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![]() COWELL IN TALKS WITH TOP SHOP MOGUL ABOUT ENTERTAINMENT JV Reports say that Cowell and Green have been friends for a decade now but that talk of a business partnership is relatively new, possibly motivated by the fact the former's contracts with both Sony Music and the 'American Idol' franchise are up for renewal, which potentially lets the 'X-Factor' chief rejig his various business ventures into a new organisation. Gossipers say that Green has been very much involved in Cowell's recent contract negotiations, which is seen as step towards the launch of the new JV company, which may be named Greenwell. The Mail quotes a source thus: "What we have at the moment is essentially the first brick in the building. For the past few months Sir Philip has been sitting in on Cowell's negotiations as his contracts with Sony and American Idol are up for renewal. He's been acting like a manager. They have a bit of a good cop, bad cop routine with Cowell as the good cop". Although the JV would see both parties moving into new areas - Cowell into fashion and Green into showbusiness - the hook up does make sense, of course, given the increased importance of merchandising and brand extensions in the music industry, where an artists' actual recordings may be worth less than their range of socks and branded pyjamas. The Mail quote another source who apparently knows both men as saying: "They are talking about making profits running into billions as opposed to millions. They are good friends and have talked about it for weeks on end. They can both see the opportunity for a business that is successful in lots of different areas". PEREZ APOLOGISES FOR LANGUAGE, GETS LEGAL He said: "I have been extremely bothered by the reaction to my assault. Violence should never be condoned with such statements as 'It's Karma.' In fact, several television and radio shows over the past couple of days echoed the sentiment 'He had it coming'. Would they have said the same thing if I was a woman? Would I have 'deserved it' if I had been stabbed? I leave this traumatic experience as a person with more compassion. Specifically, there was an instance last year when actor Jesse Metcalfe was attacked outside of a Hollywood nightclub by a fellow entertainer. I did not condone the violence, but I did make light of that situation. I regret that. Sincerely". -------------------------------------------------- LIL WAYNE IN COURT OVER POSSESSION CHARGES Carter denied the charges, and his lawyer claims that it's possible that the sniffer dog who located the alleged drugs may not have been reliable. His request, however, to see the dog's training record was rejected. James Tilson said "If the dog is not reliable, then that puts the entire probable cause for the stop into question". This confuses me somewhat - surely once the dog found the alleged drugs an expert would double check they really were an illegal substance? I mean, even if it turned out this sniffer dog was an award winner with a perfect record for sniffing out the Coke and E, surely the prosecution weren't planning on relying on his testimony alone? Oh well, whatever. Carter is due back in court on 11 Aug. -------------------------------------------------- MAN SENTENCED OVER KILLING OF TI'S ASSISTANT He has been sentenced to 17 years in prison, after admitting to driving the vehicle that chased TI's entourage in Cincinnati following an argument in a club, resulting in the deadly shooting. Following sentencing, Thomas said: "I was a knucklehead. I wish I could take it back". Thomas had previously testified against his brother Hosea, the other man involved in the incident, who was identified as the trigger man, and convicted of Johnson's murder. He was sentenced to 66 years in prison in December. As you will no doubt remember, TI is himself currently serving time for weapons possession. -------------------------------------------------- BEYONCE'S PEOPLE HIT OUT AT NEW YORK CLUB'S CLAIMS Amid reports a million dollar lawsuit was on its way, a spokesman for Beyonce told reporters: "Beyoncé never had a contract with the club itself and no-one in her camp dealt directly with the venue. The superstar was never scheduled to perform, but was to serve as a co-host and introduce singer-songwriter Solange's performance. Patrons were falsely promised a performance by Beyoncé". DIRTY PROJECTORS IN ROAD CRASH In a statement, the band said: "Dirty Projectors' van flipped outside of Detroit, MI on their way up to Toronto. Although the crash was serious, we're happy to report that all members of the band have been safely discharged from the hospital. The band will be flying home to New York in the morning to regroup and rest. Unfortunately, the band will have to cancel Toronto and Montreal. Thank you for