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![]() C-MURDER FOUND GUILTY Just three hours after both sides rested, the jury briefly deliberated before being sent home for the day. The next morning they returned a verdict of guilty, but were ordered to deliberate further by Judge Hans Liljeberg after it was revealed that they had been deadlocked immediately prior to reaching their decision. Judge Liljeberg said the verdict was invalid as it appeared that one of the jurors had changed their vote simply to end deliberations. He pointed out that jurors considering lesser charges usual take over eight hours to reach a verdict and told the juror in question to think whether her vote had been in good faith. The invalid verdict caused Miller's lawyer Ron Rakosky to call for a mistrial for the second time during the trial, but his call was refused again. The jury left the court for another six hours before voting 10-2 in favour of a guilty verdict yesterday at around 1.30pm. Ten votes are the minimum required for a second degree murder conviction. As previously reported many many times, Miller was accused of murdering 16 year old Steve Thomas at the now closed Platinum Club in Harvey, Louisiana in 2002. The teenager was shot through the heart while being beaten by a group of men at a rap concert. The rapper has always maintained his innocence, but was convicted of the crime in 2003. However, the conviction was overturned a year later when Judge Martha Sassone agreed that prosecutors had improperly withheld background information on three eyewitnesses. In his closing statement on Monday, prosecutor Shannon Swain told the court: "If Steve Thomas were here today, he'd be 23. He'd want you to know C-Murder isn't his hero anymore. The last time he looked up to him was 12 Jan 2002. And the last time he looked up to him, he shot him". Miller's lawyer said that two of the prosecution's thirteen witnesses had provided weak testimony, including the previously reported Kenneth Jordan who claimed to have seen Miller shoot Thomas, but had, under cross-examination, revealed that he had reached a plea deal to have a sexual offence charge dropped in exchange for his testimony. Rakosky claimed that prosecutors had used "coercive tactics" to force Jordan to testify against his client, leading to his first call for a mistrial on Friday. The request was refused by Judge Hans Liljeberg, after which the prosecution rested its case. Rakosky told the jury in his closing statement:"These people didn't give you anything whatsoever that can help you tip the scale against Corey Miller". Members of Miller's family refused to accept the verdict, with his sister Germaine claiming that the prosecutors in the case were corrupt. His aunt, Marie Miller said: "This isn't over. This verdict is wrong. We will not let this rest". Rakowsky refused to comment, but prosecutor David Wolff pre-empted his next move, saying that the verdict would stand up on appeal: "The judge ran a very clean trial. Deliberating on a homicide case is difficult". The judge himself responded to suggestions that he had put too much pressure on the jury to reach their verdict, saying: "I don't think I pressured them at all. I told them if they could not reach a verdict to let me know". Miller must now serve a mandatory life sentence, pending any appeal. He is currently also awaiting sentencing on separate charges of attempted murder. DOHERTY IN COURT ON DRIVING CHARGES As previously reported, on 11 Jun Doherty was arrested in Gloucester and charged with drink driving and possession of class A drugs when police spotted him driving erratically after leaving the city's Guildhall venue, where he had been playing a solo gig. At a hearing the next morning he was freed on £50,000 bail, which was paid by his manager. The singer pleaded not guilty to a charge of dangerous driving, but admitted two counts of drug possession and driving without a licence or insurance. He entered no plea on the charge of drink driving. The case has now been referred to Gloucester Crown Court, where it will be heard on 2 Oct. Doherty has been released on conditional bail until then. Judge Joti Boparai lifted a curfew preventing him from leaving his Wiltshire home between 7pm and 7am, but banned him from travelling in the front seat of a car until his next hearing. Upon leaving the court, Doherty stopped on the steps to pose for photos and sign autographs. BRIAN MOLKO COLLAPSES ON STAGE IN JAPAN In a statement issued on Monday, the band said: "It is always incredibly disappointing when a show cannot take place for any reason, particularly on this occasion due to Brian being unwell, as we have looked forward for such a long time to these shows in Japan.We have undertaken a gruelling and intensive schedule over the last few months and the last couple of weeks alone played five countries in nine days. Brian picked up a virus which coupled with jet lag and exhaustion caused his collapse on stage. Thanks to prompt and professional care Brian is recovering well". I don't care how well he's recovering, I still think we should burn him just to be on the safe side. BROOKS & DUNN CALL IT A DAY CYMBALS EAT GUITARS SIGN TO MEMPHIS INDUSTRIES The New York-based band have just announced that they have signed to Memphis Industries for the UK release of their debut album 'Why There Are Mountains'. Produced by Kyle 'Slick' Johnson (Modest Mouse, The Hives), it'll be out on 26 Oct. MY DYING BRIDE FINISHING NEW EP A post on the band's official website said: "An October release date has been pencilled in but this may be put back a little depending on how the last days of recording go". The band's most recent album, 'For Lies I Sire', was released in March. ELTON JOHN GUEST ON ALICE IN CHAINS ALBUM Speaking about John's involvement, guitarist Jerry Cantrell said: "We were thinking about adding piano to the track and a friend suggested we call Elton. I remember laughing and saying, 'Yeah, I'll get right on that'. But I decided it was worth trying and wrote Elton an email explaining what that song means to us - that it's a real, raw openhearted song for Layne. We sent him the track and got a call shortly after saying he thought it was beautiful and that he wanted to play on it. We were blown away. Elton John is a huge influence on me as a songwriter and having