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WHAT IS THIS? The CMU Daily - to which you are subscribed. Unsubscribe information is at the end. NOTE: Make sure you 'enable images' to see this e-bulletin properly. CLICK HERE to read this online. |
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"The best music business training event I have attended; relevant and up to date, your knowledge of and enthusiasm for the industry is simply exceptional" from delegate feedback We are currently taking bookings for the following CMU TRAINING courses: MUSIC RIGHTS - INSIDE & OUT A beginner's guide to music copyright - everything you need to know about copyright law, licensing, monetising copyright, the fight against piracy and the future of the music rights industry. Wed 23 Feb 2011 For more information or to book visit www.theCMUwebsite.com/training |
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![]() ![]() ![]() BRIT AWARDS DISHED OUT Anyway, what can I tell you? Tinie Tempah won two awards, as well he should, the faux-folk revival scored two prizes, one for Laura Marling and one for Mumford & Sons, which possibly confused the average ITV1 viewer, Arcade Fire took the Best International Group and Best International Album gongs, and Justin Bieber was declared Best International Breakthrough Act, which is good news for the Wikipedia biogs of fellow nominees Bruno Mars, The National, The Temper Trap and the cast of Glee, if nothing else. In its new home under that large tent in Greenwich, the all new BRIT Awards show seems to have been generally well received, passing without any really embarrassing incidents, cock ups or fallouts, though some might argue that fact made the whole thing a bit dull, certainly for those watching at home. And James Cordon is still no Michael Aspel, whatever anyone says. Take That, Rihanna, Plan B, Tinie Tempah and Adele were among those to sing songs and wiggle around a bit (well Adele didn't do much wiggling). Cee-Lo Green closed the show, which was great until Paloma Faith joined him and sang along in the wrong key, but you can't have everything. If you enjoyed those bits and want a copy to keep for eternity, the iTunes store is already selling copies of each BRITS performance in aid of the BRITS Trust, though they're audio recordings so you'll have to imagine the wiggling. Anyway, how about a full list of winners? Go on, why not. No one ever died from reading a list BRIT Award winners. Well, there was that one time, but that was highly unusual. British Male Solo Artist: Plan B ![]() ![]() ![]() CANADIAN INDUSTRY'S ISOHUNT LAWSUIT COMES TO THE SURFACE isoHunt is one of the biggest BitTorrent services on the internet. The movie and music industries say that the service exists primarily to enable copyright infringement and that the company that operates it, and its founder Gary Fung, are therefore guilty of contributory infringement. Fung, for his part, denies liability, mainly using the usual "but we don't host any of the infringing files, I'm just like Google" argument that has generally failed in most of the big file-sharing court cases. In his home country of Canada, Fung took the unusual approach of tackling his accusers in the music industry by suing them, looking for judicial clarification that isoHunt's operations did not constitute copyright infringement. In various jurisdictions, including the US, Australia and Sweden, that argument would almost certainly fail, but Canada's current copyright laws are a bit hazy on all things file-sharing, so a finding one way or the other isn't assured. Last May's lawsuit by the Canadian record industry was in essence a countersuit to Fung's action. It aims to have isoHunt shut down while also suing for in the region of $4 million in damages for past infringements. A similar earlier lawsuit pursued by the US movie industry was successful, forcing isoHunt to introduce filters that block file titles similar to movie names, though that was under American copyright law where there are more precedents on this. Much was being made on various tech blogs and websites yesterday about the fact that the Canadian record industry has not talked much about this lawsuit, despite it being launched last summer. Some suspect that is because the Canadian record labels are currently busy lobbying for a reform of copyright law in Canada, arguing that under the current system it is impossible for content owners to target file-sharers and companies that enable file-sharing. The fact a lawsuit is currently working its way through the courts arguing its case under existing Canadian copyright rules possibly contradicts that claim. That said, I'm pretty sure we knew the Canadian record industry was planning on countersuing Fung already, and it is true that contributory infringement lawsuits of this kind are less clear cut under the Canadian system, where you're actually relying on the less wide-ranging English law concept of authorising infringement. The labels' lawyers may rely on the ruling in the Kazaa case in Australia - also an 'authorising infringement' case - though Canadian courts have a history of interpreting the concept of authorising less widely than those in Australia. ![]() ![]() ![]() BLACK SABBATH NOT REFORMING Last month Ozzy Osbourne