![]() |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
NOTE: Make sure you 'enable images' to see this e-bulletin properly. WHAT IS THIS? You are receiving this e-bulletin because you are subscribed to the CMU Daily. Unsubscribe information is given at the bottom of this e-bulletin. | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
![]() |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
![]() AMY BACK IN SHAMBOLIC STYLE AT Q AWARDS The recently disbanded Oasis, although up for two of the publicly voted prizes, won neither. They lost out in Best Live Act to Arctic Monkeys, while Best Act In The World Today went to Muse. Then again, given the implication of present tense in that award name, I'm not sure Oasis should really have been eligible. Another artist who was expected to have at least one win - Florence & The Machine, up in three categories - also went home empty handed. Most tabloid attention was focussed on Amy Winehouse, back in the public eye to co-present the Inspiration Award to The Specials. True to form, she was nowhere to be found when the award was due to be presented, having apparently got stuck in a lift, leaving her co-presenter Don Letts to dish out the award on his lonesome. He joked with the audience, "What do I do if I'm Amy?" before downing his pint in one. An achievement that left the legendary Letts admitting, "I feel sick now". Winehouse did appear on stage as The Special's Terry Hall began his BNP-dissing acceptance speech, and followed it up by announcing to the audience: "Put your hands together for the most inspirational band of all times, The Specials". Commenting on this year's awards bash, Q editor-in-chief Paul Rees told reporters: "Q remains proud of the fact that its awards recognising musical achievement and excellence during the past twelve months are decided by the nation's music fans, who once again have voted in their thousands. We are equally delighted to honour the enduring influence of those artists who have shaped our musical landscape and continue to do so. Collectively, I hope the awards not only highlight the unique breadth of Q's musical world but also the fact that great music remains timeless, enduring and ongoing". Anyway, here's the full list of winners, especially for fans of full lists of winners: Best New Act: White Lies -------------------------------------------------- METALLICA OFFER REWARD AFTER FAN GOES MISSING A message on the Metallica website reads: "We are deeply concerned about the disappearance of 20 year old Virginia Tech student Morgan Dana Harrington, who was last seen while attending our concert at the John Paul Jones Arena in Charlottesville, VA, on Saturday night. Morgan has blonde hair and blue eyes, is 5'6", 120 lbs, and was wearing a black Pantera t-shirt, black skirt, and black boots. She was not carrying ID or a cell phone. Morgan was separated from her friends shortly before 9pm at the venue". They continue: "We encourage anyone who has any information regarding Morgan's disappearance to please come forward. Additionally, if you or anyone you know shot video footage or took photos of the concert or audience, please check to see if there is anyone in your photos who might resemble Morgan. Please contact the Virginia State Police at (434) 352-3425 or the UVA Police at (434) 352-3467 or [email protected]. if you have any information. Our thoughts are with Morgan and her family for her safe return". -------------------------------------------------- BOYZONERS GO TO LA TO DEAL WITH GRIEF LEWIS ATTACKER "NOT FIT FOR COURT" He was due to face charges of assaulting the singer at the City Of Westminster Magistrates Court yesterday, but the case was adjourned until 23 Nov while he undergoes further psychiatric testing. Kowalcyzk's lawyer, Mark Fidler, said that the results of the tests would dictate the way in which the court approached the case. -------------------------------------------------- CASH MONEY COMMENT ON LIL WAYNE CONVICTION In a statement, the pair said: "The Cash Money family will continue to support our artist and friend Lil Wayne in his current court case. We have worked with Wayne since he was a teenager, and have seen him grow into one of the world's most successful hip hop artists, with a work ethic that is second to none. Wayne has our love and commitment during this difficult time. We always have and always will stand behind him". As reported last week, Wayne changed his plea on charges on illegal weapons possession to guilty on Thursday. He was arrested in 2007, following a search of his tour bus when a police officer discovered a .40 calibre handgun. Wayne had always previously denied the gun charges. However, following news that the prosecution believed it had DNA evidence that could link Lil Wayne to the gun, which a judge subsequently ruled could by used in court, it seems the rapper got cold feet. Having changed his plea to guilty, it is now expected that he will serve between eight months and a year in jail. -------------------------------------------------- GERMAN INDIES SUE YOUTUBE As much previously reported, while everyone knows punters frequently post copyright infringing content onto YouTube, the video site has a policy of taking said content down as soon as it is made aware of it by the copyright owner. There is, however, some debate as to whether or not that is sufficient to stop YouTube from being liable for