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WHAT IS THIS? The CMU Daily - to which you are subscribed. Unsubscribe information is at the end. NOTE: Make sure you 'enable images' to see this e-bulletin properly. CLICK HERE to read this online. |
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"The best music business training event I have attended; relevant and up to date, your knowledge of and enthusiasm for the industry is simply exceptional" from delegate feedback We are currently taking bookings for the following CMU TRAINING courses: MUSIC BUSINESS MODELS – MAKING MONEY, FINDING INVESTMENT How to make money out of music – both now and in the future, with a look at alternative investment and revenue streams, and a new approach to monetising artists and their music. Wed 7 Sep For more information or to book visit www.theCMUwebsite.com/training |
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![]() ![]() ![]() [PIAS] BOSS COMMENTS ON FIRE As previously reported, the warehouse owned by Sony DADC was a key storage facility for the independent label distributor. Numerous UK indies lost CDs and vinyl product in the fire, and some smaller labels - without the cash flow to order quick replacement stock, and possibly without the watertight insurance to pay for lost product - fear the fire could put their businesses in a very difficult position. The Association Of Independent Music has encouraged music fans to buy digital and remaining physical releases from effected labels, helping ensure those labels get some quick revenue, while [PIAS] are moving fast to get their distribution network back into operation. In a statement issued yesterday, [PIAS] Co-founder and CEO Kenny Gates first clarified some reports that it was [PIAS]'s own London base that had been attacked, saying: "The news broke through Twitter that the '[PIAS] warehouse had burnt out'. It is extremely important for everyone to understand that [PIAS] has no warehouse as such in the UK and that [PIAS] sub-contracts its physical distribution with Sony DADC in Enfield and it is their warehouse which unfortunately went down in flames. Many people called me to ask whether any of our staff had suffered from the blaze and if we were OK. We are. Thank you". Referencing an earlier statement on the fire issued by his company, Gates continued: "As you have noticed in our last note, Sony DADC have been remarkably quick and efficient to put together a contingency plan that should allow us to ship to stores some time next week. We are impressed by their efficiency and that is good news". He concluded: "These times are difficult for us, our artists, our labels and the whole indie sector which we vastly represent but we are determined to come out of this setback in the best way possible. The [PIAS] team has been working around the clock to limit the damage. We know that the livelihood of many talented, passionate and hard working music people, artists and small and bigger labels is at stake and depend on our actions and those of Sony DADC. We have been getting a lot of words of support and offers of help and that truly helps. Thank you to everybody who cares and supports [PIAS] and the indie sector". In related news, one of the artists affected by the fire, Charlie Simpson, has told fans he plans to re-press his self-released solo album 'Young Pilgrim', which is due for release next week. He wrote on his website yesterday: "Firstly I want to re-iterate my sadness at the events that destroyed the [PIAS] warehouse in Enfield on Monday night. It's a totally devastating situation for the independent music sector and my heart goes out to every artist and label affected by it. I'm so proud of my status as an independent artist and [PIAS] and are amazing institution and the figurehead for people who feel the same way as me - I wish them all the best and a speedy recovery". He continued: "On a personal note, after a day of despair and total uncertainty, yesterday my team have pulled together AMAZINGLY and we've decided to re-press my lost CDs and forge ahead with my original album release date of 15 Aug. You can pre-order it and despite all the statements you may have seen that said we'd be putting the release on hold, it will still be with you on Monday 15th. Thank you so much for your messages of support - I really needed them yesterday! Let's all pull together to keep the independent music industry flourishing". -------------------------------------------------- PROFESSOR GREEN DEFENDS RAP FROM RIOT ACCUSATIONS The Mirror's political correspondent Paul Routledge wrote in his column yesterday: "I blame the pernicious culture of hatred around rap music, which glorifies violence and loathing of authority (especially the police but including parents), exalts trashy materialism and raves about drugs. The important things in life are the latest smart phone, fashionable trainers and jeans and idiot computer games. No wonder stores selling them were priority looting targets. Stir into this lethal mixture, the fostering of irrational anger against the world and disrespect for others, and the end result is self-absorbed young people living