told the lengthily-named 95.5 KLOS Southern California's Best Rock: "I often get asked this question: 'Will there ever be a [new Black Sabbath] album?' One thing I can say for definite [is] we are all talking, we are all friends. But it's been 30 years since we did a studio album - if it's not something extra, extra special, the people are gonna go: 'We waited 30 years [for this...]' But before my life's over, I would love... my dream is to do the ultimate Black Sabbath album; I would love to do that". You'll notice that Ozzy doesn't actually say they're doing anything, but seemingly people have taken the "we are all talking" part and stretched it out into "we are all in the studio recording a new album right this very second". Putting an end to all of that, Butler posted a statement on his own website this week, saying: "I would like to make it clear, because of mounting speculation and rumours, that there will be definitely NO reunion of all four original members of Black Sabbath, whether to record an album or to tour". CIARA NOT DROPPED, BUT WOULD LIKE TO BE The singer wrote: "This week the net has been a buzz of the rumour that I have been dropped from my label. At this point that rumour is false. [But] it is true that I have asked and I pray that my label will release me". She continued: "I have had some great times and success with my label, but sometimes like all great things, it's at that point where I feel we don't share the same views on who I am as an artist. The past two albums have been very frustrating for me ... I do understand that some labels are not financially supporting their artists and I have become one of them ... I've tried to be a team player with the label only to have compromised what I truly believed". -------------------------------------------------- DARKSTAR SIGN TO WARP Hyperdub confirmed the news to Fact yesterday, after label boss Kode9 said via Twitter: "I would just like to send my love and gratitude to Darkstar and wish them the best possible future on Warp Records". -------------------------------------------------- BUCKS SIGNS DOHERTY AND WAVE MACHINES Both deals have been struck through joint ventures. The worldwide Doherty deal is via a joint venture with Normal Music, while the Wave Machines signing was achieved through a collaboration with Mensch Music, the company of former Atlantic Records A&R man Steve Sasse. Commenting on the unusual nature of both these deals, Bucks MD Simon Platz told Music Week: "These agreements mean that composers and bands have the best of both worlds - with the expertise of the signing company and Buck's sync, creative, royalty and copyright infrastructure". -------------------------------------------------- IMAGEM SIGNS REBECCA JORDAN Confirming the deal, Imagem's A&R Manager Amanda Schupf told CMU: "I couldn't be happier about Rebecca joining our family at Imagem Music. I have known Rebecca for a few years now and find her to be one of the most unique, skilled and passionate writers of her time. I am confident Rebecca and Imagem will enjoy huge success together for many years to come". Jordan herself added: "I'm thrilled to join the Imagem family. The musical diversity, global presence, and passion of their team make Imagem a uniquely special company and a great fit for me as a writer and artist". ![]() ![]() ![]() PIXIES PLANNING NEW ALBUM Drummer David Lovering told Billboard this week: "It's still up in the air. We've been talking about [recording a new album] for about three years now, actually. I don't know if it will come to fruition; I'm waiting and waiting to see what will happen. All I can say is if there is one, it better be good. We'd really have to work at it". Guitarist Joey Santiago added: "We're waiting for that, like, 'a-ha!' moment. I'm already there. It's just a matter of timing and everything aligning. There's days where I think it could happen and other days I go: 'The shit's never gonna happen'. I guess there's a little pressure from the legacy thing. Sure there is. But I don't think there's any preconceived thing that anyone could expect us to do. The possibilities are pretty wide open, I'd say". The band are currently on tour playing their 'Doolittle' album in full to celebrate its 20th anniversary. Lovering said that after that's done they've "been talking about doing [1988's] 'Surfa Rosa'", though Santiago added that this actually "hasn't been a discussion point. Maybe we'll go back to the old-fashioned way and just do a set of songs". ![]() ![]() ![]() KID CARPET TO SOUNDTRACK REPO MAN SEQUEL Kid Carpet says of the slightly unusual hook-up: "Like most opportunities that come my way, this one was very convoluted and strange. I'd never looked in the spam folder of my email account before - [but when I did] there was some fanmail in there from a lady in America, talking about how she and her partner were Kid Carpet fans, and that her partner made films and might like to use some of my music". He continued: "I remembered his voice from the 'Moviedrome' BBC documentary series from the 80s, which he presented. So by now I was really excited. I'd love to make music for films, especially Alex Cox films. He made 'Sid & Nancy' and 'Repo Man', great punk rock films. It was a lot of fun, I'd love to do more of it". I read a