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![]() MORE PIRATE BAY STUFF Before the second day of the prosecution's case against Hans Fredrik Neij, Gottfrid Svartholm Warg, Peter Sunde and Carl Lundström had even begun, lawyers representing prosecutors and the music and movie industries announced they were no longer accusing the four men of being actually involved in the illegal copying of music and movies themselves, or of "complicity in the unlicensed production of copyrighted material" to speak like a lawyer for a moment. To be honest I'm not entirely sure why such allegations were part of the case to begin with, because the whole point of a BitTorrent tracker is that no music or movie files are ever stored or transferred through the central hub - so The Pirate Bay itself is not involved in any actual copying - rather it provides links to BitTorrent sources of content to which users then connect directly. The Pirate Bay and its creators aren't involved in any actual illegal copying, they simply make it easier for everyone else to illegally share content files. Of course the 'simply making it easier for everyone else' is, arguably, in itself a kind of 'authorising infringement', and the charges relating to that activity - to the "assisting making available copyrighted content" - remain and will now form the core of the prosecution's case against The Pirate Bay four. Prosecutors played down the significance of the sudden change in emphasis of their case, stressing that the "assisting making available" charges were just as serious, and that the record company and movie studios' compensation claims would be unaffected by the dropping of the actual illegal copying charges. They had dropped those charges, they added, to simplify their case (though presumably the fact those charges were rather weak and could scupper the whole case played a role as well). Whether or not the charge dropping decision has any big impact on the outcome or implications of this case remains to be seen, though it certainly gave The Pirate Bay a PR boost yesterday morning. Their lawyer called the development "sensational", adding: "It is very rare to win half the target in just one and a half days". After the dramatic start to the day, the trial itself returned to more tedious talk on the technicalities regarding how BitTorrent filesharing works, and the role of tracker websites in the whole phenomenon, proceedings which led to one of the defendants, Peter Sunde, posting a Twitter message which read "this is so boring... it's sleepy". The case continues, and is expected to run for up to three weeks. -------------------------------------------------- RAFFERTY "IN HIDING", SAY SOURCES Sources have now told The Guardian that the singer is still alive and being cared for by a friend. Sightings have placed him in the Bournemouth area. -------------------------------------------------- KID CUDI DISCUSSES REEBOK ALTERCATION He wrote: "I was tasered (shit hurt like a muthafucka), I was not arrested. I didn't put my hands on anyone; the muthafucka I was trying to touch, I couldn't reach his fuckin' collar to grab him. It wasn't over me wearing [Nike made] Jordans. I arrived at the event in the most 'fugliest' Reeboks ever". He added that this taste of being in the public eye for the wrong reasons had made him more determined to keep his head down and let his music do the talking. He concluded: "This shit really makes me want to fall back on this music shit yo, shit is getting out of hand. I'm just a dude who wants to make ill music to help people on their day to day grind, help them get thru it to accomplish whatever goals they have in life". -------------------------------------------------- INXS REALITY WINNER HOMELESS AND UNEMPLOYED On how his time with the band came to a sudden stop, Fortune explained: "I was in an airport at Hong Kong and literally got a handshake. They said, 'Thank you very much'. I found myself really alone because I had travelled with these guys for 23 months. Some of the audiences we played for were upwards of 80,000 people". He adds that he didn't tell anyone, including family and friends, what had happened, and that fans continue to ask for his autograph. "Every time I sign my name it becomes in my heart worth less" he added. "I'm very confused because when you do something like that it should be a moment of pride". He admits that he became a cocaine user during his time with the band, which presumably might be the reason he was ditched. Speaking about his excessive use of the drug during his period on tour, he said: "It got as bad as it needed to be for me to numb out the fact that I knew this was going to come to a screeching halt". Fortune is now planning a comeback and is set to release a solo album shortly, via Universal Canada. -------------------------------------------------- HAVE