understanding and sending your well wishes". The band will be playing shows in the UK in September. -------------------------------------------------- JOBS HAD LIVER TRANSPLANT As previously reported, the iPod/iTunes boss stepped down from the day to day job of running the computer firm earlier this year after finally admitting to long rumoured ill-health. The cancer survivor started to look ill last year, and given that many in the investment community saw Jobs as being crucial to Apple's continued success, rumours about his health often led to the company's share price wobbling. When he confirmed he'd be taking some time off, Jobs blamed a hormone deficiency for his obvious weight loss, though it was subsequently confirmed his condition was more complicated than that. Apple have more recently suggested Jobs is about to return to the company, which might be because the transplant, first reported on in the Wall Street Journal at the weekend, has helped him overcome his illness. The firm seem to be still suggesting their top man will be back on the job imminently. The Methodist University Hospital Transplant Institute confirmed Jobs had had the transplant at their facility in a statement on its website yesterday. It's possible they issued the statement because of speculation on the net that the Apple boss had somehow jumped the queue for the transplant to let him get back to work asap. The medical centre stressed in its statement that Jobs had the transplant operation simply because he was "the sickest patient on the waiting list at the time a donor organ became available". The hospital's Chief Of Transplantation, one James Eason, added: "Mr Jobs is now recovering well and has an excellent prognosis". Quite what condition caused the need for transplant is still not known, though speculators with more medical knowledge have said that the kind of cancer he previously overcame - pancreatic cancer - can spread to the liver. If that had happened, a transplant would be an obvious treatment, and one that could allow Jobs to continue with his life as normal. It remains to be seen how soon Jobs returns to Apple properly, and whether he will be as active in the running of the company as before. In his absence City types have reportedly warmed to some of his senior colleagues at the IT company, meaning Jobs could probably hand over some of his responsibilities to others on a permanent basis without damaging the firm's share price. All of this counts as pop hospital news, of course, because given Apple's continued dominance of the digital music market, the IT company's fortunes have implications for the music business. WOLF SPEAKS OUT AGAINST PROPOSITION 8 He asked the audience: "Who here wants to get married someday? Who here wants to get married to someone of the same sex? Now what about everyone out there in heterosexual relationships...how would you feel if you got married and then six months later you were told your marriage was illegal?" STEVEN WELLS DIES LADIES LEAD IN THE EARNING STAKES Here's the top ten FRANKIE PLANNING COMEBACK? QUEEN'S GUARDS SIGN TO DECCA Confirming the deal, Decca boss Dickon Stainer told reporters "If they're good enough for the Queen, they're good enough for Decca", while the guards' Director Of Music Graham Jones added: "Our music has the power to move and inspire people in a very positive way... we're delighted the Coldstream Guards, through Decca, will be able to reach out and share this with a much wider public". DEFTONES SHELVE ALBUM AND START AGAIN Writing on their MySpace blog, the band said: "The songs recorded for 'Eros' are very special to us as they are the latest with Chi (and we certainly hope not the last); they have history and significant meaning to us. However, as we neared completion on 'Eros', we realised that this record doesn't best encompass and represent who we are currently as people and as musicians. And although those songs will see the light of day at some point, we collectively made the decision that we needed to take a new approach, and with Chi's condition heavy on our minds while doing so. We needed to return to the studio to do what we felt was right artistically. Our inspiration and unity as a band is stronger than it has ever been before and we needed to channel that energy into our music, and deliver to our fans what you rightly deserve: the best Deftones record that we can make". They added:"The decision to hold off on releasing 'Eros' has no connection with Chi's condition or anything associated. This was, and is, purely a creative decision by the band to write, record, and deliver an amazing product. As a result we feel like this is the best record we've ever written. And although Chi is not playing bass with us, his presence is dramatically felt in our hearts and on our minds everyday when we step into that studio, and you will feel it in the music". 