infringement for hosting the offending content between upload and takedown. Some content owners also object to the fact that the takedown system puts the onus on them to monitor YouTube for any infringement of their content. Those issues have only led to litigation in a handful of cases, mainly because YouTube is normally quick to enter into some sort of licensing agreement with any content owners looking litigious. Meanwhile, the video service has been honing its content recognition technology that, in theory, stopped infringing content from going live in the first place. The most high profile litigation to date is that being pursued through the US courts by MTV owners Viacom, which is ongoing. Yesterday Hamburg-based lawyer Jens Schippmann announced he was suing YouTube on behalf of 25 German based or linked artists and labels, perhaps most notably musical type Sarah Brightman, who often collaborates with German producer Frank Peterson. According to Billboard, Schippmann's legal papers claim that there is "clear evidence" that YouTube and Google "have been distributing so-called user-generated content without any permission of the copyright holders and the master owners". The papers add that "in addition, they have not pay any royalties since 1Apr 2009", a reference to the falling out between YouTube and German publishing collecting society GEMA, a turn of events that means artists like Brightman, whose content is appearing without permission, aren't even generating publishing royalties (though one would assume that eventually GEMA will reach a deal with Google, like their UK counterparts PRS did, and royalties for the period of the dispute would then be paid). Of course, technically speaking, since the falling out with GEMA all 'premium music content' should have been blocked on YouTube, at the video site's demand, though these things are hard to police when fans are constantly uploading new ripped off content. Needless to say, Google have denied liability, stressing their takedown policy and their investment in new technology to ease the content owner's workload in monitoring infringing content. A spokesman for the company in Germany told Billboard: "YouTube works closely with many thousands of copyright holders worldwide to make sure that they can manage their rights on our video platform. Our state-of-the-art Content ID tools go beyond what the law recommends by empowering rights holders to block, authorise or monetise their videos on YouTube in a way that is simple and straightforward". But, speaking out in support of the lawsuit, the aforementioned Brightman collaborating Peterson begged to differ. He said in a statement: "It would take almost 200 working days a year [to monitor YouTube and request takedowns]. This is a grotesque perversion, which is being scrupulously propagated by YouTube. The upshot would be that we will not have any time left to produce new songs". The claimants are asking the court to give them access to Google data to assess how often uncleared videos are watched. If this case did go to court it would be interesting, testing, as it would, service provider liability for any copyright infringement they enable, and the level of expectation, under the law, regarding takedown systems. Though by the time this, and the Viacom case, gets to court it might all be irrelevant, given that many feel that, even if YouTube's original takedown policy is deemed inadequate by the courts, the new automated takedown system Google has developed is more than sufficient. Past damages may be due, but it's unlikely there'd be any need for change of current operations. UNCUT AWARD SHORTLIST ANNOUNCED Like the Mercury, they do have a shortlist though. And here it is: Animal Collective - Merriweather Post Pavilion (Domino) Commenting on the list, Uncut Editor Allan Jones told CMU: '"If there's one thing at this stage that I think the judges can agree on it's that 2009 was another brilliant year for music, which of course just makes our job that much harder. It was difficult enough to pick eight albums from our original long-list of 25, and the task now of choosing a winner and runners-up from our short-list is going to be even more daunting. Every one of these albums would make a worthy winner of this year's Uncut Music Award and I am sure the final judging session will be full of passionate debate as the judges put forward their cases for their favourite albums. It promises to be an exciting afternoon and I look forward to hearing the views of the other judges on these exceptional records". NME TO LAUNCH THEIR OWN CHART Confirming the new chart, NME Publishing Director Paul Cheal said these very words: "NME was responsible for publishing the first ever singles chart in the UK, all the way back in 1952. It's appropriate then, as the singles market has enjoyed a massive resurgence thanks to digital downloads, that we are once again able to provide an official NME Chart. At a time when the main charts are dominated by pop acts, we hope the NME Chart will become a valuable tool not just for NME's audience but also record labels". Meanwhile Charts Company overlord Martin Talbot told CMU: "We are delighted to be working with NME to create this brand new chart, which will provide a shop window for UK music fans' favourite alternative music. It feels apt to be working together again with this famous music brand, that created the