review of 'Repo Chick' the other day and it panned it. But shush, we're talking about Kid Carpet, and he's ace. His soundtrack will be released as an album by Dan Le Sac's new label Dumb Dumb on 18 Apr. It will be preceded by a single, 'Shuffle', on 14 Mar, which will come with remixes by Dan Le Sac, 1bpm (aka David Thorpe of Pete & The Pirates) and Voluntary Butler Scheme. Here's a spoof trailer Kid Carpet made using some chickens: youtu.be/JBnMCfvRcsU -------------------------------------------------- UNIVERSAL TO PROMOTE EMERGING ARTISTS WITH SERIES OF NEW ALBUMS UMTV product manager bloke Chris Douch says of the scheme: "There is so much good music out there it's not always easy to know where to start. We've taken a little inspiration from Hype Machine and are offering fans a guide to the best new offerings across our labels. We're hoping that the price point, the focus on digital and the mix of known and lesser-known new artists will attract buyers and allow us to develop something really worthwhile". The tracklisting of the first album will look like this: Jamie Woon - Night Air ![]() ![]() ![]() BIRDS EYE VIEW LAUNCHES 2011 PROGRAMME There's a great music programme, as usual. First up there's the Sounds & Silents programme, where musicians are commissioned to compose scores for classic silent films. Taking part this year will be Imogen Heap, Micachu, and Arista Hawkes of Guillemots. Elsewhere, music will meet cinema in the "ultimate mix-tape" that is Music Loves Video, which is introduced by Kate Nash this year and features a new Patrick Wolf short and the latest audiovisual treat from MTV Award-winning Floria Sigismondi. The festival will also screen the UK premiere of 'The Night Catches Us', a Sundance-nominated drama set amidst the racial turmoil of 1976 Philadelphia, for which The Roots provide an original soundtrack. For more details visit www.birds-eye-view.co.uk J MASCIS CONFIRMS LONDON SOLO SHOW Listen to album track 'Is It Done' on Pitchfork here: pitchfork.com/news/41513-listen-new-j-mascis-is-it-done/ Now for that lone tour date: 14 Apr: London, Cargo -------------------------------------------------- ASOBI SEKSU ANNOUNCE UK TOUR DATES All this touring will be fans' first chance to see material from the band's new album 'Fluorescence' (out this week through Polyvinyl) performed live. They have also just released the gloomily atmospheric video for lead track 'Trails', which can be seen here: youtu.be/Y0L4PEDqnbE The forthcoming tour dates are as follows: 15 Apr: London, Electric Ballroom (supporting Trail Of Dead and Rival Schools) ------------------------------------------------- MIAMI CLUB SCENE COMES TO HATFIELD VIA SMIRNOFF Smirnoff has revealed that the public must vote for their local town to host the third and final stop of the Nightlife Exchange tour, imploring booze fans to rally their friends and relatives to recommend their local venue. See the Smirnoff Facebook page for more information on this: facebook.com/SmirnoffGB. No word yet as to how the Miami natives are responding to news of the swap. ![]() ![]() ![]() FESTIVAL LINE-UP UPDATE BOOMTOWN FAIR, secret location, 11-14 Aug: Organisers have announced that, amongst a raft of newly-confirmed names, Ms Dynamite, DJ Zinc, Redlight & MC Dread, Toddla T & MC Serocee, The Bug & Flow Dan and High Rankin will take to the Bassline Circus Dance Stage at this year's Boomtown Fair, the location of which is as yet shrouded in mystery. Gracing the Invisible Circus Stage will be 3 Daft Monkeys, The Baghdaddies, The Mandibles and more, whilst the Devil Kicks Dance Hall will play host to Demented Are Go, Random Hand, Citizen Fish and The Caravans. www.boomtownfair.co.uk DOUR, La Machine A Feu, Belgium, 14-17 Jul: Literally tens of hardcore and metal acts are to flock to Belgium's Dour Festival this year. Well, okay, just ten. Hard case heavy metallers Anthrax and Agnostic Front, and Madball, as well as Terror, Born From Pain, Fozzy, Dagoba, 50 Lions, Kylesa and Karma To Burn, will play alongside the likes of Vitalic and House Of Pain. www.dourfestival.be/en/ GOTTWOOD, Carreglwyd Estate, Holyhead, Wales, 30 Jun - 3 Jul: DJ Format and A Guy Called Gerald are amongst the first names on the line-up for Wales' leading electro fest. Also booked to appear is an array of underground talent including Kollektiv Turmstrasse, Lee Foss, Royalty, Zeds Dead, Round Table Knights and Dark Sky. The Stop Making Sense Festival, Berlin-based promoters Klangsucht and Corsica Studios' Trouble Vision will host their own stages, whilst tribal tech-house types Jackmode and You Can Call Me Pelski will get the party started with some mind-bending beats. www.gottwood.co.uk GREEN MAN FESTIVAL, Glanusk Park, Powys, Wales, 19-21 Aug: Offset by the ritual burning of the huge Green Man figure at this Welsh festival of the same name, will be a scorching set from headliners Fleet Foxes. The hairy US harmonisers will be joined by a righteous roster of acts including Bellowhead, Villagers, The Burns Unit, Robyn Hitchcock, Sic Alps, The Travelling Band, Ellen And The Escapades, Emily Barker, Bleeding Heart Narrative, Polar Bear, Dry The River, and Wild Nothing. www.greenman.net LIMETREE FESTIVAL, Lime Tree Farm, Grewelthorpe, North Yorkshire, 26-28 Aug: Festival goers are invited