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WHAT IS THIS? The CMU Daily - to which you are subscribed. Unsubscribe information is at the end. NOTE: Make sure you 'enable images' to see this e-bulletin properly. CLICK HERE to read this online. |
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"The best music business training event I have attended; relevant and up to date, your knowledge of and enthusiasm for the industry is simply exceptional" from delegate feedback We are currently taking bookings for the following CMU TRAINING courses: MUSIC RIGHTS - INSIDE & OUT A beginner's guide to music copyright - everything you need to know about copyright law, licensing, monetising copyright, the fight against piracy and the future of the music rights industry. Wed 23 Feb 2011 For more information or to book visit www.theCMUwebsite.com/training |
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![]() ![]() ![]() TWENTY PARTIES INTERESTED IN WARNER, IS ONE OF THEM GARY? As previously reported, owners of the US-based music major has called in the clever, clever experts (aka economy destroying idiots) from investment bank Goldman Sachs to review the company's options, which might include expanding through an acquisition of some of EMI, or a sale of some or all of the Warner Music empire, or a combination of the two. Insiders say that some of Warner's bigger shareholders feel that if they are going to sell some of the company they should do so before Citigroup formally puts EMI up for auction, and are therefore already sounding out possible buyers. Over 20 of them. And if the Daily Mail is to be believed, one of those possible buyers being sounded out is a certain Mr Gary 'The Guy' Hands of Biscuit Street, Guernsey. As previously reported, Hands said in a speech last week that he would consider buying back EMI, the music company into which he pumped two billion before it was repossessed earlier this month by Citigroup, the bank which had financed his entry into the music business in 2007. But only, he added, if "the price was right". As it stands, Citigroup seems to value the EMI of 2011 somewhat higher than Hands does. Why Hands would now want to buy into a different music company, given how much EMI cost him both financially and in terms of reputation, isn't clear. Though if he could lead a consortium of bidders who would share the risk, he certainly has more knowledge of the music business now than many of his private equity rivals, and perhaps once in control of Warner he could engineer the long anticipated merger of it and EMI. Though that is, of course, a merger that could face competition regulator issues. No one official at Warner, EMI, Citigroup, Goldman Sachs or Terra Firma is commenting on any of this, but hey, it's fun to speculate. Also linked to a Warner bid, and more realistic it would seem, are BMG backers KKR and its rivals in the upstart music publishing domain, Imagem, both of whom have been very acquisitive of late. That said, while BMG has indicated it would be interested in expanding its sound recording catalogues, it seems likely Imagem would only be interested in Warner's publishing business Warner Chappell. ![]() ![]() ![]() UB40 FOUNDERS FACE BANKRUPTCY Details of that investigation are not clear, though when former frontman Ali Campbell quit the band in 2008 he claimed he did so because of concerns about the way the outfit's financial affairs were being handled by the band's management. At the time he said he had asked for the band's finances to be investigated, which may have led to this week's bankruptcy proceedings. Shortly after, the band's keyboardist Michael Virtue also quit UB40 expressing similar concerns to those of his former bandmate. The five UB40 men who face the bankruptcy proceedings are Ali's brother Robin plus Brian Travers, Terence Wilson, Norman Hassan and James Brown. ![]() ![]() ![]() BONO JOINS PROTEST SONG DEBATE IN SOUTH AFRICA The head of the youth wing of South Africa's African National Congress party, Julius Malema, was criticised last year for singing the song, called 'Ayasab' Amagwala'. But in an interview ahead of a gig in Johannesburg this weekend, Bono said he felt it was OK for people to sing old protest songs in the right context, including those with inflammatory lines relating to old political conflicts, because they become simple folk songs for a once suppressed part of the population. He seemingly equated 'Ayasab' Amagwala' with Irish folk songs he sang as a child which glorified the early days of the IRA. Bono told South Africa's Sunday Times: "[When] I was a kid I'd sing songs I remembered my uncles singing ... rebel songs about the early days of the Irish Republican Army. We sang this and it's fair to say it's folk music ... as this was the struggle of some people that sang it over some time". However, he conceded that there was a time and a place for singing such songs, adding: "Would you want to sing that in a certain community? It's pretty dumb. It's about where and when you sing those songs. There's a rule for that kind of music". The comments caused outrage among some parts of South Africa's white community, with one Afrikaans musician, Steve Hofmeyr, announcing on Twitter he'd thrown over £400 worth of tickets to the U2 gig into a river in protest. Though the boss of a Johannesburg radio station which had aired several angry comments from listeners about Bono's remarks, later told the Daily Telegraph that the outrage had quickly died down and that most realised that the U2 man's comments were about protest songs in general rather than the