singles chart as we know it and love it, six decades ago". -------------------------------------------------- ROBBIE GOES FOR XMAS NUMBER ONE Williams will release 'You Know Me', taken from his new album, 'Reality Killed The Video Star', on 14 Dec, with the 'X-Factor' winner's single released the following week. MORE ON THE JACKSON ESTATE'S ALLEGED UNIVERSAL TALKS According to the New York Post, executors John Branca and John McClain are in talks with both Universal and Sony about the unreleased Jackson catalogue, the latter having released that 'This Is It' track (recorded during Sony-funded sessions in the eighties) as part of the soundtrack to the Jacko documentary film, of course. Unsurprisingly, Branca and McClain are looking for a large upfront payment and higher-than-normal royalty for the new material. It's thought the executors hope to play Sony and Universal against each other to score a bigger payment. But my favourite bit of the Post article isn't the repeated revelation of the Universal negotiations, but one of their source's quotes. They note that Universal have officially denied they are interested in the Jackson songs, but add that a Sony insider had admitted to them that the Jackson estate was in talks with one other bidder other than them. That insider wouldn't say who the other bidders were though. The Post then explain the logic of their speculation that the other suitor is Universal, by quoting a source who says neither of the other music majors could be in negotiations with the Jackson clan because Warner Music is too weak internationally to exploit the new Jackson catalogue and "nobody talks to EMI any more". Nice. -------------------------------------------------- WARNER/CHAPPELL TO REPRESENT BACHARACH IN UK Bacharach said this: "After a number of years of enjoying a close association with Warner/Chappell in several territories, I have just this year expanded it to include Italy and the United Kingdom. It means a great deal to me to continue with the Warner family and to extend my creative relationship with them to the UK". Warner/Chappell UK MD Richard Manners added: "Everyone at Warner/Chappell UK feels deeply honoured that Burt is building on his relationship with us here. We intend to use all of our creative expertise and resource to add real value by intelligently promoting and exposing this astonishing catalogue of songs". LIGHTSPEED CHAMPION ASKS FANS TO RECORD SYMPHONY Announcing the project, Hynes said: "Throughout the year, I have flirted with various forms of classical music. Eventually, I ended up writing and completing what I feel is a D-list symphony, of sorts. An ode to my favourite composers. I know so many people out there are extremely talented, so I figured, why not give the scores away". The first scores released are for piano, which can be downloaded here: tinyurl.com/lscpiano. Anyone wishing to get involved should email their recordings in the highest quality possible to [email protected]. FALL OUT BOY GREATEST HITS GETS UK RELEASE As previously reported, a limited number of copies of the compilation bought through the band's fan club will come with a lock of bassist Pete Wentz's hair, as lopped of live on stage recently by Blink 182's Mark Hoppus. WORK STARTS ON MIGHTY BOOSH FILM They confirmed the news while attending the premiere of the new film by Boosh director Paul King, 'Bunny And The Bull', in which they both play small parts. Fielding also said that they were working on an album, but it's not clear if this is a soundtrack to the film or a separate project. Barratt told the BBC: "We've been very inspired by ['Bunny And The Bull'] because we've been doing the show and touring a lot and we've finally got round to writing. We try and do, on TV, quite magical epic journeys and we thought if you're doing a film we should really do it in one room, basically just kind of a sitcom for 90 minutes. So we might do that. We might do exactly what we didn't do on TV". MORRISSEY BACK ON STAGE TONIGHT -------------------------------------------------- LADY GAGA ANNOUNCES UK TOUR Tour dates: 18 Feb: Manchester, MEN Arena ------------------------------------------------- LA ROUX ANNOUNCE 2010 TOUR DATES Tour dates: 26 Apr: Reading, Hexagon POSSIBLE REUNIONS FOR GLASTO He told BBC 6music at the Q Awards: ""I've just been talking to Michael [Eavis]. There's place for me there, but I have no idea who with". Elsewhere in possible Glasto reunions, Jarvis Cocker has said he'd like to play the festival with a reformed Pulp. Cocker told The People: "Glastonbury means an awful lot to me, I would love to play there again. We've talked about it, there we go; there'll be a band reunion". ALBUM REVIEW: Phil Kieran - Shh (Cocoon Records) After easing us in with 'Cut Copy Waste', he fires things up nicely with the moody 'Playing With Shadows' and the rough beats and angry mech sounds of 'Dirt'. It's a good start. But then he lets himself down with the grating siren samples on 'RESP', while the odd noodling of 'Bend It' is just a waste of disc space. By far the best track on the album is 'Don't Look Far Away', which is more downtempo than much of the rest of the tracks on offer and reminds me of techno days gone by. Elsewhere, 'Never Ending Mountain' is the most accessible track, and brings things to a close well. Overall, I don't think 'Shh' is all that great. It does sum up a lot of Kieran's influences, and