at boiling point". Quick to respond from the urban music camp was rapper Professor Green, who took to Twitter to say: "You had to be at East Dance at Glasto to see the damage urban music does: people of all colours and classes enjoying themselves. Terrible. Paul Routledge is an absolute moron. An absolute fucking moron. Yeah, ban rap music, silence our voices even more. Ignorant prick. Surely this isn't about shifting the blame, but accepting responsibility? Neither my music nor that of my peers is to blame for society and its faults. We didn't create the tiers". Excellent. I think rap has won that one. From now on, I think everyone who blames music for anything should be forced to do so in the form of song. And within the genre they are railing against. GALLOWS DISCUSS NEW FRONTMAN Guitarist Laurent 'Lags' Barnard told Kerrang!: "We had a few people in mind, but we didn't want to get somebody who was really similar to Frank. That was one of things we were wary of. At the end of the day, Frank was a great part of what we are and we didn't want a copyist who couldn't do the role justice. We played with Wade last year and he was amazing. We've always got on well with him and he's fucking nuts and probably one of the most punk guys I know. If anyone has any doubts about Wade, we're just going to let the music do the talking". The band's first show with MacNeil will be at XOYO in London on 13 Dec. COOKING VINYL SIGNS ROLL DEEP -------------------------------------------------- IMAGEM SIGNS INDIGGO TWINS The duo can be heard on Jay-Z and Kanye West's 'Watch The Throne' album, and are currently working on their own debut record under the guidance of DAS Communications' David Sonenberg, who has hooked them up with producers including Peter Zizzo, Rockwilder, Paul Oakenfold and Swizz Beats. In addition to this, they are also developing a TV and musical. Busy busy. Confirming the deal, Imagem Music USA President Richard Stumpf told CMU: "Mihaela and Gabriella are two of the most hardworking, passionate artists I have ever met. It doesn't surprise me that their talent and drive were recognised by Swizz, Jay-Z, and Kanye when they opted to use them on the 'Watch The Throne' album. The girls are a triple threat as writers, artists and actresses. We are all excited for their upcoming musical and TV show". The twins themselves said, presumably in perfect unison: "We really feel that destiny has 'twinned' us with Rich Stumpf and Imagem Music. Rich is our third twin - not only because we share the same birthday, but because he has already performed wonders since we met and signed. With Rich we reached Kanye and Jay-Z's 'Throne'. Rich Stumpf/Imagem Music and David Sonenberg/DAS are a great team - street fighters, big-hearted, who show great enthusiasm for what we do as artists". ![]() ![]() ![]() GEORGE MICHAEL WORKING ON GAY ALBUM Speaking to the NME, he said: "For this album I'm going to be working with either gay or gay friendly artists, and it'll be a mixture of tracks sung by me and others by young gay artists - possibly unknown ones. And I've lined up some really great dance producers to work on it too, so it'll be a pretty stunning record. I'll be 48 when the album comes out, but I have to say that gay men's relationship with dance music probably doesn't end at the same time as straight people's does!" -------------------------------------------------- GARY BARLOW, TINIE TEMPAH AND N-DUBZ RECORDING CHILDREN IN NEED SINGLE An unnamed source told the tabloid: "Children In Need asked Gary to put a single together. He immediately said he wanted to get the cream of British urban acts together to write a number one record. He has been impressed by the current crop of talent in the charts and has befriended some of the big names. He is really fond of Tinie and they have been trying to find the right project to work on together for a while. He has also produced tracks for N-Dubz in the past and knows them well. These guys are flying the flag for British music right now and they are the best choice for the track". Apparently Barlow is also trying to convince Plan B, Professor Green, Example, Tinchy Stryder, Wretch 32, Devlin, Ironik, and Chipmunk to get involved. We'll find out who cares about The Kids later this year ahead of the big Children In Need TV show on 18 Nov. -------------------------------------------------- MUSE TO START RECORDING NEW ALBUM NEXT MONTH Speaking to Zane Lowe on Radio 1 earlier this week, bassist Chris Wolstenholme said: "September and October, that's when we're going to get into the studio to start writing the new album". He continued: "I think by the time you've finished touring an album, which is usually a two year cycle, it's something you start thinking about a lot. It's difficult to bring new songs into the live set before you record them with the internet and dodgy recordings of live songs getting out there before they've been released on an album". ![]() ![]() ![]() SKRILLEX HINTS AT MYSTERIOUS NEW PROJECT M83 BOOKS LONDON DATE ------------------------------------------------- SBTRKT TO TOUR ![]() ![]() ![]() THE PRODIGY DENY SAFETY ACCUSATIONS In the statement, the