50 CENT ON NEW ALBUM The rapper told MTV: "I feel like my album is as close to perfect as it's gonna get. I'm reaching the point to where if I have to continue to write it, I'll be overkilling it. When me and Timbaland go in, a lot of times it's a compromise. He's doing things that's a little different production-wise from what I would usually do". The album is now scheduled for release in September. RUMSPRINGA ANNOUNCE LONDON SHOWS To get their recently released free EP, go to www.rumspringamusic.com London dates: 3 Jul: Shoreditch, Catch ALBUM REVIEW: Slow Club - Yeah So? (Moshi Moshi) Buy from iTunes NEW CULTURE MINISTER STARTS THE BIG SCHMOOOOOOOOZE Whether he'll follow Andy's strategy of promising lots but delivering little remains to be seen. If Bradshaw's not completely clear on the Burnham appraoch, here's a quick reminder: "Oh you know what, we should really wait for 'Digital Britain' before we actually do anything and then, do you know what, thinking about it, this is really a global issue, tell you what, let's do absolutely nothing but I'll take a few trips to sunny places and mull it over with important looking politicians elsewhere, though not in France, boy let's not talk to them, we might end up doing something about piracy, no no no no, not that". I'm pretty sure that's how it went. Anyway, Mr Ben invited top blokes (and lady) from the music companies and key trade bodies for drinks in the back yard at number 10 Downing Street and, according to Music Week, told the amassed bods: "When Gordon rang me up about this job I was thrilled. So many people came up to me to say, 'You've got the best job in government'". He went on to commend Andy Heath and Feargal Sharkey, the two heads of cross-sector trade body UK Music - one of the motivations for the sort of industry-wide body, of course, was to enable the music business to present a more united front to government. Responding to the minister's kind words, Sharkey told Mr Ben: "We very much look forward to working with you". Amongst those on the guest list, apparently, were Sony UK boss Ged Doherty, Warner Music Europe chief John Reid, BPI supremo Geoff Taylor, Association Of Independent Music head honcho Alison Wenham, International Federation Of The Phonographic Industry main man John Kennedy and, Stephen Navin the, erm, I'm running out of alternative ways of saying 'boss', I don't know, the supreme leader of the Music Publishers Association. There were some artists there too: Robin Gibb, Beverley Knight, Yusuf Islam and even Natasha Bedingfield. Though it's possible she was on the catering staff, no one seems certain. -------------------------------------------------- IS P2P REALLY TO BLAME FOR THE MUSIC BUSINESS' WOES? Guardian tech man Charles Arthur argued that equating the millions of tracks illegally shared online with millions of pounds of lost revenue is stupid, because the file-sharing kids wouldn't have bought most of that music had P2P not been an option, they'd just have less music in their collection. He also pointed out that blaming all the music business's woes on file-sharing was wrong, because it ignored the increased competition from the film and gaming industries that has emerged in the last two decades, and which competes for the same consumer pound as music sales. Arthur concludes by asking why the record industry keeps on presenting these arguments against P2P file-sharing, because the blatant holes in their claims damage their case for better online copyright protection. He's right, of course, and we've made all those points on numerous occasions in the last ten years. But, as Feargal points out in his right to reply, the most recent stats on the loss of revenue caused by downloading didn't come from the record industry, but the government's IP Office. He also adds that while some past claims made by the record industry about the impact of P2P, both in terms of direct lost revenue and the fact it is single handedly destroying the industry, were unwise, that doesn't mean that any efforts to protect online copyrights should be immediately dismissed. And if you just give up trying to make money out of intellectual property rights, then the industry really will lose millions, and an actually quite good creative investment system will be lost. And he's right too you know. Look at us, going all conciliatory on you. Anyway, you don't need me to tell you all this, go read the articles yourself... Charles' article -------------------------------------------------- IS BMG NOW EYEING UP EMI? PROBABLY NOT Back when there were five major record companies - Universal, Sony, BMG, Warner and EMI - the fact the first of those was so much bigger than the other four meant there was frequent speculation two of the smaller majors