a few ideas work OK. But some really don't. PV Physical release: 26 Oct Buy from iTunes BIG JON PROMOTED AT EMI PUBLISHING RADIOCENTRE CALL FOR MORE RELAXATION OF LOCAL RADIO RULES OfCom restrictions regarding how much local content a local station must air, and where that content can be produced, have been criticised by the commercial radio sector for a while now. The RadioCentre's latest ramble on the issue comes as part of its response to the government's ongoing 'Digital Britain' consultation. Those who oppose more centralisation, both in terms of increased syndication of national programmes, and the shift of local programming to bigger regional studios, fear that such cost cutting will bring about the end of truly local radio as we know it. That said, as such measures become less about boosting local radio firm's profits, and more about stopping them going out of business altogether (or at least that's the way it seems) government and the regulator have been more willing to relax rules. In their latest submission, the RadioCentre insist that "greater flexibility [in the rules] would enable [stations] to serve listeners better", adding: "These changes are particularly important for smaller stations, which offer a vital local service for communities but need greater freedom to re-organise their operations in order to face up to the challenges of the digital age". As previously reported, after the publication of the government's 'Digital Britain' report earlier this year, former GMG Radio chief John Myers provided a specific report on the commercial radio sector, and urged OfCom to start assessing local radio services based on the value they offer to the local community rather than where their operations are based. Some of Myers and RadioCentre's proposals would require a change in broadcasting laws, and the trade body hope that might be achieved in the proposed Digital Economy Bill. Commenting on it all, RadioCentre man Andew Harrison said this: "Locally relevant material is of far more interest to listeners than the importance of where the content was made. We need to be clear that we are not asking for relaxed regulation to reduce localness, far from it - in today's complex media landscape, the localness of a local radio station can only become a more important way for it to distinguish its product form its competitors. We welcome the opportunity to work together in moving as quickly as is possible to implement these deregulatory changes". -------------------------------------------------- BLAXILL GETS BIGGER BAUER ROLE In his new role he will oversee the music policy of Bauer's local FMs, as well as working with programme directors at each station to develop "strategic creative relationships" with record labels and pluggers. Confirming Blaxill's new role, and moves to form stronger relationships between stations and the music business, Bauer Media radio big cheese Dee Ford said this: "As we continue our efforts to capture more audience share, it is essential that we deploy our best creative resources to the greatest possible effect. This will be invaluable as all our stations seek to grow loyal audiences and forge relationships with key industry partners". Elsewhere in the world of Bauer Radio, Michelle Surrell has stepped down as MD for the North West, having worked for the company (and its various predecessors) for 22 years. In an internal memo published by Radio Today, the aforementioned Ford said this: "I'd like to thank Michelle personally for all her hard work. She has been a great ambassador for the business and is passionately committed to each and every station she has worked in. Her roles as MD of Rock FM, Radio Aire, her time as MD of Big City leading to her current role as Regional MD of Bauer in the North West have all played a part in the success of Big City". -------------------------------------------------- PLAN FOR COMBINED BBC/COMMERCIAL ONLINE RADIO LINKS MACHINE Commercial radio trade body RadioCentre already offer such a service for commercial radio stations, though given different stations webcast in different ways, it's not an especially pleasant experience for the user. Whether the new service will aim to offer a more compelling user experience, or just add in the BBC stations, isn't clear. A more compelling user experience would, of course, require investment, and it's not clear if commercial radio firms would be willing to contribute, while the BBC might not be allowed to. As it is BBC Radio bosses will need BBC Trust approval to get involved in the proposed industry-wide website, and the Trust haven't been especially keen on joint ventures between the Beeb and its commercial rivals of late. Confirming their involvement in the new venture, RadioCentre's Andrew Harrison said: "I think it's going to be quite a breakthrough project. The sector wants it to happen and we are working in a cross-industry team. I'd hope we would have something ready to test shortly, before Christmas". BBC radio man Tim Davie told the Independent: "I would argue that currently we are somewhat underpowered in terms of a radio offer online, and that's where radio faces a real threat as people can go to other services and get their music globally". -------------------------------------------------- KISS TURN OFF NOW PLAYING FEED TO AVOID BEING COMPAREDMYRADIO.COM As previously reported, Absolute's digital development team