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WHAT IS THIS? The CMU Daily - to which you are subscribed. Unsubscribe information is at the end. NOTE: Make sure you 'enable images' to see this e-bulletin properly. CLICK HERE to read this online. |
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CITIGROUP APPROACHES BLAVATNIK ABOUT EMI? Speculation has been rife, of course, since it became clear Warner's board would approve Blavatnik's bid to buy Warner, that the Russian-born US billionaire would then mount a bid to purchase EMI, which current owner Citigroup is known to be keen to offload. Warner boss Edgar Bronfman Jr, who will continue to run the US music major for Blavatnik, has had a long desire to merge EMI and Warner to create a music company of similar size to Sony Music and Universal Music. Citigroup is expected to start taking formal offers for London-based EMI this side of the summer, but according to the Mail the US bank has already reached out to Blavatnik to assess his interest in bidding for the EMI business. It is thought that if Blavatnik and Bronfman did succeed in bringing the Warner and EMI music empires together, the two firm's record companies would be merged while the Warner Chappell publishing catalogue would be sold off, possibly to satisfy the concerns of competition regulators. That said, Blavatnik is not assured ownership of EMI even if he and Bronfman do bid. It is thought several of the other individuals and companies who unsuccessfully bid to buy Warner will also make an offer for EMI when Citigroup makes a formal call for bids. In related news, a minority shareholder in the Warner Music Group has launched litigation in relation to the sale of that music major to Blavatnik. Barbara A Varipapa says that the Warner board, who collectively own about 56% of the music firm, "abandoned their duty to [other] shareholders" when they agreed to sell the company to Access Industries. Seeking to represent all of Warner's shareholders outside the board room, Varipapa argues the Warner board failed to get her and other shareholders the best deal, adding that because of the way the company is structured the minority shareholders' vote is meaningless. Warner ais yet to comment on the legal action. -------------------------------------------------- THE GREAT ESCAPE CONCLUDES Over the three-days at the CMU-programmed Great Escape convention over 100 industry leaders and innovators took part in talks, debates and interviews, offering opinions, insights and case studies on all aspects of the modern music business, and especially the challenges of developing and monetising new talent in the digital age. Keynotes came from PRS For Music's Will Page, Topspin's Ian Rogers, Bandcamp's Andrew Dubber, Soundcloud's Dave Haynes, HMV's Simon Fox and the BPI's Tony Wadsworth, the latter launching a new research report he has penned for MusicTank on the changing shape of the record company. DJ Shadow, Frank Turner and Paul Epworth were in conversation, while four great music start-ups got to present to a panel of music business experts and three artist managers pitched ideas to three brand managers, each with mini-sponsorship budgets to spend. In a more relaxed Saturday programme, John Robb was joined by MPs Kerry McCarthy and Mike Weathley and musicians Adam Ficek and Chris T-T to discuss piracy, drugs, visas and a raft of other political issues. Later CMU Business Editor and Great Escape Convention Programmer Chris Cooke chatted to Chris Swanson and Mark Jones, founders of the Secretly Canadian and Wall Of Sound labels respectively, before Music Week's Stephen Jones chaired the first ever Heroes & Villains panel, which saw four industry veterans - including surprise guest Seymour Stein - speaking very much off the record about their artist experiences. Commenting on the proceedings, the aforementioned Cooke said: "When we were asked to programme The Great Escape convention we wanted to create a practical, forward looking, enlightening and entertaining conference, and from the feedback we've received so far, and our monitoring of the social networks, that seems to have been achieved. We must thank all our content partners, speakers, delegates and the big team of volunteers who made this happen. Hopefully this year's delegation will spread the word so we can make TGE2012 even bigger and better, the ultimate forum for networking, debating and idea sharing in the new music business". We'll have a series of reports on The Great Escape panels here in the CMU Daily later this week, while right now you can listen to an albeit rather tired sounding Cooke and CMU Editor Andy Malt discussing the