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NOTE: Make sure you 'enable images' to see this e-bulletin properly. WHAT IS THIS? You are receiving this e-bulletin because you are subscribed to the CMU Daily. Unsubscribe information is given at the bottom of this e-bulletin. | ||||||||||||||||||||||
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SENIOR PR ROLE This is a dream role in a small and exciting PR agency. We specialise in music, events and youth PR with clients ranging from corporate brands to underground recording artists, festivals and alternative art projects. We're looking for a senior member of staff to work across all areas of the business and as such we can only consider applications from people who have a proven track record in handling brand PR in a multi-agency setting. With an eye for detail and top-notch organisational skills, you'll be enthusiastic about working in a small team environment. You'll have 6 years of music and corporate PR experience, strong client servicing skills, and the highest communication skills. This is a full time role with a competitive salary and is based in our easily accessed central London offices. To apply, please email your CV and a covering letter to [email protected] -- ADVERTISE WITH CMU - classifieds £120 per week, job ads £100 per week, banner ads £150 per week, leader box £200 per week - call 020 7099 9050 or email [email protected] for information or to book. back to top |
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![]() INTRODUCING LEYLINE PUBLICITY Leyline Promotions - better known as one of the capital’s leading independent promoters (The Remix, Kill All Hippies, Insomniacs Ball, Twisted Licks, Breaking Ground) - have created a new publicity department headed up by Nick Bateson and Adrian Leigh. The pair have worked on major campaigns including a-ha, Glade Festival, Fat Freddy’s Drop, Standon Calling Festival and Hervé amongst others. In addition to their wealth of experience in the live arena, Leyline Publicity now specialise in bespoke PR services including online and offline music and lifestyle press, radio plugging, brand development, digital marketing and blogging. For further information please contact: [email protected] or [email protected] t: 020 7575 3285 -- ADVERTISE WITH CMU - classifieds £120 per week, job ads £100 per week, banner ads £150 per week, leader box £200 per week - call 020 7099 9050 or email [email protected] for information or to book. back to top |
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FABULOUS TOWN HOUSE TO SHARE IN BRONDESBURY PARK NW6 Bright double bedroom with adjoining bijous living room and bathroom to let in a very large three bedroom luxury townhouse in Brondesbury Park NW6. The house has a large and spacious modern kitchen, large living and dining areas and a southwest facing garden with barbeque areas. There is free access to an onsite fitness complex with gym, full size heated swimming pool, Jacuzzi and sauna! The townhouse is situated in a beautiful private development with gated access and comes with a free off road parking space and visitor parking. Queens Park village is just a five minute stroll with lively pubs, deli's and eateries, a Sunday farmer's market and the park itself. Queens Park Station (Bakerloo) and Willesden Green (Jubilee) are both a five minute walk. The space is ideal for a professional single/couple. Rent: £795 pcm - includes internet/service charge. Call Adrian on 07971 555020 or email [email protected] -- CAMDEN FLAT Bright and airy top-floor two bedroom flat in large detached period house on Camden/Kentish Town Border (corner of Camden Road / Camden Park Road). Very well appointed, clean and well maintained, with superb sitting room including open fire and working shutters, modern kitchen with washer/dryer & full size fridge freezer, and modern bathroom with bath & great power shower. Large double bedroom (9'x15') with built in wardrobes, second double bedroom (7'6 x 11'). Plenty of storage space including large loft space. 10 minutes walk to Camden Town and Kentish Town tubes, 253, 29 and 390 buses are 30 seconds walk. Secure cycle storage in building. Secluded shared garden for use. Ideal for young professional couple/sharers. Unfurnished. Available 1st April. £1275 pcm. For more information or to arrange viewing, please email [email protected] -- NEW TO CMU - advertise any flats or rooms you are looking to rent out, or flats or rooms wanted, for just £25 a week. Call 020 7099 9050 or email [email protected] for information or to book. back to top |