recently launched a new website called CompareMyRadio.com, which taps into online playlist information from numerous radio stations in order to compare the sort of music rival services play. The idea is that it gives music fans the chance to work out which radio stations may be playing music to their taste. The Kiss team are concerned that the new service will misrepresent their output. Why? Well, they have a good point actually. Radio stations that tell you what is 'now playing' on their website do so by taking a feed from the computer in the studio that actually plays the music you hear on air. Which is all fine for day-time radio shows that are centrally playlisted and which take all their music from said studio computer. But specialist show presenters, who have a free reign on what they play, normally by-pass the computer and use these weird things called CDs and records instead. That music often doesn't get displayed in the 'now playing' box on the website, and would therefore not factor into CompareMyRadio.com's analysis of the sort of music a station plays. Which means stations who pride themselves on having great, credible, on-the-ball specialist shows in the evenings would be exclusively assessed based on their (possibly shit) daytime playlists. Kiss chief Steve Parkinson told Radio Today: "Our concern is that this doesn't look as if it's a like-for-like comparison. From a Kiss point of view the system doesn't seem to track the full range of Kiss programming. Unlike most other radio stations much of our output is not on a computer due to our specialist mix that champions new music upfront, so doesn't seem to have captured the actual variety that we are proud of". With all that in mind Kiss have chosen to withdraw from comparemyradio.com, though the only way they can do so is by turning off the data feed on their website that the Absolute-owned service taps into, which is a shame because it means Kiss listeners lose that service also. Other solutions would include having specialist show presenters input their 'now playing' data manually, though given most specialist shows in commercial radio are one man (or woman) operations, that probably isn't a viable solution. That said, most specialist show presenters do publish their playlists after their show, so perhaps CompareMyRadio.com - despite being all about this clever little bit of feed amalgamation software - needs to have a human being typing in those playlists once a week to give a more accurate representation of what music stations with specialist shows actually play. Or perhaps Kiss could just live with being misrepresented. Hey, they're a youth station, surely being misrepresented by the establishment comes with the territory? TOTAL ROCK WORLD ALBUM CHART 1. Paramore - Brand New Eyes (Warner/Atlantic) AKON TAKES GIG SECURITY INTO HIS OWN HANDS One gig goer told Aussie music site Undercover: "They were three songs into Akon's set when a fight broke out. He finished off the song then came over to the side of the stage. Then he went into the crowd to try and break up the fight but got pretty vicious". Noting the various issues that have surrounded him getting a visa to perform in Australia, where some political types expressed concerns about his criminal record, Akon subsequently shouted to the crowd: "I don't know if you all know how hard it [was for] me to get here. It took me almost two years for Australia to let me back in the country and I am not going to let them fuck up our concert tonight". Akon escorted the fighters off the premises, but they seemingly got back in and started another fight. Akon stopped the gig a second time to order the fighters be removed, though I don't think he got personally involved that time. Anyway, I don't know why I'm spending so much time telling you this, you can watch it for yourself on this YouTube video: www.youtube.com/watch?v=4wjaHPAKLVo -------------------------------------------------- N-DUBZ WOULD "BURY" BLAZIN SQUAD |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
SUBSCRIPTIONS>> CMU Daily is a free daily e-bulletin for people working in the music industry and music media, delivered direct to your PC each morning. If you want to stop receiving this e-bulletin click the 'unsubscribe' button below and follow the instructions. If any of your colleagues want to receive the CMU Daily tell them to email their name, company, job title and email to [email protected]. If you would like to recieve the CMU Daily as a text email, send a blank email from the email address you are registered at to [email protected]. MEDIA PEOPLE>> If you are looking for an independent quote on anything to do with the music business, or you need someone to come on your TV or radio show and talk music business, then we can help. There's nothing we don't know about. Email requests to [email protected] or call 020 7099 9050. CMU is published by and (c) UnLimited Media - www.unlimitedmedia.co.uk Send news stories to [email protected]. If we don't respond directly, we do apologise, only we get sent hundreds of emails a day and don't have time to respond to every one of them. However we do check every email sent to the musicnews email address, and do pull out stories that we feel are relevant to our readers. Send CDs for review to CMU, UnLimited Media, 221-222 Shoreditch High Street, London, E1 6PJ. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||