him on that song is an amazing honour for us". He continued: "Elton was finishing his Red Piano run in Vegas, so we flew there and hung out for a few hours. Walking into a studio and seeing the sheet music for that song on Elton's piano made it meaningful on so many different levels. The whole experience was pretty magical". Elton added: "I've long been an admirer of Jerry Cantrell and when he asked me to play on 'Black Gives Way To Blue', I was very flattered and couldn't resist. It was a great recording session with Alice In Chains for a beautiful song". The album, 'Black Gives Way To Blue', is due for release in September. Here's the tracklist: All Secrets Known -------------------------------------------------- SEAN PAUL PRECEDES NEW ALBUM WITH FREE MIXTAPE Entitled 'The Dutty Chronicles', the mix has been put together by Federation Sound and can be downloaded as one mix or as individual tracks. NICK CAVE BOOK TO BE RELEASED AS IPHONE APP The iPhone edition, which will apparently be released before the print version, will allow readers to change fonts and colour and add virtual bookmarks when you decide to stop reading (you know, like a book). The text will automatically scroll up the screen (the speed of which you can adjust depending on your reading speed) and the audiobook version will be bundled with it. But the most interesting part is a feature that allows you to switch between the audio and text versions. If your eyes get tired, just pop in your headphones and Nick Cave will arrive (ie in recorded form, he will not actually 'arrive') to read the rest to you. Nick Cave and Bad Seeds collaborator Warren Ellis have also composed a soundtrack to the book, although I'm not entirely sure if this is included in the iPhone app or not. The hardback edition of the book will be published by Faber & Faber on 8 Sep. Cave's first novel, 1989's 'And The Ass Saw The Angel', will be re-issued to coincide with the new release. TWILIGHT SAD ANNOUNCE OCTOBER TOUR Tour dates: ALBUM REVIEW: Sally Shapiro - My Guilty Pleasure (Permanent Vacation) Buy from iTunes ANIRBAN SAHA JOINS ANORAK LONDON Anorak co-director Laura Martin told CMU: "We are extremely pleased to have brought Anirban into the company. He provides invaluable insight and digital knowledge which not only strengthens our award winning online PR department - headed by Alex Fordham - but in addition aids the company's growth as a whole. He'll also be using his marketing background to work on branding initiatives - he's a valuable asset to our team". FACEBOOK BUYING FRIENDFEED There are similarities between FriendFeed and Twitter, except my Mum has heard of the latter, of course. Facebook tried to acquire Twitter last year, and the FriendFeed deal - specifics of which are unknown - is a sign that the still dominant social networking website is keen to diversify into those newer areas of the web which could become a threat to more traditional kinds of social networking and online information sharing (if anything to do with the web can be considered "more traditional"). That said, insiders say Facebook are actually more interested in acquiring the techy talent that exists inside FriendFeed than the infrastructure they have already built, it having been an undeniable influence on many of Facebook's newer features. -------------------------------------------------- SPOTIFY HIRE FAISAL -------------------------------------------------- BETTER MICROPAYMENT SYSTEM NEEDED FOR ALBUM-FREE FUTURE But before those of you who advocate a single track/EP driven future for the music business get too excited, James Bates, a media expert from accountants Deloittes, has stepped in to dampen your optimism. He reckons the internet needs a better micro-payment system if single track releases is to become the future of the music business. Damn accountants, spoiling all our fun with technicalities. Bates: "Radiohead's [apparent] decision [to stop recording albums] does not signal the beginning of the end of the album. Over the short to medium term the album will remain an excellent medium for listeners to explore a bands' music and develop a relationship". He continues: "A future where music is released online in single or EP format, as and when bands choose, will require a more fluid and simpler payment system. It will need to minimise each transaction cost and reduce the overall number of card or bank transactions. Ideally such a micro payment system would be deployed across multiple websites to track users and reduce the time spent registering and recalling different login credentials". COWELL RE-SIGNS Cowell's three year involvement in the US pop talent show was confirmed by Robert Sillerman, the boss of CKX, the American media firm that owns Idol makers 19 Entertainment. He didn't discuss how many zeros appeared on the fee line of Cowell's new contract, though I hear that it was him getting rights to the axed Abdul's former hair products budget that clinched the deal. -------------------------------------------------- GUARDIAN CONSIDERING SUBSCRIPTION "CLUB" The club, which might have sub-sections for some of the broadsheet's niche audiences, like teachers, social workers and us media types, would offer readers a range of mainly online services, and may be access to some events. It's not clear how it would all work, but the club is basically a way of persuading readers to pay a monthly or annual subscription. We know this because LiberalConspiracy spotted that the paper had sent out a survey to some of its readers about such a paid-for service, though it does seem to be an idea just now - a spokesman told paidContent:UK: "A small representative group of people were asked a number of general open questions, [but] this is just at the ideas stage". CALVIN HARRIS: "ONE MAN'S PARTY IS ANOTHER'S HELLHOLE" He told tilllate (that's the new name for dance mag M8, remember): "I want to make music. I don't really party anyway, I don't drink any more either. I don't need to party and I've actually got too much to do all the time anyway. It's a subjective thing - one man's party is another man's fucking hellhole. There's a lot of them in London that I just don't want to be at, at all. Working is my partying; I have a party in my own little room... with me. On my own". |
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