to share the love at Yorkshire's funkiest Bank Holiday bash, which is to host on its Green Man stage the ethnic electronica of Transglobal Underground, with The Fantastics, Krystle Warren and Mercury-nominated jazz singer Carleen Anderson also confirmed to play. Those in the Dance Tent will see sets from Zero 7 and Celt Islam, whilst China Shop Bull, Captain Hotknives, and local heroes Leonards Revenge and The Secret Sirens are to perform on the Jason Rae Stage. www.limetreefestival.co.uk ![]() ![]() ![]() ALBUM REVIEW: Nu:Tone - Words and Pictures (Hospital Records) The opener, 'Shine In', takes us to more generic poppy pastures, but it does get harder as things progress, with 'Coming Back' a much better track, Heidi Vogel's vocals nicely intense over a slightly moody little roller. Ben Westbeech features later on 'The Feeling', which is very much a Hospital sounding track, though could still aim for the charts I think. Also good is Natalie Williams doing a cover of Roberts Flack's ''The First Ever', which actually works really well with a pretty decent backdrop. Elsewhere, there's some urban downtempo with 'Piece Of Heart and a bit of a dubstep vibe on 'Set Me Free', both of which are OK. Though unfortunately the collaboration with 4hero, 'Invisible', is nothing special. A mixed bag from Nu:Tone then, though I look forward to seeing a few of the remixes of this project from his stable mates. PV Physical release: 28 Feb HARGREAVES TO MEET FACE-TO-FACE WITH SMALLER STAKEHOLDERS The 'call for evidence' stage of the review ends of 4 Mar, and the music industry is expected to make its submission via UK Music. The big trade bodies for other content and digital industries are expected to likewise make submissions, as will those lobby groups who advocate copyright reform. But the open surgery day will allow smaller stakeholders to present their opinions directly to the prof as well. Hargreaves is aiming to present the result of his review to government in April. Before that, he'll speak at a conference called Cr8net at the Royal Institution in London on 24 Mar. -------------------------------------------------- LOWE JOINS THE AGENCY GROUP The Agency Group director Geoff Meall told CMU: "I'm delighted that Greg has joined us here in the UK office. Greg boasts an impressive career, having worked in a variety of areas of the music industry, from journalism to public relations to the agency side. His long-standing passion for the industry and developing artists make him a perfect addition to our UK team". ![]() ![]() ![]() APPLE LAUNCHES APP SUBSCRIPTIONS SYSTEM The good news is that publishers can decide the price and how long subscriptions run for. There will also be the opportunity for the publisher to get more info about the reader, though only if said reader agrees. The bad news is that Apple will take a 30% cut of any revenue because, well, it can. Though the publisher will still be able to sell subscriptions outside the App Store without paying a commission to the IT giant. Apple boss Steve Jobs, although on sick leave, found time to include a statement in the Apple press release which said: "We believe that this innovative subscription service will provide publishers with a brand new opportunity to expand digital access to their content on to the iPad, iPod touch and iPhone, delighting both new and existing subscribers". ![]() ![]() ![]() BAUER'S MUSIC MAN GETS NEW EVENT-FOCUSED ROLE Look, here's Bauer Radio MD Dee Ford confirming all this: "Ric's contacts and knowledge of the industry have resulted in a number of wins, including the Bauer Radio exclusives with Kings of Leon and Rihanna. This personal approach has resulted in many more joined up conversations between the industry and our 42 stations, and there are a number of exciting initiatives in the pipeline. This senior appointment reflects Ric's expertise and his extensive contacts at all levels of the music world". -------------------------------------------------- HASE UNIVERSAL GAZUMPED COWELL OVER NEW ITV POP SHOW? Cowell indicated last year that he was talking to ITV about a new pop show similar to 'Top Of The Pops', but it's known those proposals are no longer on the table. And now The Sun says that Universal is in "advanced negotiations" about making a similar show. Although Cowell and his Sony Music division Syco have a more high profile relationship with ITV, Universal's Globe Productions has already made a number of artist-specific specials for the third channel. ![]() ![]() ![]() BIEBER: LADY GAGA NOT "ARTISTIC OR STUFF" Asked his opinion on the egg thing and that other dressing herself in meat thing by E!, Bieber said: "I thought both were weird! But I don't know... People say it's artistic or stuff. I'm just like: 'You're an egg!'" Pondering further, he added: "[Maybe] she didn't want to talk to a lot of people. A lot of people before they go on stage are on vocal rest". Maybe it was just for protection: youtu.be/0e50vqY7Szo -------------------------------------------------- DESTINY'S CHILD REFORM I feel at this stage I should tell you all that, despite the fact that I had dinner with some people I went to school with recently, I will not be retaking my A-Levels. Sorry to disappoint you. |
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