would merge, with different rumours suggesting different combinations of merging companies, so much so every combination was mooted at one time or another I think. In the end, of course, it was the recorded music divisions of Sony and BMG that merged to create SonyBMG. Though if I remember rightly the merger was a bit of a surprise and was rarely considered the most likely major label merger until it actually happened. Of course after the big merger BMG owners Bertelsmann slowly started to ease themselves out of the music industry, first selling off their music publishing company (which wasn't part of the SonyBMG deal) to Universal, and then letting Sony buy them out of SonyBMG joint venture. However, they kept the BMG name and a handful of former SonyBMG recording catalogues and, as previously reported, recently launch BMG Rights Management. The aim of BMG Rights Management seems to be to approach the music industry differently to traditional record and music publishing companies, like that Bertelsmann used to own. From what I can see, that means it will get involved in all kinds of music rights, rather than focusing on, or having separate divisions dealing with, say, recording and/or publishing rights. It also looks like the company plans mainly to either buy up existing catalogues of content, or form business partnerships with artists, songwriters and other rights holders in which it will represent and administrate their IP rights globally, rather than signing and ploughing large sums of money into new talent, and the production of new sound recordings, as is the way of traditional record companies. Which makes the idea the new BMG company would want to buy EMI seem a little ridiculous - why reject the traditional music company model, and then buy a traditional music company, albeit one that has been radically restructured by the bosses put in by its most recent owners Terra Firma. But nevertheless, a German magazine called Manager Magazin claims that Bertelsmann is seriously considering attempting some kind of acquisition of some part of the London-based major. Though that might mean buying one or more of EMI's catalogue (recording or publishing) rather than taking over its new artist operation, which would fit more with the BMG Rights Management model as I understand it. Though why Terra Firma would want to sell off portions of EMI's catalogue I'm not sure, given back catalogue is arguably the company's greatest asset. So unless they were really desperate for cash, I'm not sure any offers to buy this bit or that part of EMI's content archive would be especially well received by the London major or their private equity owners. But who knows? An EMI rep told Billboard they had not been approached by anyone at Bertelsmann as yet, and Manager Magazin did suggest some kind of EMI archive purchase is just one of a number of possible routes to expansion the all new BMG is considering. So it's probably all pipe dreams and/or idle speculation as yet. Though Manager Magazin says that there are German equity firms talking to Bertelsmann about co-funding its new expansion in the music market. As previously reported, there have been new rumours of an EMI Warner merger, which would create a third major record company of similar size to those two company's main rivals, Universal and the post-SonyBMG Sony Music. It's not clear whether any such deal, if there were such a thing, would see Warner buy out EMI completely, or whether there'd be a true merger that meant Warner's shareholders would become business partners of Terra Firma in a bigger music enterprise. If EMI and Warner did merge - and we should stress all talk of merger is so far speculation - it is possible one or the other might have to sell of some of its archive catalogues to satisfy European competition regulators which would certainly provide an opportunity for the all new BMG if it is looking to swell its music rights bank. BBC PUBLISH SOME FUCKING RESEARCH The report was commissioned by the BBC Trust after the whole Sachsgate thing, and was written by the Beeb's Creative Director Alan Yentob and its boss of Archive Content Roly Keating. They said the Corporation needs to put together some clear guidelines to ensure that programmes were not guilty of excessive amounts of "intrusion, intimidation and humiliation" so "to ensure that everyone involved in programme making understands that such behaviours are unacceptable". The report said of TV that intrudes, intimidates and humiliates, "while they are all aspects of human behaviour which may need to be depicted, described or discussed across the BBC's factual and non-factual output, they must never be celebrated for the purposes of entertainment". That said, the report also says that the BBC shouldn't let itself get so wound up on issues of decency that it stopped taking "risks" in its programme making. 