ongoing debate in South Africa about 'Ayasab' Amagwala'. Talk Radio 702's Sheldon Marais said: "Anytime you mention this song, you are guaranteed to stir things up. There was a lot of discussion about this, a lot of anger from call-ins. [But] it has died down during the day, and I think people realised he [Bono] was not endorsing Malema and this song, just talking about protest songs in general". It's not the first political debate to spin off from U2's current South African tour. A union representing mainly black roadies and technical staff were threatening to picket the band's show yesterday over claims many live music promoters in the country hire white staff by default. The union didn't have a problem with the band itself, in fact the aim of the protest, organisers said, was to raise Bono et al's awareness of the alleged issue, presumably to win some high profile supporters in the music business. Though the company which has organised backstage staff for the U2 gig, Gearhouse Group, insists that half of the technicians it hires are black. -------------------------------------------------- PJ HARVEY TO BECOME OFFICIAL WAR SONGWRITER? The museum's Roger Tolson was responding to an interview Harvey gave to Radio 4 talking about her new album 'Let England Shake', which was inspired by two and half years of research into military conflicts. Harvey said: "I started wondering where the officially appointed war songwriter was. You have got your war artists, like Steve McQueen, and your war photographers. I fantasised that I had been appointed this official songwriter and so I almost took on that challenge for myself". In 2006, Steve McQueen (the British artist, not the legendary Hollywood actor, obviously) went to Iraq as part of the Imperial War Museum's official war artists' programme, producing the work 'Queen And Country' as a result. Responding to the Radio 4 comments, Tolson told The Guardian: "We are certainly interested in working with PJ Harvey. It is something we can take forward as we have never commissioned anybody in that capacity. We have never sent a musician out to a conflict zone". ![]() ![]() ![]() STOKE RADIO VETERAN DIES Hilton was 40 when he gave up his job at the local council to become a full time DJ on BBC Radio Stoke, having originally taken over a weekend show from a certain Bruno Brookes, who was then heading to Radio 1. From 1988 he was a key presenter on the BBC local station, which broadcasts to North Staffordshire and South Cheshire. In 2001 he and his second wife Verity Hilton, who frequently worked with Plank on his radio projects, moved to BBC Stoke's commercial rival Signal Radio, where he presented shows on the oldies station Signal 2. With an entrepreneurial spirit, Plank left Signal in 2008 to help launch a new digital station in the area called Focal Radio, though the company created to operate the station soon hit hard times and, despite Plank himself reportedly loaning the company money, the station went off air in May 2009. More recently Plank presented shows on a local community station called Moorlands Radio, most recently in December. He overcame a battle with throat cancer in 2008, but was told a secondary cancer had returned last September. Paying tribute to her late husband, Hilton told the BBC: "I am so proud of the way Sam has had the courage to battle this illness, never moaning or complaining or asking 'why me?' - even though many of us around him asked that question. It has been a tribute to the man he is that so many people of all walks of life have called to see him or spoken to him over the past few days and weeks". ![]() ![]() ![]() A VERY QUICK GRAMMYS ROUND UP Elsewhere at America's big awards party, Jay-Z and John Legend both got three awards too, while Eminem, despite leading the shortlists with ten nominations, only took home two prizes on the night. As for the Brits (that is to say British artists nominated for a Grammy, not our rival awards event), guitar man Jeff Beck got two prizes, while La Roux won the Best Electronic/Dance Album award, Muse got Best Rock Album, Iron Maiden Best Metal Performance, Sade Best R&B Performance and Paul McCartney won Best Solo Rock Vocal Performance for his live album 'Good Evening New York City'. A Beatles box set also won the prize for Best Historical Album. Because yes, the Grammys is the sort of awards event where there are so many prizes there's even one for Best Historical Album. You can check out all 18,909 winners on the Grammys website at www.grammy.com/nominees. And don't forget to tune into the BRITS tomorrow and, if nothing else, admire how we manage to do the whole thing with just thirteen awards. -------------------------------------------------- JEDWARD GET IRISH EUROVISION TICKET I thought we already knew that, but it seems the dynamic duo had to win the support of the Irish people for the privilege. Imagine that, the people helping choose what artist and song should represent Ireland in the big Song Contest, what a crazy system, better for a BBC twonk to just decide that Blue should sing one of their terrible tunes, save all the bother of a public vote. Though, of course, had the Beeb gone with the traditional prime time 'choose the UK song' competition this year, as normal, Blue would almost certainly have won anyway. Well, providing it was a pissing competition. Anyway, Jedward had to compete against four others to get the Irish Eurovision ticket. One of their rivals, singer Nikki Kavanagh, actually got more points from the judging panel, but a viewer vote secured the deal for the tedious twosome. So