YOUR SAY ON PORTISHEAD'S FUTURE In a post on their MySpace, the band's Geoff Barlow said: "We spent the day discussing the future of the P as we are free. Well, free of a deal and free of commitment... for now! With the world being the way it is there are lots of options open but if you lot have any bright ideas of how we should sell our music in the future let us know, why not! I don't think that were into giving out music away for free to be honest - it fuckin' takes ages to write and we have to heat our swimming pools!" -------------------------------------------------- REZNOR GROOMS JANE'S TO TAKE UP NIN'S MANTLE Speaking about the 1991 Lollapalooza tour, Reznor said: "These performances essentially created and defined the term 'alternative' rock in the US, created an ongoing festival franchise that is still thriving, set the stage for Nirvana to shift popular taste a few months later, and were really fucking FUN to play and attend - truly the best times I've had". He continues: "Fast forward to the present. Corporate rock STILL sucks. A friend tells me they saw the original Jane's lineup play a tiny show in LA that was unbelievable. I break out my Jane's records and am amazed by how vital they sound. These guys were the real deal and in this current climate mostly dominated by poseurs and pussies it was refreshing to hear something that sounded dangerous, volatile, beautiful and SINCERE". Inspired by this burst of nostalgia, Reznor arranged to have dinner with Jane's Addiction and "the next thing I know we're in the studio experimenting. We laugh, we get to know each other, we cry, we yell, we almost quit, we record LOTS of guitar solos, we discuss, we actually begin to all communicate, we yell some more, we become FRIENDS, we laugh again and we do some great things". So, how does this all relate to the disappearance of Nine Inch Nails? Well, this year marks the 20th anniversary of Nine Inch Nail's debut album, 'Pretty Hate Machine', and with this milestone fast approaching, Reznor says that he has "been thinking for some time now it's time to make NIN disappear for a while". Following the spectacle of last year's reputedly rather amazing 'Lights In The Sky' tour, Nine Inch Nails are now planning to play a last run of more back-to-basics shows before going on hiatus. Says Reznor: "The approach to these shows is quite different from last year - much more raw, spontaneous and less scripted. Fun for us and a different way for you to see us and wave goodbye. I reached out to Jane's to see if they'd want to join us across the US and we all felt it could be a great thing. Will it work? Will it resonate in the marketplace? Who knows. Are there big record label marketing dollars to convince you to attend? Nope. Does it feel right to us and does it seem like it will be fun for us and you? Yes it does. Look for tour dates soon and I hope to see you out there". -------------------------------------------------- FOLDS DISCUSSES FAKE ALBUM He told Sun Media: "It was basically a really good excuse to go in and make music quickly. I was interested to see if you could go through that process with any kind of result in two or three days rather than months. So we did it, we wrote bogus bullshit lyrics to the titles of the songs on the album. We made up the music, recorded it and mixed it that day in Dublin, Ireland while on tour". Folds said he wasn't concerned that fans would prefer the fake version to the genuine product, and would actually be quite pleased if they did. He said: "If they did then good, that means I made music that they enjoyed. Also part of me rebels against the official releases of things because it's gotten so big. It's all out of whack and I wanted to do something about it". SANTIGOLD COULD STILL BE SUED OVER OLD STAGE NAME AR RAHMAN ON MIA AT OSCARS Asked if MIA would make it to the Oscars, Rahman replied: "That's the million dollar question. She wants to. In fact, she said she'll do it with a hologram. She has all these ideas. I don't know how it's going to be possible, though. Having a baby is such an important thing in your life - more important than winning an Oscar". He adds that one of his next projects will see him working with Kylie Minogue on a track for a new film. "We're doing a song together which she'll perform in the movie", he said. "The film is called 'Blue' and is being shot in Hawaii and a lot of other places". MUSIC MORE IMPORTANT THAN SEX - WHEN IT'S FREE (OR CHEAP) A new survey of 1000 15-24 years olds commissioned by London indie label Marrakesh Records and conducted by Human Capital, which is in some way linked to the Ingenious music investment firm, has found that while 60% of young people would rather give up sex than music, 70% don't feel guilty accessing music via unlicensed websites and file