best bits on the CMU Weekly podcast - check it at www.soundcloud.com/cmu or via iTunes here: bit.ly/fEPnE7. Highlights of the convention will also be available on SoundCloud from later this month. ![]() ![]() ![]() READING FESTIVAL TICKET SCAMMER JAILED Christopher Bundza claimed to have tickets to sell for the music festival via his own website and on eBay, but he never had access to any such thing. Most fans discovered this fact too late after handing over cash to Bundza in a desperate attempt to get tickets for the festival. Bundza was found guilty of eighteen separate charges, some relating to the ticket scam, others to a fraud he committed in relation to the purchase of his home. His former partner Kathryn White avoided jail after admitting four offences of fraud. ![]() ![]() ![]() ETTA JAMES IN HOSPITAL James, of course, is very ill, suffering from both leukaemia and dementia, and she spent some time in hospital to receive treatment for similar infections last year. As previously reported, there have been disagreements between James' children, her husband and her doctor about the level of care the singer is receiving, and the use of her fortune to pay for it. ![]() ![]() ![]() BBC CRITICISED OVER RAP EDIT The Palestine Solidarity Campaign issued a statement last week urging listeners to write to the BBC and Radio Times to complain about what they termed an "extraordinary act of censorship", and to post their views on the webpage of the radio show on which the rap appeared, that of Charlie Sloth. Online comments objecting to the edit have since started to appear. A BBC spokesman responded thus: "All BBC programmes have a responsibility to be impartial when dealing with controversial subjects and an edit was made to Mic Righteous' freestyle to ensure that impartiality was maintained". -------------------------------------------------- BOB DYLAN DENIES SET LIST CENSORED IN CHINA On reports he had initially been banned from playing in China, Dylan says those stories stemmed from a dodgy promoter who made promises he couldn't keep. Writing on his website, Dylan said: "My guess is that the guy [a Chinese promoter] printed up tickets and made promises to certain groups without any agreements being made. We had no intention of playing China at that time, and when it didn't happen most likely the promoter had to save face by issuing statements that the Chinese Ministry had refused permission for me to play there to get himself off the hook". On the set list censorship rumours, which circulated after Dylan chose not to sing some of his more political songs at his Beijing show, he continued: "As far as censorship goes, the Chinese government had asked for the names of the songs that I would be playing. There's no logical answer to that, so we sent them the set lists from the previous three months. If there were any songs, verses or lines censored, nobody ever told me about it and we played all the songs that we intended to play". -------------------------------------------------- DIPLO CRITICISED MIA OVER HER POLITICAL RAPS I'm not sure how Diplo got onto the topic of his ex, but he told WWD: "She got famous after 'Paper Planes' [which Diplo produced]. She had already thrown in the towel when that record came out. Before that she was like: 'I'm retiring. I'm going to marry this guy, fuck it'. Then Paper Planes blew up and she was like: 'Oh shit, I gotta take advantage of this. I'm actually an artist now'". On the lyrical content of the next album, he continued: "Maya left herself open for attacks. She's not an easy artist to criticise because she's very left-leaning, she's progressive, she's a woman. But when it comes to die-hard, facts-on-the-ground politics, she's at zero. She's nothing. I told her at the beginning of the third record, do not bring politics into this ... You just can't glamorise terrorism, it's not cool ... you can't hide behind that shit. But she totally did ... And Lynn Hirschberg just ate it up. If she didn't, the critics would have ate her up anyway because the record wasn't good". ![]() ![]() ![]() AZERBAIJAN WINS EUROVISION We in the UK again struggled to impress our European brethren with our entry, despite wheeling out former boy band Blue to both write and sing it, though coming eleventh with 100 points was an improvement on recent years, and at one point early on in the voting their song was actually in the lead. The BBC's commentator Graham Norton joked: "Quick, someone take a picture". Despite the mixed success of our entry, the UK TV audience for the Eurovision show was up considerably, to 9.5 million viewers from 5.5 million last year, with a peak audience of 12.7 million. It