70% of the 2200 people surveyed said that the BBC should encourage creativity even if it risked offending some viewers, and 61% said the Beeb shouldn't be afraid to air material that some might find offensive. And putting it all into perspective, despite all the outrage that surfaced after the Sachsgate incident, the vast majority of those surveyed said that they weren't regularly losing sleep over standards of behaviour on TV, with many more respondents more concerned about standards of behaviour in wider society than on broadcast media. Nevertheless, the report added that producers do need to take more care about the content they air, especially when children might be watching. They also urged network chiefs to consider closely if programmes that are suitable on one channel can automatically be transferred to another without alteration - ie just because a show is acceptable on BBC3 doesn't mean it can be plonked straight onto prime time BBC1. Swearing seems to be a particular concern in that regard, as does adult chat on mainstream radio shows at times when families may be listening - so during meal times or the 'school run'. That last remark was arguably aimed in particular at Radio 1 and the Chris Moyles show. Responding to the report, BBC Trustee David Liddiment told reporters: "Ensuring audiences aren't exposed to unnecessarily offensive content, while guarding against stifling creativity, is a balancing act. Audiences clearly expect the highest standards from the BBC - and BBC One in particular. The Trust is determined that those standards are met and the new research and the commentary published today will help deliver this". -------------------------------------------------- CONOR MCNICHOLAS LEAVES NME Announcing his resignation on Twitter, he said: "I have resigned. Seven years as NME Editor coming to an end. It's been a fucking privilege. New job racing towards me... I'm leaving to go and edit Top Gear magazine at the BBC. Amazing job for a petrolhead like me. Will be at NME for a good few weeks yet". Predictably the news of McNicholas' departure led to speculation in the blogosphere that he might have been pushed, NME's falling circulation figures being cited as a possible reason. That seems rather unlikely, though, because while it's true NME's readership has declined during Conor's editorship, the decline is in line with industry-wide trends and has been countered by an expansion of the NME brand into new areas, online, on air and in the live domain, and into new territories, the US in particular. In fact it's assumed McNicholas' experience in taking an existing media brand and creating new products and revenue streams around it (something he's won awards for) will have been key in his appointment at Top Gear magazine, as BBC Worldwide is known to have ambitions to further utilise the popular motoring brand on a global basis. So, assuming we're not speculating on the reasons for Conor's depature what can we speculate on? Well, first who will get the top job at the title? IPC's Paul Cheal implies he hasn't as yet made up his mind on that one. And second, what is Calvin Harris, who's not been much of a Conor fan of late, going to do with all these t-shirts - http://twitpic.com/6w8u9? On seeing Conor's resignation tweet yesterday, Calvin responded: "OH MY GOD @ConorMcNicholas WHAT THE FUCK AM I GOING TO DO WITH ALL THESE TSHIRTS?!! YOU'VE TRULY DEALT THE KILLER BLOW, FAIR PLAY TO YOU". THIS WEEK'S SUB.TV PLAYLIST A List COBAIN GUITAR SELLS FOR $43K -------------------------------------------------- STATUS QUO DON'T GET THE GLASTONBURY FUSS Francis Rossi added that they hadn't played at the event, back in the day, because it was considered "second rate", saying: "It fascinates me how that gig has become groovy". -------------------------------------------------- SPECTOR REQUESTS GADGETS -------------------------------------------------- MOBY SAYS BRITISH MUSIC IS NOT EXCITING The Sun quote him as saying: "UK music has become very provincial and pub-orientated. It's hard to get too excited about pub rock. The bands look like they're hanging out at the pub and they sound like they are playing in a pub and the subject matter is very provincial and pub-orientated - laddish. It's not sexy or exciting and it's not very personal either. It's pleasant music, but pleasant music doesn't make me want to run out and change the world with my records". I think he might have a point there you know. -------------------------------------------------- ALLEGED CHRIS BROWN TRACK ON THE INTERNET "I pick up the paper and the headline reads Whether it's really him or not, I haven't got a clue. He's definitely at fault though, he admitted as much in court. |
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