sharing networks, and 61% feel they shouldn't have to pay for it. Respondents also admitted that only about a half of the music they owned had been paid for, though that's actually a lot more than I'd have guessed - perhaps downloading hundreds of illegal music files every week just because you can is going out of fashion. When asked what they thought would be a fair price for music, other than free, respondents settled on an average price for a CD album of £6.58, while they said £3.91 and 39p seemed fair for a digital album and single respectively, which is again more than I'd have expected, though obviously that's quite a bit less than standard a-la-carte download prices, especially in terms of single track downloads. Away from nicking music, the survey also questioned respondents on how they discover new artists, and in that section there was good news for the old school, which radio coming out top - 67% rely on radio shows to discover new artists, while 63% went by recommendations from friends and 49% by music TV channels. Newspapers scored 21%, music magazines 17% and blogs just 14%. For sampling tracks from new artists, YouTube was the favourite among 38%, more than double both MySpace and official band websites. NEW BAD SEED ANNOUNCED Keupper is going to have his work cut out for him, he has just performed a series of shows with his former band, The Saints, and has announced a reunion show for another former band, jazz punkers The Laughing Clowns, at the Melbourne International Jazz Festival in April, before heading out for festival dates with Nick Cave & The Bad Seeds in June and July. -------------------------------------------------- THE WHITE STRIPES TO GET BACK ON STAGE THIS WEEK NME TO GIVE AWAY CURE COVERS ALBUM The tracklisting for 'Pictures Of You' will be: Robert Smith spoken word intro -------------------------------------------------- BLACK SABBATH RE-RELEASE Here's the tracklisting: Disc 1 (Original Album): Disc 2 (1974 Quadrophonic Mix): Disc 3 -------------------------------------------------- NEW FREELAND UPCOMING The track will also introduce some of the musical talent who are involved in the latest Freeland project, including Spinnerette/Distillers guitarist Tony Bevilacqua, NIN/Marilyn Manson cohort and bass player Twiggy Ramirez, and Kurt Baumann, who will front the Freeland band on its upcoming tour, on vocals. Oh, and DEVO legend Jerry Casal is on backing vocals. We've heard some of the album and it's marvellous, and 'Under Control' is a great introduction to it. Go check at www.myspace.com/adamfreelandmusic TRAIL OF DEAD ANNOUNCE UK TOUR DATES Speaking about the album, and the move to an independent label, following their split from Universal/Interscope in 2007, the band's Conrad Keely told CMU: "We finally have the artistic freedom we've wanted, with no pressure to create radio music, no legal department to OK our artwork, and no A&R people breathing down our necks. The new songs are very personal. Some of them are autobiographical. We're building on everything we've ever done, looking back on our whole career and taking a lot inspiration from our early music. We continue to evolve the concept and try to incorporate new ideas. And there was no point on the record where we were trying to write songs you'd hear on commercial radio. We know that singles are driving the market, and we don't care". Tour dates: 14 Apr: Portsmouth, Wedgewood Rooms -------------------------------------------------- BROWN AND BIEL IN LONDON TONIGHT www.myspace.com/rosiebrown1 KASABIAN TO PLAY EDEN, GREAT ESCAPE THIS SUMMER Tickets for the news gigs go on sale on 24 Feb at 6pm at a cost of £35 each. The Eden Project's creative director Peter Hampel says: "We've got our work cut out in 2009 to match last year's success, but Kasabian are without doubt, one of the world's top live acts and alongside Oasis, have given us the best possible start." Kasabian are also amongst the latest acts confirmed The Great Escape in Brighton in May. Organisers of the event, which takes place from 14-16 May, have announced that the likes of Little Boots, Lightspeed Champion, Holy Fuck, Metronomy and Danananakroyd will also be appearing. -------------------------------------------------- LOVEBOX ANNOUNCE LINE UP ALBUM REVIEW: Milton Jackson - Crash (Freerange Records) NEW SECONDARY TICKETING REVIEW PLANNED Secondary ticketing has been the big controversy in the live music industry for a while now, of course, with many artist managers and gig promoters, and some consumer groups, hitting out at the increasing number of tickets for in-demand events that are sold for profit on websites like eBay, or ticket resale specific sites like Get Me In and Viagogo. The profits, of course, go to the reseller (with the resale website taking a commission) and not the artist or promoter. It's