said so on his own blog, writing last week: "European Parliament said no to the 'riposte graduee' [three-strike scheme] as advocated in France". However, French Culture Minister Christine Albanel pointed out that [a] the amendment had only been adopted by the European Parliament at "first reading" and may as yet not become European law, but moreover that [b] in her government's mind the new European measures wouldn't hinder the 'internet and creation' law because the three strike system would not "have an impact on the rights and freedoms of end-users". That is to say, as always, it's not the words that count, but the interpretation of them. French publishing rights society Sacem promptly issued a statement saying it had been reassured that the 'internet and creation' laws were safe, despite the new European rules. It said: "Sacem is satisfied with this statement that once again expresses the government's firm will to defend creators' rights and see the law on 'creation and the internet' adopted as soon as possible. The stakes are decisive both for creation and for the remuneration of authors, composers and music publishers. This is also true for the entire music business, in a context that is particularly difficult and threatening for the future of culture in our country". -------------------------------------------------- EMA NOMINATIONS OUT Anyway, here's your full list of nominations... Album Of The Year: Alicia Keys - As I Am, Britney Spears - Blackout, Coldplay - Viva La Vida or Death And All His Friends, Duffy - Rockferry, Leona Lewis - Spirit. Headliner: Foo Fighters, Linkin' Park, Metallica, The Cure, Tokio Hotel. Most Addictive Track: Coldplay - Viva La Vida, Duffy - Mercy, Katy Perry - I Kissed A Girl, Kid Rock - All Summer Long, Pink - So What. New Act: Duffy, Jonas Brothers, Katy Perry, Miley Cyrus, One Republic. Act of 2008: Amy Winehouse, Britney Spears, Coldplay, Leona Lewis, Rihanna Ultimate Urban: Alicia Keys, Beyonce, Chris Brown, Kanye West, Lil Wayne Rock Out: 30 Seconds to Mars, Linkin Park, Metallica, Paramore, Slipknot. -------------------------------------------------- CONNIE HAINES DIES Haines, born Yvonne Marie Antoinette JaMais in Savannah, Georgia, began singing at the age of five, and at the age of nine had her own radio show. By the time she was a 18, she was working with Frank Sinatra and the Tommy Dorsey Band, establishing herself as one of the top female singers of the big band era. Once the fashion for big band waned, she became a solo artist, and, during the course of her career, released more than 200 recordings and became the first white artist to record on the Motown label. She also had something of an acting career, appearing in a number of films in the forties and fifties, and also touring with comedians Bud Abbott and Lou Costello. She is survived by her mother Mildred, who is 109, a son, a daughter, and three grandchildren. -------------------------------------------------- DJ AM OUT OF HOSPITAL A spokeswoman for DJ AM, aka Adam Goldstein, has said that he was "deeply saddened" by what happened and added that he is "thankful for all of the love and support he has been receiving from fans and friends". A spokesperson for the hospital was unable to say when Barker would be released. -------------------------------------------------- BUSTA MAKES IT TO ORANGE GIG So, he made it to the event, a concert for 5,000 young people who have taken part in volunteer projects, at London's Royal Albert Hall. Spokesman for Orange RockCorps called his performance "absolutely incredible after everything Busta had been through". Rhymes told the BBC that he'd had no idea that it would happen, explaining: "Lady took my passport, she said you have been red flagged, so I said for what? And she said didn't anybody notify you and tell you that you was going to have a possible problem getting into the country? So I said no. So she said well have a seat, I need to go into the back room and investigate what this red flag is about". -------------------------------------------------- KANYE ESCAPES FELONY CHARGES OVER CAMERA INCIDENT -------------------------------------------------- LED ZEP TOUR ON, SAY REPORTS -------------------------------------------------- SPIES UNCOVER KYLIE TERROR PLOT -------------------------------------------------- EMINEM ALBUM STUFF Unless you'd like to hear what this "source close to the rapper" apparently told the News Of The World: "[He] is out to realise his full potential. It's exciting times and, of course, there's massive expectation surrounding this new record. But the fans need not worry about its quality. Most of the music's being mastered at the moment. There's a real belief the album will go stellar". -------------------------------------------------- JOY DIVISION MANAGER'S NOTEBOOKS PUBLISHED The notes within will cover such subjects as the making of Joy Division's 'Unknown Pleasures' album, the US tour that was cancelled following Ian Curtis' suicide and various ideas for the name of the band that eventually became New Order. Just 1500 copies of '1 Top Class Manager: The Notebooks of Joy Division's Manager 1978-1980' will be published and made available via www.1topclassmanager.co.uk. -------------------------------------------------- SINGLE REVIEW: Wild Beasts - Brave Bulging Buoyant Clairvoyants (Domino) Buy from iTunes -------------------------------------------------- SMITHS COLLECTION TO BE RELEASED Here's your tracklisting: Disc One: Hand In Glove Disc Two: Jeane -------------------------------------------------- BLAH BLAH CHINESE DEMOCRACY BLAH BLAH RELEASE DATE BLAH Of course, if this is true, Dr Pepper will then have to follow-up on their offer to give every person in America a free drink. Don't think we've forgotten, Dr Pepper. And we're not even American. -------------------------------------------------- SNEAKY SOUND SYSTEM 'UFO' VIDEO -------------------------------------------------- MADONNA