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MUCH CHATTER AS VARIABLE PRICING APPROACHES AT ITUNES The major record companies have long disliked the fact that Apple essentially set the 99 cents (or 79p) per track download pricepoint, which has become the industry standard, without really considering a label's costs or budgets. They've also never liked the lack of flexibility in single track pricing - wanting the option to charge more for those tracks that are in demand, and less for those they are trying to push (usually in a bid to drive sales during one specific week so to engineer a higher chart position). Apple long resisted calls for variable pricing, arguing that the one-price-for-all model was more user-friendly. I think it's fair to assume the new system was forced onto them by Sony, Warner and especially Universal, who had made their DRM-free catalogues available to pretty much every download store except Apple's market leading iTunes by the end of 2008. Having led the market on the introduction of major-label DRM-free downloads - EMI's DRM-free catalogue, the first to become available, was sold exclusively by iTunes at launch - Apple were increasingly eager to be able to offer all music without the very out-of-fashion digital rights management restrictions. Eager enough to give way on the variable pricing issue. Some reckon that the labels are shooting themselves in the foot by pushing for the variable pricing model on the market leader download store, and caution major label execs about using the new system to hike up the price of half their catalogue - especially in the current economic climate. Former EMI exec, and now head of digital consultancy TAG Strategic, Ted Cohen, told the LA Times: "This will be a PR nightmare. It is for the music industry what the AIG bonuses are for the insurance industry". Apple is sure to talk up the fact that under their new system some tracks will be available for the discounted rate of 69 cents, though it remains to be seen what kind of tracks are offered at the lower price. The consensus is that, actually, the vast majority of the iTunes catalogue will stay at 99 cents, but if the 69 cent offers aren't good, and some key tracks rise to $1.29, then there's bound to be some bad press for Apple, which they will almost certainly bounce back onto the music industry. Whether the price change will cause iTunes users to go elsewhere, and whether that means they'll got to rival stores like Amazon MP3, or illegal sources of downloads, or the increasing number of free on-demand streaming services like Spotify, all remains to be seen. -------------------------------------------------- MADONNA TO ADOPT AGAIN? It's seemingly part of a plan to provide David Banda - the Malawian child that Madonna and Guy Ritchie made moves to adopt in 2006 - with a brother or sister of the same nationality. The singer told Nation readers last week, in response to emailed questions: "Many people - especially our Malawian friends - say that David should have a Malawian brother or sister. It's something I have been considering". The adoption of David Banda did cause some controversy, of course, with critics accusing the Malawian government of overlooking laws banning foreign adoptions in light of Madonna's celebrity status. She may run into trouble again this time, given that the country's laws don't, as a rule, allow for adoption by a single or divorced person, and, as much previously reported, Madonna is now very much divorced. It may, however, be another legal issue she can side-step, and presumably the providing-David-with-a-sibling argument will wash a bit. No comment from the Madonna camp. -------------------------------------------------- MUSICIANS AND FOOTBALLERS TO RELEASE HILLSBOROUGH SINGLE The recording of terrace anthem 'The Fields Of Anfield Road' (adapted from folk ballad 'The Fields of Athenry') features John Power from Cast, James Walsh from Starsailor and footie-types Kenny Dalglish and Bruce Grobbelaar. A new verse has been added to the song, written by Peter Hooton, formerly of The Farm. It's a project spearheaded by Liverpool's Lord Mayor, Councillor Steve Rotheram, who said "It's important that 20 years on we try and do something". The single is out on 5 Apr. A special memorial ceremony is to take place on 15 Apr at Anfield, where the Lord Mayor will present the CD to club officials. JURY TIME: SPECTOR TRIAL UPDATE -------------------------------------------------- POLICE INVESTIGATE FLO RIDA ANIMAL CRUELTY CLAIMS According to witnesses, the two men got off the tour bus, "brutally" killed a rabbit for no obvious reason, and then got back on the bus again. Lexington Police, Kentucky Police and Lexington Animal Control officials have launched a joint investigation into the claims and are seeking to question the two men. However, it is thought that the tour bus had already left the area before police became involved. As news of the bunny killing spread, Flo Rida denied involvement in the incident, telling AllHipHop.com: "While no one in my party was in any way involved in any incident, the media report that I saw was sickening," he said. "As an animal lover, I would never want to see cruelty inflicted upon them." -------------------------------------------------- BRITNEY CONCERT TOUR WORKERS ARRESTED AFTER FRACAS Reports say that one Rockey Lee Dickey was hitting another man, who has not been named, on a Manhattan Beach pavement when a patrol car drove by. When the police intervened, Dickey took a swing at one of the officers, and his companion Alex Montes, seemingly put a second officer in a headlock. Neither of the policemen were hurt, however. Anyway, it's all a bit far removed from Spears herself so I'm not sure that it should really be news. Spears' website posted a statement making it clear that the two men worked for a contractor, and not directly for the singer herself. The statement adds: "The two individuals have since been dismissed by their employer. The tour does not support or tolerate this type of