not the first time the government has bothered itself about the growth of secondary ticketing. It initially told the live music sector to sort it out, threatening to introduce new laws governing ticket selling if they didn't. The live music sector promptly responded by saying that there was little it could do, while adding that it would welcome new laws to restrict touting. The government responding by doing very little, even when a Parliamentary Select Committee published a report making various recommendations about what should be done. The government is possibly acting now because of those various incidents last year when punters lost money buying tickets off rogue websites that not only weren't official primary sellers but which hadn't actually got any tickets to resell on the secondary market either. With that in mind, the government's review is likely to concentrate more on how to protect the consumer in the resale market rather than the live industry's bigger gripe, that none of the profits of resales go to artists or promoters. As previously reported, the artist management community once proposed a solution to address both issues - it proposed sites like Get Me In and Viagogo sign up to a music-industry-led code, and agree to pay a share of their profits to a fund for artists and promoters. In return the industry pledged to "officially sanction" participating sites, giving them more legitimacy. The proposals were smiled upon by many in the live music sector, but, perhaps unsurprisingly, were not welcomed by the resale sites who weren't keen on sharing their profits, and who reckoned they could protect consumers and gain legitimacy through their own trade body, the Association Of Secondary Ticket Agents. The fact major primary ticketing companies like Ticketmaster have since entered the secondary ticketing sector, in the UK by buying Get Me In, also arguably gives the non-dodgy resellers more legitimacy. Insiders say that, despite plans for a new review, the government still prefers a voluntary solution to protect consumers, rather than coming through on those threats/promises of legislation to control touting. With that in mind, while the review may provide some extra protection to consumers, it is unlikely to address many of the live sector's grievances. -------------------------------------------------- WOOLWORTHS WILL RETURN TO THE HIGH STREET, ALBEIT WITH A DIFFERENT NAME The Sun quote Tony Page as saying "There's a big gap in the market where Woolworths was. We could have 300 sites in three years' time if things work out". He plans to make the new shops "as close to the original as possible", though it's not clear exactly what that means for their CD and DVD departments. We should know in May when the first of Page's new shops opens, probably in Camden or Notting Hill. Page reportedly wanted to use the Woolworths name for his new stores, but was outbid for the rights to use the old brand by Shop Direct who, as previously reported, plan to launch a new etail operation using the Woolies name. -------------------------------------------------- STREAMLINED EMI MUSIC MOVE TO HIGH STREET KEN OFFICES Yes, the somewhat slim-lined EMI Music UK are in the process of moving their London HQ from their long standing home on Brook Green in Hammersmith up the road to High Street Ken, where they will join the rest of the EMI UK companies in their Wrights Lane offices. The lease on the Brook Green office has been given up, and everyone left there should have moved to the Kensington offices by the end of next month, some have already moved. The Crown House offices across the road from the old Brook Green HQ, home to the Virgin Records division, will be kept for the time being. EMI's move of its record labels to High Street Ken means the UK HQs of Sony, Warner and EMI are now all within a few minutes walk from each other, while the Universal labels are based not so far down the road. You could practically take them all out with one bomb. -------------------------------------------------- UNIVERSAL FRANCE HAVE A REJIG -------------------------------------------------- CR2 GET DISTRIBUTION THROUGH PRIME DIRECT Prime Direct's Spencer Broughton told CMU: "We have worked very hard in developing our content over the past two years and have devised innovative ways to generate revenue for our labels. I believe that is the reason so many labels have retained a vinyl presence in a contracting market, and why we have the label roster we do. We are absolutely delighted to now include a label with the history and stature of CR2 to that list". CR2's Mark Brown added: "This is a hugely important year for CR2, with our 100th release and our 5th Year Anniversary celebrations to look forward to. We have a full schedule and some enormous projects lined up and are really pleased to