PROMOTERS WILL BE FINED OVER WEMBLEY LATE RUN It was originally thought the late finish, which breaks Wembley rules, would result in a fine - similar to that given to promoters of a George Michael concert last year - but the day after the gig Madge's people denied the finishing time was contractual. But new reports suggest that in fact it was, and that the singer's promoters will now have to cover the cost of the fine. It's not clear why Madonna went on stage so late. The curfew rule exists so that the local tube network has time to cope with the 90,000 concert-goers rushing out of the venue before it shuts down for the night just after midnight. As previously reported, some gig-goers said their biggest gripe on the night wasn't the late start but the poor sound quality, although Madge's people denied there were any technical problems. Then again, they did also deny there'd be a fine. -------------------------------------------------- RAZORLIGHT ANNOUNCE UK TOUR Tour dates: 10 Nov: Exeter, University -------------------------------------------------- THE DUDES LIVE DATES Tour dates: 29 Sep: Bristol, St Bonaventures (with Ladyhawk) -------------------------------------------------- ALBUM REVIEW: The Vines - Melodia (Cooking Vinyl) Buy from iTunes -------------------------------------------------- KID ROCK SWITCHES PUBLISHERS The company's CEO and founder Willard Ahdritz, told CMU: "We are thrilled to have formed this new relationship with Kid Rock and Vector Management. He's a tremendous talent and we look forward to a long, fruitful relationship". -------------------------------------------------- MUXTAPE TO RELAUNCH The man behind the site, which allowed users to upload their own MP3 playlists with a view to introducing new music to those who surfed the site, has also published a lengthy account of his dealings with the US record industry, claiming that he had been in talks with the major record companies about getting his service properly licenced just as the US record industry's trade body was taking legal action to have them closed down. Founder Justin Ouellette writes: "There was a popular misconception that Muxtape only survived because it was 'flying under the radar', and the moment the major labels found out about it it'd be shut down. In actuality, the labels and the RIAA read websites like everyone else, and I heard from them both within a week or so [of launch - in March 2008]. The first red flag came in August. Up until then all the discussion had been about numbers, but as we closed in on an agreement the talk shifted to things like guaranteed placement and 'marketing opportunities'. I was denied the possibility of releasing a mobile version of Muxtape. My flexibility was being constricted. I had been worried about Muxtape getting a fair deal, but my biggest concern all along was maintaining the integrity and experience of the site (one of the reasons I wanted to license in the first place). Now it wasn't so simple; I had agreed to a variety of encroachments into Muxtape's financials because I wanted to play ball, but giving up any kind of editorial or creative control was something I had a much harder time swallowing". He continues: "I was wrestling with this when, on 15 Aug, I received notice from Amazon Web Services that they had received a complaint from the RIAA. Per Amazon's terms, I had one business day to remove an incredibly long list of songs or face having my servers shut down and data deleted. I moved the domain name to a new server with a short message and the very real expectation that I could get it sorted out. I still thought it was all just a big mistake. I was wrong. Over the next week I learned a little more, mainly that the RIAA moves quite autonomously from their label parents and that the understanding I had with them didn't necessarily carry over. I also learned that none of the labels were especially interested in helping me out, and from their perspective it had no bearing on the negotiations. And so I made one of the hardest decisions I've ever faced: I walked away from the licensing deals. They had become too complex for a site founded on simplicity, too restrictive and hostile to continue to innovate the way I wanted to". Read the full account at www.muxtape.com -------------------------------------------------- PANDORA MAN ASKS USERS TO LOBBY ON HIS BEHALF As much previously reported, there has been much negotiating going on in the US between online music services and the record labels and their online collecting society SoundExchange regarding the royalties both online-only radio stations and more interactive services like Pandora have to pay to music owners. Westergren reports that negotiations between Pandora, SoundExchange and the Recording Industry Association Of America are now gaining momentum, but they need more time than was originally allowed by the US Congress, who set a deadline for the voluntary resolution of the latest royalty dispute. Several Congressmen have proposed to give the required extra time but, according to Westergren, the National Association Of Broadcasters, which represents traditional terrestrial radio stations, is lobbying other Congressmen to block that proposal. The Pandora man says the big traditional radio firms see this as an opportunity to halt positive discussions between the web services and the content owners, something they'd like to do because they don't want services like Pandora to get more favourable royalty deals, because, if they do, they'll be better able to compete with the big boys of old school radio. Westergren emailed his US subscription base on Friday urging them to lobby their local Congress representatives to ensure the proposed postponement of the deadline on the royalty negotiations was approved. He wrote in his email: "The National Association of Broadcasters, which represents radio broadcasters such as Clear Channel, has