behaviour". -------------------------------------------------- SINGER DENIES EXPOSURE -------------------------------------------------- JOHN ENDS LEGAL ACTION AGAINST GUARDIAN'S SPOOF DIARY PIECE As previously reported, John sued over an article written by Marina Hyde for the newspaper's weekend magazine. Pretending to be a diary piece written by the singer himself, the piece implied John's White Tie And Tiara Ball events were mainly an excuse for partying with celebrities, and an opportunity to boost the singer's ego, and actually raised very little money for charity. While the balls may enable the singer to party with celebrities, and probably do boost his ego, they do actually raise an awful lot of cash for the Elton John AIDS Foundation, hence the defamation lawsuit. But Hyde and the Guardian argued that the piece was clearly a spoof, and that readers of the paper were clever enough to realise any claims in the article were not fact. Last December a high court judge sided with the journalist and paper and threw out the libel claims, but John appealed. Last week a Court Of Appeal judge refused John permission to appeal the original ruling and ordered the singer to pay costs. Yesterday the singer's lawyers confirmed they would not appeal the appeal judge's ruling regarding the appeal. Or something like that. Which means that this particular pop court case is, I think, closed. MUSICIANS DEBATE MODERN LIFE -------------------------------------------------- AKON DOES ANTI-SLAVERY SONG AT UNITED NATIONS Akon, who is originally from Senegal, told the BBC: "A lot of my US friends are not aware of the history. [Slavery] is a big situation for us - the younger generation. It's very important for me because it was the slaves that opened the door for me personally. Seeing how far we've come, I'm honoured to be a part of it and I will do my part to spread that word. As people, we should stop using each other for money purposes". DAN SEALS DIES Seals, the brother of Jim Seals of Seals & Croft, was born in Texas to a musical family. His first output was as part of Dallas group Southwest FOB alongside high school friend John Ford Coley. They later became known as a soft rock duo, England Dan & John Ford Coley, for their worldwide 70s hit 'I'd Really Love To See You Tonight'. Following their split in 1980, Seals began his solo work, initially sticking to the England Dan moniker, and over the course of his career released 16 studio albums, with 11 songs reaching number one in the Billboard country chart. Amongst his solo tracks are 'Meet Me In Montana' with Marie Osmond, 'Everything That Glitters (Is Not Gold) and 'Three Time Loser'. WILL EARLY RELEASES AND POOR SUPPLIES STOP PSB FROM GOING TOP? According to Contactmusic, the new PSB album 'Yes' went on sale last Friday on iTunes and 2500 copies were downloaded before Sunday. That's important because, word has it, despite 'Yes' leading the way in the initial midweek album chart, Ronan Keating's tedious 'Songs For My Mother' LP has now crept ahead by 1200 units. The 2500 copies of 'Yes' downloaded last weekend will not, of course, be counted in this week's chart, they have been included in last week's sales stats, but had those sales been included in this week's countdown Tennant and Lowe would take the number one spot by some margin. It's also claimed that the label hasn't supplied online mail order CD sellers with enough copies to meet demand which, sources say, may also impact on chart position - though I'm never sure when a non-pre-order mail-order sale is actually counted, at transaction or dispatch. But presumably it is having an impact - because a spokesman for the band is quoted as saying: "Many people have been unable to buy it this week. Neil and Chris are very disappointed". METALLICA TO REUNITE WITH JASON NEWSTED Guitarist Kirk Hammett has told Pulse Of Radio that he and the rest of Metallica witnessed the onstage spat between former Blondie members Frank Infante and Nigel Harrison and existing band members when they were inducted into the HoF in 2006. "It puts a really bad, sour note on the whole celebration itself", he said. "There was so many politics and so much drama that, you know, we collectively said to each other, 'We don't want any of that'. Jason Newsted will be there, and he will be playing with us at one point". Metallica will be inducted into the Hall Of Fame by Red Hot Chili Peppers bassist Flea on 4 Apr. -------------------------------------------------- SOUNDGARDEN PERFORM MINUS CORNELL Marking the first time the three Soundgarden members, Kim Thayil, Ben Shepherd and Matt Cameron, have appeared on stage together since the band's split in 1997, Doyle reportedly screamed his way through three Soundgarden songs - 'Spoonman', 'Hunted Down', and 'Nothing To Say'. In between songs he reportedly told the audience not to be sad about Cornell's absence, before lifting his shirt to reveal his ample stomach and saying: "That's half a Cornell right there". Tad wasn't the only guest vocalist during the six song set, though. They were also joined by Mudhoney's Mark Arm, Rage Against The Machine's Tom Morello, and MC5's Wayne Kramer for a rendition of MC5's 'Kick Out The Jams'. Morello was then joined by Steve Earle to sing Bruce Springsteen's 'The Ghost Of Tom Joad' and 'Shake My Shit' by Morello's Nightwatchman