Jedward versus Blue it is. I wonder which pop outfit will work their magic best and secure that all important second to last place in the big Euro songs fest. As long as John and Edward know to get to the cash machine before Blue boy Antony Costa I'm sure all will be fine. ![]() ![]() ![]() RONSON INFLUENCE HELPED MAKE BEST BLACK LIPS ALBUM EVER, SAY BLACK LIPS Speaking to InterviewMagazine.com, Swilley said: "We really wanted to [work with Ronson]. Just because we'd never worked with a producer before, and we wanted to see what it was like. And it turned out being really awesome". Insisting the Ronson influence hadn't resulted in a "radical departure" from past releases, he continued: "It doesn't sound like an arena-rock record, or electro or anything. I just think it's arranged really well and the sounds are really good. It's not a radical departure, but I think it's by far the best thing we've ever done". The release date for the new album is tbc. ![]() ![]() ![]() RADIOHEAD RELEASE NEW ALBUM And there's no sliding scale this time, just a fixed price. And that price is £30. Yep, £30. As experiments go, this one will possibly be more interesting than the previous one. The band are billing 'The King Of Limbs' as "the first newspaper album". What that means, I'm not sure, but here's what your 30 quid gets you: - The album on two ten-inch vinyl records If you don't like vinyl and CDs, you can also get the album in digital form only, with MP3s costing £6 and wavs £9. Downloads will be available on 19 Feb, while the physical parts of the package will ship on 9 May. Get your hands on it all at www.thekingoflimbs.com -------------------------------------------------- LUPE FIASCO: FAN PETITION ENSURED ALBUM RELEASE Originally tipped for release in late 2009, the rapper told fans his finished album was with Atlantic last July. Eager for its release, but with the label seemingly in no hurry to make the album public, his fans staged an online petition last summer, and subsequently a protest outside Atlantic's New York offices. Fiasco subsequently told fans a March 2011 release date had been set, and that now seems likely to go ahead. Speaking about the long awaited album to Undercover, the rap man said: "If it wasn't for the petitions and it wasn't for the protests, this album probably still wouldn't be out. It'd probably still be 'Yo, Lupe, what's up with the record, what's going on?' We had all but given up on it, like a 'Let's just call it quits and go our separate ways' situation. In the midst of that you get the petition and you get the fans coming out and protesting and whatever they're going to do". Implying Atlantic wasn't 100% happy with the album, or the idea of releasing it, he continued: "[The petition] motivated both parties to say 'Let's look at this from a different way: you don't want to ostracise your fans, we don't want to be demonised in the press as being bastards. Let's come together and compromise and just put out the music'. At the end of the day the best that we could do for both of us was to put this music out, and that's what you get: 'Lasers'". -------------------------------------------------- GUILLEMOTS TO RELEASE THIRD ALBUM We've not heard any of the album yet, but good old Fyfe does his best to convey something of the intent and inspiration of the record, explaining: "The songs had to sound as if they were being heard through the night sky, sleepwalking their way onto tape. But they also needed to survive on a piano or acoustic guitar, and still grip you, still have a rawness and directness that would move you without relying on the arrangements. So it was all about trying to attain this wonky balance of sharpness and blurriness. We wanted to make a record that would completely surround you as you listened to it, fill you with warmth". Well, that all sounds very nice. Tracklisting: Walk The River HERCULES & LOVE AFFAIR CONFIRM UK TOUR DJ Andy Butler and his nu-disco ensemble will appear at the following dates: 10 Mar: Brighton, Digital ![]() ![]() ![]() FESTIVAL LINE-UP UPDATE CORNBURY, The Great Tew Park, Oxfordshire, 1-3 Jul: Held in the grounds of a country estate in Chipping Norton, Cornbury will this year host headlining acts James Blunt, Status Quo and the still fairly recently reformed The Faces, who will again be fronted by flame-haired Simply Red siren Mick Hucknall. Also confirmed are the venerable Ray Davies, Cyndi Lauper and the not-so venerable Olly Murs. Sophie Ellis Bextor, Imelda May, Eliza Doolittle, The Like and Buffy Sainte Marie will bring a feminine element to the rural proceedings, while The Saw Doctors, John Allen and Bellowhead will not. www.cornburyfestival.com DOUR, La Machine A Feu, Belgium, 14-17 Jul: A whole lot of dancey types are to jump around with existing headliners House Of Pain at this year's Dour fest, including superstar DJ Erol Alkan, The Japanese Popstars, Jamaïca, Shy FX & Digitalsoundboy System and Luke Vibert. Vitalic will also present his 'V Mirror Live' set in the Last Arena, which apparently features two giant steel and glass mirror-like structures - okay, mirrors - and an awe-inspiring LED display. www.dourfestival.be/en/ GLASTONBURY, Worthy Farm, Somerset, 22-26 Jun: Just in case you weren't aware, Beyonce has ended much speculation as to whether she will perform at Glastonbury this year, by confirming that she is to play a 90 minute set at the close of the festival. Having attended Glasto in 2008 to watch hubby Jay-Z's controversial headline set, she has been gushed about returning to Worthy Farm, quoted in a press release as saying: "This really is