outperformed 'Britain's Got Talent' over on ITV, ironically possibly in part because of the appearance at the Song Contest of one of the outputs of 'BGT's sister show 'X-Factor', the Jedward boys, who were representing Ireland of course. They came in eighth on the night. THE CULT SIGN TO COOKING VINYL Confirming the deal, the band's guitar man Billy Duffy told CMU: "We are very much looking forward to returning to our UK roots in many ways working with Cooking Vinyl", while frontman Ian Astbury added with regards his new label: "We look forward to a long and fruitful relationship". For the label, Cooking Vinyl Director Rob Collins said: "I tried to sign Ian's first band, Southern Death Cult when I was a scout at Virgin in the early 80s. I think I paid for coach fares to London and they promptly signed to Beggars Banquet. It's great to finally be working with Ian, Billy and co". ![]() ![]() ![]() SLEIGH BELLS HEAD BACK INTO THE STUDIO One half of the duo, Derek Miller, told Rolling Stone: "Emotionally, it's a really heavy record. Some of ['Treats'] you could consider party music. That's definitely not the case with this one". His partner in crime Alexis Krauss added: "It sounds really huge, so there's going to be still tons of volume". No word yet on a schedule for album number two. ![]() ![]() ![]() JACK WHITE TO MAKE RECORDINGS FOR KINKS MOVIE ![]() ![]() ![]() FESTIVAL LINE-UP UPDATE THE BIG CHILL, Castle Deer Park, Herefordshire, 4-7 Aug: Redlight, Fight Like Apes and blues outfit North Mississippi Allstars Duo are all recent additions to the thriving Big Chill roster, with Vampire Weekend bassist Baio also slated for a slot in the DJ booth. They join co-headlining trio Kanye West, Rodrigo y Gabriela and The Chemical Brothers plus a supporting line-up that includes Wild Beasts, Metronomy, Warpaint and Aloe Blacc on the bill as it stands thus far. www.bigchill.net/festival CREAMFIELDS, Daresbury Estate, Halton, Cheshire, 27-28 Aug: Strongbow bring a strong selection of acts to the Creamfields party for their sponsored stage, which will feature sets from Brodinski, Chad Valley, Rory Phillips, Jaguar Skills, Goldie Rocks and classically-disinclined DJ Kissy Sell Out. This lot join an existing list of leading electro/dance/dub lights like The Chemical Brothers, David Guetta, Tiesto, Magnetic Man, Erol Alkan and so very many more. www.creamfields.com JOLLY DAY OUT, Hampton Court Green, Surrey, 26-29 Aug: Kids under twelve go free at this jovial family bash, which will welcome a host of child-friendly acts including McFly and Imelda May, with alternative entertainment arriving in the form of live performances from Charlie & Lola and Horrible Histories. www.jollydayout.com PEACE & LOVE, Borlänge, Sweden, 28 Jun-2 Jul: Headliner Bob Dylan joins fellow bill-toppers MIA, The Strokes and Kings Of Leon at this premier Swedish bash, which also features a smorgasbord of homegrown talent including Lykke Li and Those Dancing Days. Appearances from less local acts like 30 Seconds To Mars, Foreigner, Patrick Wolf and The Vaccines are also on the cards. www.peaceandlove.nu/english VEGFESTUK, various venues, Bristol, 21-28 May: Ms Dynamite, Goldie Lookin Chain, The Selecter, Aswad and Black Roots will take centre stage at this celebration of vegetarian food, which will also feature fringe events like tasting sessions, nutritional workshops and cookery demos. Meat is murder! Hurrah! www.bristol.vegfest.co.uk VESTIVAL, Jimmy's Farm, Pannington Hall Lane, Ipswich, Suffolk, 21 May: Billed as "a festival of football, comedy and music", this combo bash is hosting co-headliners Annie Mac and Toploader. Friday Night Dinner star Tom Rosenthal and guests comprise the comedy roster, with all proceeds going to support charitable organisations Football Action and Hannah's Orphanage. www.footballaction.com/vestival WAKESTOCK, Abersoch Bay, Wales, 8-10 Jul: Introductions to Wakestock's surf-tastic beachside billing include Huw Stephens, Masters In France, Sibrydion, Colorama, Mr Phormula, Poket Trez, and Bare Left, who join a selection of bigger previous announcees like Biffy Clyro, Ellie Goulding, Kelis, The Wombats and Example. www.wakestock.co.uk/abersoch ![]() ![]() ![]() FORMER EMI CHIEF DEFENDS THE RECORD LABEL, THOUGH CALLS FOR MORE TRANSPARENCY AND INNOVATIVE LICENSING Penned by BPI Chair and former EMI UK chief Tony Wadsworth for MusicTank, the paper challenges the idea that record labels are outdated 'dinosaurs'. Based on interviews with key players from across the music business, including the majors, independents, managers and agents, the report presents a "diversified recordings business with broader skill sets, able