be working with Prime - I feel they really understand what CR2 are about". SPOTIFY ADD CLASSICAL RECORDINGS Spotify top man Daniel Ek says this: "We are committed to developing the world's biggest music catalogue and our deal with Naxos reconfirms our intention to offer the most diverse". SIRIUS RESCUED BY LIBERTY DEAL As expected, Liberty Media will provide cash for the struggling satellite radio network in return for a minority stake in it. The deal means Mel Karmazin, who was especially opposed to the EchoStar takeover proposal, will stay as CEO. The deal should mean co-promotion between the Sirius XM satellite radio offer and Liberty's satellite TV network DirectTV, though the two will not be merged. -------------------------------------------------- COMMERCIAL RADIO WANT LOCAL RADIO RULE CHANGE IN RETURN FOR NEW DAB INVESTMENT As previously reported, while the big commercial radio companies were initially enthusiastic partners in the roll out of DAB radio, the poor advertising revenues generated by digital only stations, and the high costs of simulcasting FM services on DAB compared to the modest extra audiences those simulcasts delivered, mean commercial radio chiefs have become less keen onu it all of late. Prior to its takeover by Global Radio, GCap were talking about bailing out of DAB altogether, despite the two companies that merged to create GCap - GWR and Capital - having invested lots of cash into the digital medium over the years. Then Channel 4 dumped its plans to launch a second national DAB network, and the other commercial radio players involved in that venture shelved all their own digital only proposals. All of which left the BBC the only real DAB advocate. But the RadioCentre report says the big commercial radio companies would invest in two new national digital only services - one speech based, one music based (so, a bit like the original Channel 4 proposals) - and become more proactive in promoting DAB, if in return OfCom relaxes the rules regarding how many hours of local programming must be carried by smaller local radio stations. A number of commercial radio firms have said existing rules governing small local stations are too strict, to the extent that they impact on the commercial viability of some services. The RadioCentre report was seemingly based on interviews with various senior commercial radio players and was submitted to OfCom ahead of the regulator's own recent review of digital media, which included recommendations on the future of digital radio and proposed a more indepth review of the future of local radio. Commenting on the report, an OfCom spokesman said they welcomed any new investment in DAB, but insisted that [a] the commercial sector was already committed to that and [b] the future of DAB is a separate issue to the rules governing local radio. Mr OfCom: "Ofcom would welcome the launch of more national stations that would cater for a number of tastes and interests. [Commercial DAB network] Digital One has an obligation to launch a further four national stations under the terms of its licence [anyway]. These plans are a step toward this but are a separate issue to localness. [Outgoing GMG radio chief] John Myers has recently been appointed by the government to consider the role of localness on commercial radio in a digital age". -------------------------------------------------- UKRD BUYS INTO TLRC UKRD own 13 stations in the South of England, including Surrey station County Sound and Cornwall's Pirate FM, while TLRC's 19 stations are more widely spread across the country. There had been talk of Talk Sport owners UTV Radio, who also own 15 local stations, from buying TLRC, and it's not clear what UKRD's share acquisition means for that deal. -------------------------------------------------- COOPER PROMOTED AT RADIO 1 Announcing the appointment, Andy Parfitt told reporters: "Ben is a fantastic executive and has lead the Radio 1 team very effectively over the past few years - this is an opportunity for him to broaden his experience and to bring the Radio 1 and 1Xtra operations closer together". Cooper himself added: "I'm delighted to work across both Radio 1 and 1Xtra. I'll be busy, but I love music radio, so it will be very rewarding. I especially want to build on the success of 1Xtra and look at strengthening their position on digital platforms, as well as continuing my challenge at Radio 1 of attracting young audiences to the BBC in new creative ways". MTV2/MYSPACE CHART 1. [4] In Case Of Fire - The Cleansing Meanwhile, added to the list for viewer voting this week are... Fleet Foxes - Mykonos More at www.myspace.com/mtvtwo JACKSON AUCTION TO BE HELD IN APRIL -------------------------------------------------- TORY LEADER APOLOGETIC ABOUT BEING A SMITHS FAN |
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