project. You're probably wondering what all that sounded like. Well, you can listen to the whole set here: www.earcandybeat.com/?q=node/38 -------------------------------------------------- MALCOLM MIDDLETON SPLITS UP He told Telextext's Planet Sound: "This'll be my last solo album for a few years. I've said enough for the time being. I'd like to try something new". The album, 'Waxing Gibous', features guest appearances from King Creosote, Jenny Reeve and Mogwai's Barry Burns and will be released on 1 Jun. WINEHOUSE AND RONSON REUNITED? The Sun reports that Mark Ronson has been drafted in to help Winehouse write some new songs, despite the rocky recording sessions they had last year while working on their aborted James Bond theme. A source told the tabloid: "Mark does not have fond memories of collaborating with Amy last year. He said he wouldn't work with her again until she had her drug problems under control. He thinks she's much better now so has agreed to come on board and do a little work with her on some of her songs. Mark's now happy to give Amy the help she requires. They gelled while recording 'Back To Black' and he's hopeful some of that magic could return". Mark Ronson is currently knocking about with The Rumble Strips, whose new album he did produce, and has been confirmed as the producer of Duran Duran's next LP. He's quite a busy chap. ALEXANDER NUT RINSE MIX SET FOR RELEASE Here's the tracklist: O.Boogie - Paper Chaser (feat. Tableek) (Tom Trago Remix) -------------------------------------------------- BLACK SABBATH GO PROPERLY DIGITAL I know this because Brian Rose, the recently promoted MD of the Universal UK Commercial Division, told me this: "The Black Sabbath catalogue is one of the most iconic catalogues to be missing from the digital market. We are delighted that from 30th March music fans will finally be able to download and stream Black Sabbath's music from our digital partners. This is a significant step for us, and will be happening alongside the physical release of 'Paranoid' as a deluxe edition, showing our commitment to providing music fans with the very best both physically and digitally". In case you're curious, the albums set to go digital on Monday are: Black Sabbath, Paranoid, Master Of Reality, Black Sabbath Vol 4, Sabbath Bloody Sabbath, Sabotage, Technical Ecstasy, Never Say Die!, Heaven And Hell, Live At Last, Mob Rules, Live Evil, Born Again, Seventh Star, The Eternal Idol, Past Lives, The Singles and We Sold Our Soul For Rock 'N' Roll. FESTIVAL LINE UP UPDATE LIVE REVIEW: Mr Hudson at The Scala in London on 24 Mar Buy from iTunes CULTURE MINISTER SAYS STUFF Having made various implied promises last year of new laws to force UK internet service providers to in turn crackdown on illegal file sharers - promises his colleagues IP Minister David Lammy and Comms Minister Stephen Carter seem less than keen to deliver on - Burnham has been stressing the international dimension of the piracy problem for a few months now. Of course he's right that file-sharing is a global problem that crosses borders and jurisdictions, though I can't help thinking the sudden prioritising of tackling this problem globally is a bit of a distraction to hide the fact that the government isn't actually that keen to force ISPs to do anything when it comes to piracy, especially if it involves cutting off voters' internet connections in the run up to a General Election. Anyway, according to Music Week, at a UK Music hosted event this week Burnham reaffirmed his commitment to discussing anti-piracy measures with culture ministers around the world, adding that he has already spoken to political types in the US and across Europe about the issue. He also said he would continue to lobby for an extension of the recording copyright when it comes up for discussion at the EU Council Of Ministers, though, of course, the aforementioned Lammy is set on a 70 year term conditional on measures to boost the revenue incomes of musicians over labels, which isn't necessarily the aim of the label men who were at the Westminster gathering this week, who want 95 years and as few commitments to give up royalties to featured artists and session musicians as possible. In return for his European lobbying and world travel, Burnham asked the industry types and artists at the event do more to help youngsters get a leg up in the industry through apprenticeships, which I think is a way of reducing unemployment figures, but don't quote me on that. The amassed industry types clapped, I think. Bring on the revolution I say. Apparently it might start just down the road from CMU's on-the-edge-of-the-City HQ this weekend, so I'm looking forward to it. -------------------------------------------------- FAC OUTLINE THEIR TOP PRIORITIES As previously reported, the Featured Artists Coalition launched at last year's In The City, and properly launched at a meeting in London earlier this month. This week they confirmed their full launch board, who will take over from the previously reported 'steering group' and run the bands' trade body moving forward. Blur's Dave Rowntree will chair, while other board members will include Kate Nash, Billy Bragg, Radiohead's Ed O'Brien, Marillion's Mark Kelly and a certain Howard Jones. It's Jones who told reporters this week about the three big issues