band said: "It was brought to our attention by our production manager Karel Hamm on Friday night that Mr Owsiak had no intention of providing a safety barrier in front of the stage, despite signing a legally binding contract agreeing to installing barriers on 4 Apr 2011. This is the biggest open air European festival with a 500,000 capacity, and the provision of safety barriers is acknowledged as an essential practice at all festivals in Europe and indeed the world". They continued: "Without [a barrier] Mr Owsiak - and his event - would have been putting the crowd at huge risk, especially given the subsequent promoters report of 670,000 people in attendance. In reality, an event of this size should and must have several barrier lines. Woodstock is clearly in breach of the number one goal of The European Festival Association - YOUROPE - of which they are a member". A last minute barrier was put in place at the insistence of the band and their management, but this still did not meet safety regulations. According to the statement, Owsiak then "insinuated in the media" that the barrier had been put there because the Prodigy wanted fans kept away from them, and that they subsequently "fled the site" quickly under police escort because they thought "their barrier" had caused injuries, and didn't want to stick around to find out for certain. But, of course, the barrier was there to keep fans safe, not away from the band. And on the quick exit, the band's statement continued: "There are always traffic queues in and out of festival sites - it was quoted that 124,000 vehicles attended the event. All headline artists use police escorts to get through traffic when severe delays are possible. It is necessary and not arrogant. Furthermore, it is advisable for the band to leave immediately after their performance to avoid the congestion leaving the site". Owsiak has not yet responded to the band's statement. ------------------------------------------------- FESTIVAL LINE-UP UPDATE BEAUTIFUL DAYS, Escot Park, Devon, 19-21 Aug: Beautiful Days favourites Hawkwind are the latest addition to this year's line-up, which also boasts the likes of I Am Kloot, Big Audio Dynamite, Tim Minchin, Alabama 3, Flogging Molly and The Low Anthem. www.beautifuldays.org ELECTRIC PICNIC, Stradbally Hall Estate, Co Laois, Ireland, 2-4 Sep: Oh Land, The Vaccines, And So I Watch You From Afar and Esben & The Witch head up the raft of recent introductions to the Electric Picnic bill, which, besides co-headliners Arcade Fire, Pulp and The Chemical Brothers, will also play host to such fellow musical luminaries as Interpol, P J Harvey, Beirut, DJ Shadow, White Lies, and Santigold. www.electricpicnic.ie SYMPHONY IN THE PARK, Chiswick House & Gardens, London, 20-21 Aug: Held in celebration the 80th anniversary of Abbey Road Studios, the first day of this cultural bash will see the Royal Philharmonic Orchestra putting a classical spin on pop and rock hits by Abbey Road recording artists including The Beatles, Elbow, Kate Bush, Radiohead and Queen. Second day festivities will feature the RPO's take on classic film soundtracks from the 'Star Wars' series, 'The English Patient', and '2001: A Space Odyssey'. Sounds epic. www.symphonyatthepark.com WILDERNESS, Cornbury Park, Oxfordshire, 12-14 Aug: As part of a charity partnership with War Child, this year's Wilderness festival will present Guillemots in a "secret pop-up busking performance", which sounds intriguing. Also featuring highly on what amounts to a rather good overall bill are Antony & The Johnsons, Mercury Rev, Laura Marling, Daniel Johnston, Gogol Bordello, The Low Anthem, Dry The River, Toots & The Maytals, Robyn Hitchcock, Hypnotic Brass Ensemble and Hayseed Dixie. www.wildernessfestival.com SPOTIFY RESPONDS TO CENTURY MEDIA PULLING CONTENT Responding, Spotify said yesterday: "We are sorry that Century Media has opted not to offer its music to their fans through Spotify. Spotify was launched out of a desire to develop a better, more convenient and legal alternative to music piracy. And Spotify now monetises an audience the large majority of whom were downloading illegally (and therefore not making any money for the industry) before Spotify was available". On the revenues it is now paying into the music business, the statement continued: "Spotify is now generating serious revenues for rights holders; since our launch just three years ago, we have paid over $100 million to labels and publishers, who, in turn, pass this on to the artists, composers and authors they represent. Indeed, a top Swedish music executive was recently quoted as saying that Spotify is currently the biggest single revenue source for the music industry in Scandinavia. We are very proud of the positive contribution that Spotify makes towards growth in the music industry". JEDWARD WOULD LIKE U2 HOOK UP Says Jedward 1: "U2 totally stands for me and John". Says Jedward 2: "U2 are totally awesome. We want to do a duet with you, OK? It would be totally cool. It would be Jedward featuring U2". Who's for betting they're really just after free tax advice. |
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