to better manage costs and work with a wider variety of more flexible artist deals". The report does make some suggestions for changes in the industry, though, including a call for more innovation in licensing and more transparency so that all stakeholders feel rewarded for their efforts. Following his keynote address at The Great Escape on Friday, Wadsworth told reporters: "With input from people from across the industry I have tried to explain the recent evolution of the record label, take the temperature of the industry in 2011, and extrapolate the key trends. I don't claim to have all the answers but I hope to give some perspective to the key changes in an industry that's adapting to a radically new environment without a template, map or guide book". Welcoming the report, one of those industry players interviewed, Beggars Group boss Martin Mills, told CMU: "Record labels are at the heart of the music industry, and it's timely, after the upheavals of the last decade, to take stock and assess the prospects for the record label in the years ahead. Tony's lifetime label experience combined with an analytical approach will certainly bring some clarity to the picture, and help push forward the debates around the future of the wider music industry". The report is available from www.musictank.co.uk for £45, including a year's membership to MusicTank. It will feed into a MusicTank conference on 14 Jul, more info on which to follow. -------------------------------------------------- MUSIC FESTIVALS CONTRIBUTE A BILLION TO UK ECONOMY At least 7.7 million music fans visited festivals in 2009, spending £1.4 billion between them, at least half of that going to non-music businesses such as hotels and restaurants in towns and cities near major music events. About a fifth of the festival audience came from overseas, and, UK Music's research reckons, those tourists coming to the UK for music events are often bigger spenders overall. The report goes on to call for the government to create a live-music tourism strategy to boost the number of visitors to the UK, and address issues such as visas for overseas performers and the secondary ticketing market. Says UK Music boss Feargal Sharkey: "The role of music in terms of creating jobs, in terms of sustaining businesses and in terms of attracting visitors to all regions of this country comes over loud and clear. We will do all we can to work with policy-makers and tourism bodies to realise the potential of this considerable economic asset". -------------------------------------------------- EUROPEAN TICKETING FIRM APPOINTS NEW UK CHAIRMAN Klaus-Peter Schulenberg, CEO of parent company CTS Eventim, told CMU: "Nick Blackburn has been a driving force in ticketing in the UK for more than two decades, and we are happy he has accepted our offer to become Chairman of our UK operations. His appointment underpins Eventim's claim to be one of the leading ticketing services providers in the UK". ![]() ![]() ![]() DANNII MINOGUE QUITS X-FACTOR Minogue confirmed her departure from 'X-Factor' on the website mydaily.co.uk, for which she is a contributing editor, saying: "I am so disappointed that I can't be a part of 'The X-Factor' this year. I'm going to miss the show and the amazing team who work so incredibly hard on it. [But] during discussions for me to return it became clear that unfortunately, this year, the 'X-Factor' audition dates in the UK clash with the live shows of 'Australia's Got Talent' during June and July. For this reason I am unable to return". Gary Barlow and Mel B are among those tipped to join the 'X-UK' judging panel when auditions begin next month. -------------------------------------------------- JONATHAN ROSS LOOKING FOR A NEW RADIO SHOW Opinion is divided as to whether even the biggest commercial stations could afford the sort of fees Ross has commanded in the past, though a friend of the presenter told the NOTW he's eager to have a radio outlet again, and would likely do it for a relatively modest sum of money. Ross will return to TV on ITV1 in September. ![]() ![]() ![]() KERRANG! RADIO TO GIVE AWAY TAKE THAT TICKETS... TO COMPETITION LOSERS Kerrang! Radio's James Walshe told Radio Today: "Take That are the antithesis of what our listeners love about music. They genuinely despise manufactured boybands and so the idea of having to endure a Take That concert will be very unappealing. The winner gets a once-in-a-lifetime chance to be at every major rock festival of 2011 VIP style, so we're certain they'll be willing to run the risk of having to see Take That live in order to win the grand prize!" |
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