the biggest festival in the world and I cannot wait to perform there. Everyone who attends is really appreciative of music and is in such a good mood that entire weekend. I'm pumped just thinking about that huge audience and soaking up their energy". www.glastonburyfestivals.co.uk LIVE AT LEEDS, various venues, Leeds, 29 Apr - 1 May: Organisers have released the names of the first wave of acts set to hit Leeds at this year's citywide music happening. Leading lights Anna Calvi, Pulled Apart By Horses, Young Knives, The Duke Spirit and Aloe Blacc are accompanied on the bill by an exciting line-up of emerging artists including Cocknbullkid, Dutch Uncles, Slow Club, Swimming, Spark and The Chapman Family. Since The Whip are playing almost every festival this summer, it makes sense that they are also booked to appear at this one. www.liveatleeds.com ![]() ![]() ![]() ALBUM REVIEW: Poly Styrene - Generation Indigo (Future Noise Project) Physical release: 28 Mar ![]() ![]() ![]() SONY MUSIC APPOINTS GATFIELD Gatfield was the big A&R hire at EMI after Terra Firma had taken over and fired everybody. Despite various changes to his job title and remit while with the major, he still managed to sign Tinie Tempah, Eliza Doolittle, Deadmau5 and Swedish House Mafia, despite all the insecurity that surrounded EMI's long term future. Gatfield was one three senior execs to depart the flagging record company in September last year. In his new job, which he'll take up in May, Gatfield will report directly to Sony Music UK CEO Ged Doherty, with the MDs of the Sony label divisions then reporting to the new recruit. Says Ged: "Nick is one of the most successful executives in the music business today. I'm thrilled he is joining us - he brings a wealth of experience to the Sony Music UK management team at what is a crucial time for the music industry". Gatfield himself told CMU: "I'm delighted to have the opportunity to work with Ged and the music team to further establish Sony UK as the natural destination for the best artists in the market and become the leading exporter of UK talent around the world". -------------------------------------------------- BRITISH INDUSTRY HAS ANOTHER GOOD YEAR IN US The success of Taio Cruz, Jay Sean, Susan Boyle and Sade (now, there's a supergroup I'd like to see) helped the UK record industry increase its share of the US market slightly, with its share of the US album market up from 9.6% to 9.8%, and its share of the singles market up from 6.6% to 6.7%. That might not sound like much, but it makes the UK the second biggest source of repertoire in the US market after home-grown acts. BPI boss man Geoff Taylor told CMU: "Music remains an area where Britain can be enormously proud of its international success. This is not just good for exports and our balance of payments, but also helps tourism and strengthens our reputation abroad. Our increased share of the US market is down to the extraordinary breadth of our native talent and the efforts made by UK labels in investing and promoting British music around the world. We must maintain our high levels of investment in talent at home if we are to continue this success abroad". -------------------------------------------------- UNIVERSAL UK DIGITAL DIRECTOR JOINS WARNER DOWN UNDER It's not Appleton's first stint in the Australian record industry, she having previously worked for EMI down under before joining V2 in the UK and, later, Universal, after its acquisition of the London-based indie. Appleton told Music Network: "I'm very excited to be back in Australia - not just because of the 30 degree heat difference! Having specialised in digital in more recent years I'm raring to get back to marketing ensuring that digital is integral throughout". ![]() ![]() ![]() PANDORA PREPARING IPO Although Pandora, like most digital music services, has had some wobbles over the years as it tried to reach viable licensing deals with record companies and music publishers, it does seem to have secured a level of stability that most in the streaming content space currently only dream of through a combination of ad and subscription revenues. That has arguably been achieved by offering limited on-demand functionality, which reduces licensing costs, and resisting the temptation to expand globally into territories - including Europe - where licensing terms are less friendly. It is thought Pandora could be one of a number of digital IPOs in the next year or so as City types - feeling more flush than they have for a while and having long forgotten about the dangers of investing in internet ventures with no obvious long term revenue streams - clammer to get a slice of the social media digital content pie. Actually, compared to most firms likely to go the IPO route, Pandora is probably a safer bet. ![]() ![]() ![]() TILLLATE GOES DIGITAL Of the new venture, Editor Kevin Farlane told reporters: "We've watched the magazine market change, social media explode and an incredibly huge online asset emerge and grow in the form of tilllate.com. It makes sense for us to capitalise on it. We know that although people want an increase in the frequency of their information from magazines, they also want substance and a high quality threshold in terms of feature editorial and photography. It's about giving them a wealth of great content by utilising the best elements of traditional and new media". M8 became Tilllate after it acquired the social network of the same name in 2009. ![]() ![]() ![]() RONNIE WOOD SEEMINGLY NOT BREAKING UP WITH GIRLFRIEND |
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