which the Coalition will prioritise. First up, file sharing, an area where the artists will seemingly work alongside those on the business side of music. Although they stress that they don't want to "criminalise" kids who share unlicensed music online, they say they do want "government help to go after the people who are facilitating the illegal services". That presumably includes the internet service providers, which means the FAC, like record label trade body the BPI, wants government to force the ISPs to be more proactive in policing illegal file sharing. Though I don't think the FAC support the three-strike disconnection approach, though neither do the BPI officially. Second up, education. Like all the other music business trade bodies, the FAC wants to educate young people about the music industry. Though they want to prioritise educating aspiring bands and artists about the danger of restrictive record contacts, and to advise new bands to avoid, where possible, signing away their rights to a record company in order to secure that first deal. I don't think such advice has ever appeared high up in a BPI 'making it as a band' guide. And third, copyright extension. Like everyone else in recorded music, the FAC say they support extending the recorded copyright term, though they propose that after the current fifty year term is up the copyright reverts to the artist, so that all revenue generated from recording sold or licensed out after it's initial fifty year term is complete goes to the artists, even if they haven't recouped on their original record contract. A proposal which might appeal to IP Minister David Lammy who has already said "I'll extend the term for the artists' benefit", though, of course, his real concern seems to be jobbing session musicians who wouldn't necessarily benefit from copyrights returning to featured artists after fifty years. -------------------------------------------------- CPA CONCERNED ABOUT RISE OF TICKET SCAMS His comments follow those incidents last year when trading standards types had to step in after hundreds of people bought tickets for big music events - the Reading and Leeds festivals in particular if I remember rightly - from unofficial online 'agents', only to never receive any tickets. Speaking to Billboard, Ballantine said: "It's terrible because these are kids, the next generation of fans, that are so enthusiastic about seeing these acts that they will send their money to anybody who seems to be promising them a ticket they can't find elsewhere. Take That, Oasis, Madonna, U2, all the big ones this summer, they're all going to have huge problems". He adds that one of his company's recent tours, The Killers UK arena tour, experienced problems with rogue ticket sales at every gig. Some tell punters to pick up their tickets on the night - possibly hoping to get the tickets themselves off real world touts outside the venue - but if there's problems they just don't show up to meet their customers. Ballantine: "People are so desperate to see the artists they want to see and they get promises of front row seats or a golden ticket you can't buy anywhere else, they just hand over their details". Presumably Ballantine would quite seriously recommend that music fans always opt for official sellers when buying their tickets, just to be certain. Even if that means buying them off Ticketmaster, who I'm pretty sure Trent Reznor said were evil the other day. Ballantine also spoke about the CPA's recent move into the secondary market themselves, with the launch of OfficialBoxOffice.com, a resale site that promises extra controls to protect those buying tickets, and which positions itself very much as a place where people who bought tickets with the intent of going to an event, but who can no longer make it, can resell their tickets, rather than being a new home for online touts. Ballantine says that many of his trade body's members are still against the growth of online ticket touting, and still want the government to introduce new laws to restrict it, but given that the government - despite regularly expressing concern about the boom in touting - has done basically nothing, he felt the trade body should try to at least provide a more responsible secondary ticketing service. He told Billboard: "We're not looking to push it [the site] because we still don't feel the secondary market is something that should exist. But it is there if people want to do genuine transactions and to buy with some sort of safety". -------------------------------------------------- THE GARAGE TO RE-OPEN As previously reported, MAMA and HMV announced their JV back in January, with the creation of a new company that takes the Mean Fiddler name MAMA acquired in 2007, and eleven of the venues previously wholly owned by MAMA (many of which it also acquired off the old Mean Fiddler - now Festival Republic - in 2007). A number of the venues have already undergone rebranding - most notably the HMV Apollo in Hammersmith and the HMV Forum in Kentish Town (which does now sound a little bit like a slightly dull online message board). The Garage is the first previously closed venue to re-open as part of the new venue network. Confirming the re-opening, MD of MAMA's live division, Steve Forster, told CMU: "The Garage has always been a great rock and roll