begun intensively pressuring lawmakers to kill the bill. We have just days to keep this from collapsing. This is a blatant attempt by large radio companies to suffocate the webcasting industry that is just beginning to offer an alternative to their monopoly of the airwaves. Please call your Congressperson right now and ask them to support HR 7084, the Webcaster Settlement Act of 2008 - and to not capitulate to pressure from the NAB. Congress is currently working extended hours, so even calls this evening and over the weekend should get answered". As previously reported, Pandora is no longer available in the UK because the service has not yet managed to negotiate a royalty deal with UK content owners. -------------------------------------------------- HONG KONG IPHONE NOT TIED TO NETWORK However in Hong Kong no such exclusivity deal exists on the latest iPhone, meaning that, in the words of the Apple Store there, you "simply insert the SIM from your current phone into iPhone 3G and connect to iTunes 8 to complete activation". It's not clear if the phones will only work with SIM cards from a Hong Kong mobile network, or if they will work with SIM cards from tel cos in other territories also. Then again, even if they do, with the iPhone retailing for over £100 more in Hong Kong than the UK, I'm not sure it would be worth the while of non-O2 customers heading over there to get one. -------------------------------------------------- EMI LAUNCHES OWN DOWNLOAD STORE IN AUSTRALIA -------------------------------------------------- Q LOOKS BEYOND MUSIC IN REVAMP Some media commentators say the new-look Q will be more like it's IPC-owned rival Uncut, which has always included coverage of entertainment other than music, and that the editorial shift is an attempt by the market-leader music monthly to combat the industry wide decline in music magazine sales. All that said, AC/DC's Angus Young will appear on the cover of the first new-look edition with his band giving its first interview in eight years, and many of the new features will often have a music bias. Confirming the revamp, the magazine's Editor In Chief Paul Rees told reporters: "I believe Q now offers a genuinely different take on music and entertainment in general, befitting its status as a market leading magazine". -------------------------------------------------- COMPETITION TRIBUNAL TO RULE ON BSKYB'S ITV STAKE If Sky is forced to sell some of its stake in ITV, a number of other media firms are said to be interested into buying into the UK's original commercial broadcaster, including German conglom and BMG owner Bertelsmann, who are said to be interested in investing some of the money it is making from selling its half of SonyBMG to Sony Corp into the British TV sector, where it already has an interest through its RTL division, which owns Channel Five. However, other bidders are said to be interested too, which is good news for Sky who feared that a forced share sale would reduce the value of their stake in ITV. -------------------------------------------------- CHART UPDATE The chart comes from the Official Chart Company - www.theofficialcharts.com -------------------------------------------------- TOTAL ROCK WORLD ALBUM CHART 1. Slipknot - All Hope Is Gone (Warner/Roadrunner) -------------------------------------------------- SUB.TV PLAYLIST A-List -------------------------------------------------- BOY GEORGE WALKS OUT OF INTERVIEW Interviewer Lyman said: "We were doing the interview via a studio link and I thought we'd got off to a good start. Boy George was giving some very honest answers. But then the air went dead, never a good thing in radio, and I realised he'd gone". -------------------------------------------------- MINOGUE THREATENS TO QUIT X-FACTOR -------------------------------------------------- RONSON GIVES THUMBS UP TO BOND THEME Ronson told Metro: "I've listened to it and it's great. I love everything Jack White does and I can't wait to see the new Bond film". -------------------------------------------------- PRINCE TALKS DOOR-TO-DOOR PREACHING Prince told USA Today: "Sometimes fans freak out. It might be a shock to see me, but that's no reason for people to act crazy, and it doesn't give them licence to chase me down the street". -------------------------------------------------- THE TING TINGS ON SLOVAKIAN RECORD SALES |
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SUBSCRIPTIONS>> CMU Daily is a free daily e-bulletin for people working in the music industry and music media, delivered direct to your PC each morning. If you want to stop receiving this e-bulletin click the 'unsubscribe' button below and follow the instructions. If any of your colleagues want to receive the CMU Daily tell them to email their name, company, job title and email to [email protected]. If you would like to recieve the CMU Daily as a text email, send a blank email from the email address you are registered at to [email protected]. MEDIA PEOPLE>> If you want to run stories from the CMU Daily in your media, please credit it to UnLimited/CMU with a link to www.cmumusicnetwork.co.uk - thanks! If you are looking for an independent quote on anything to do with the music business, or you need someone to come on your TV or radio show and talk music business, then we can help. There's nothing we don't know about. Email requests to [email protected] or call 020 7099 9050. CMU is published by and (c) UnLimited Media - www.unlimitedmedia.co.uk Send news stories to [email protected]. If we don't respond directly, we do apologise, only we get sent hundreds of emails a day and don't have time to respond to every one of them. However we do check every email sent to the musicnews email address, and do pull out stories that we feel are relevant to our readers. Send CDs for review to CMU, UnLimited Media, 221-222 Shoreditch High Street, London, E1 6PJ. |
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