venue, our intention is to take what made the building special and develop the space as a 21st century, multi-room operation, one that works as both a live and club space. With the addition of a new seated format we can really stretch the scope of the venue's capability to offer and deliver a real alternative to venues such as Bush Hall". IMEEM DENY MULTI-MILLION ROYALTY DEBTS AND PENDING CLOSURE Imeem, of course, initially faced lawsuits from the record companies for its role in helping kids share music, but they eventually entered into licensing deals with the majors, and Warner Music even became an investor. But Techcrunch says bosses at the service have struggled to make their social networking service add up commercially, despite the support of the record companies and an ever-growing user base, and that they now face royalty bills of $30 million with little money in the bank to pay them with. Techcrunch cited some sources as saying shut-down of the service was now "imminent". But the company's VP of marketing, Matt Graves, has denied the gloomy report, telling reporters: "TechCrunch's $30m number is not only wrong, it's preposterous. We don't now owe, nor have we ever owed, that amount of money to the labels". But, according to Music Ally, Graves did admit the company are hoping to renegotiate their deals with the record companies and publishers, observing: "The economy and the world have changed, and just as we've renegotiated our bandwidth bills, ad-serving deals, etc, to take into account the new economic realities, it makes sense to do the same with our content deals". ------------------------------------------------- WE7 TO CHART RETURN Confirming its new chart initiatives, We7's SVP of Digital Content, Clive Gardiner, told reporters: "We believe in actively sharing data and insights with our partners and are delighted to be integrated with OCC. We have worked really hard to improve our music promotion tools on We7's website so that fans can instantly see exciting music whichever genre they enjoy. Our redesigned home page can point to more 150 titles every week, and our multilayered promotions can bring uplifts of 25%. Being part of OCC's data capture can prove the effectiveness of what we are doing". BLENDER GETS LIQUIDISED Staff at the title were apparently only informed of the decision at a meeting yesterday morning, which coincides with a number of changes at Alpha Media, including the departure of co-CEO Glenn Rosenbloom. Blender's editorial staff will now work for the company's sole remaining title, Maxim, and its online offshoot, Maxim Digital. Alpha Media's remaining CEO, Stephen Duggan, said in a statement: "Since 2001, Blender has provided unmatched music coverage and entertainment news in its unique voice to a profoundly dedicated audience of music enthusiasts. We are particularly grateful to the sales team and to the tremendously talented editorial staff for their hard work and commitment to Blender". He blamed the move on the global recession, but remained positive for the future, saying: "Alpha Media Group is weathering the current economic difficulties, and we are confident that with the changes we are implementing, the company is in the strongest position possible to continue moving forward". -------------------------------------------------- GLOBAL CHIEF TO ADDRESS SRA OSBOURNE PRAISES HER, ER, SON -------------------------------------------------- TIMBERLAKE NOT RECORDING A NEW ALBUM He told Entertainment Weekly: "Right now, I like the idea that things can just kind of pop up and if they feel right I can do them. Committing to my own sort of project, that's like, 'Okay, let me block out two years of my life and do it'. I was heavily fulfilled with the last one and I always have this thing with myself that if I can't sleep because I need to do it, then I'm gonna do it. But if I'm not losing sleep over it then..." |
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SUBSCRIPTIONS>> CMU Daily is a free daily e-bulletin for people working in the music industry and music media, delivered direct to your PC each morning. If you want to stop receiving this e-bulletin click the 'unsubscribe' button below and follow the instructions. If any of your colleagues want to receive the CMU Daily tell them to email their name, company, job title and email to [email protected]. If you would like to recieve the CMU Daily as a text email, send a blank email from the email address you are registered at to [email protected]. MEDIA PEOPLE>> If you are looking for an independent quote on anything to do with the music business, or you need someone to come on your TV or radio show and talk music business, then we can help. There's nothing we don't know about. Email requests to [email protected] or call 020 7099 9050. CMU is published by and (c) UnLimited Media - www.unlimitedmedia.co.uk Send news stories to [email protected]. If we don't respond directly, we do apologise, only we get sent hundreds of emails a day and don't have time to respond to every one of them. However we do check every email sent to the musicnews email address, and do pull out stories that we feel are relevant to our readers. Send CDs for review to CMU, UnLimited Media, 221-222 Shoreditch High Street, London, E1 6PJ. |
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