WEDNESDAY 22 APRIL 2015
TODAY'S TOP STORY: So, we all know you've been preoccupied for sometime now on the big question that has dominated the music business agenda for most of the year so far. Can Katy Perry really own the rights, the image, the brand, the very essence of the being of the mighty and, some might saw, generation inspiring and world peace enabling, Left Shark? Well, "yes and no" is your answer... [READ MORE]
 
TODAY'S APPROVED: In the final round of the 1953 championship of traditional Chinese strategy game Go, Fujisawa Kuranosuke was beaten for the second consecutive year by Go Seigen, who is widely regarded as one of the game's best players of all time, and by many as the greatest player of the 20th Century. Seigen soared to a 5-1 victory when he beat Fujisawa down from sen-ai-sen handicap... [READ MORE]
TOP STORIES Mixed success in Perry's trademark claims over Left Shark
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LEGAL Swedish prosecutors prepare to ask courts to seize key Pirate Bay domains
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LABELS & PUBLISHERS ReverbNation launches publishing administration service, via Sentric partnership
Loudr partners with CD Baby to offer mechanical licensing on cover songs
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ENTERTAINMENT RETAIL Kantar figures confirm HMV biggest seller of physical music again
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MEDIA Commercial radio chart show may move, but TOTP not coming back
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THE GREAT ESCAPE CMU reveals brands to share partnership case studies at The Great Escape
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ARTIST NEWS Don Letts picks favourites from the John Peel Archive
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RELEASES The Orb announce spacey new album
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ONE LINERS HeadlinesTaylor Swift museum exhibit extended, Rihanna arrives appropriately late for weed smoking celebration, Killer Mike posts wrestling video, and further adventures
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AND FINALLY... Tractors: The next step in the evolution of music piracy
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Click JUMP to skip direct to a section of this email or ONLINE to read and share stories on the CMU website (JUMP option may not work in all email readers). For regular updates from Team CMU follow us on Twitter, Facebook or Tumblr.
 
 
BELIEVE DIGITAL - SYNC MANAGER (LONDON)
Believe Sync is the in-house synchronisation department for leading international digital distributor, Believe Digital. You will be responsible for representing the catalogues of Believe Digital's distributed labels, as well as in-house indie label Believe Recordings (James Vincent McMorrow, Breton, Sarh, Fyfe, Meadowlark, Age Of Luna, Gavin James and more) for synchronisation and licensing opportunities.

For more information including a full job description and how to apply click here.
   
BPI COPYRIGHT PROTECTION UNIT - MEMBER PORTAL SERVICES MANAGER (LONDON)
We are looking for a lively, dynamic and enthusiastic individual to manage our new Member Services Portal, identify and deploy resources required to deliver BPI's Anti-Piracy Strategy and coordinate with developer to resolve or escalate performance issues, and carry out other membership related tasks allocated by the Head of Internet Investigations.

For more information including a full job description and how to apply click here.
   
PARTISAN RECORDS - MARKETING MANAGER (LONDON)
We are expanding the European operations and are seeking an experienced Marketing Manager to join the team. The successful candidate will have previous proven experience, a strong understanding of sales, marketing, distribution, and a solid knowledge of the current industry landscape.

For more information including a full job description and how to apply click here.
   
PARTISAN RECORDS - MARKETING CO-ORDINATOR (LONDON)
We are looking for an experienced Marketing Co-ordinator to join the European arm of the label. The Marketing Co-ordinator is the glue that holds everything together and the successful candidate will be assisting with the day-to-day administration and co-ordination of all European promotional, retail, and marketing activities.

For more information including a full job description and how to apply click here.
   
RDIO - LABEL RELATIONS CO-ORDINATOR, EMEA (LONDON)
The Label Relations Co-ordinator handles day-to-day account management for some major and independent record labels, as well as other content partners, and manages recurring marketing programmes for EMEA.

For more information including a full job description and how to apply click here.
   
NINJA TUNE - PRODUCT MANAGER (LONDON)
Ninja Tune is looking for an experienced high level product manager working across our main imprints Ninja Tune, Big Dada and Counter Records. The job involves managing record release campaigns from beginning to end of campaigns working closely with the A&R, production, marketing, digital and international teams.

For more information including a full job description and how to apply click here.
   
RESIDENT ADVISOR - TICKETING ACCOUNT MANAGER (LONDON)
Resident Advisor is looking for an ambitious and driven person with an interest in music, events and youth culture to manage, retain and develop promoter ticketing relationships.

For more information including a full job description and how to apply click here.
   
THE BLUES KITCHEN - PROMOTIONS MANAGER (LONDON)
The Blues Kitchen is seeking an enthusiastic individual to join the Marketing & Promotions team to assist with the opening of their new venue. The role will involve an extensive working week, which will require exceptional time management.

For more information including a full job description and how to apply click here.
   
MUSIC CONCIERGE - PLAYLIST DESIGNERS (HERTFORD)
Music Concierge, the award-winning music consultancy for boutique hotels and luxury brands, is looking for music Playlist Designers to join our small but expanding creative team.

For more information including a full job description and how to apply click here.
   
LIVE NATION - SOCIAL & CONTENT MANAGER (LONDON)
We’re looking for a Social and Content Manager who is passionate about music, social media and digital content. You will be responsible for working with the Head of Digital Marketing to develop and implement our social and content strategy to grow reach, engagement and first party data.

For more information including a full job description and how to apply click here.
   
SJM CONCERTS - MARKETING ASSISTANT (MANCHESTER)
The purpose of this role is to assist and support our marketing team to maximise exposure of events promoted by SJM Concerts. To assist with the implementation of our marketing campaigns to generate sales for new tours and events via various platforms including press, radio, TV, digital and print.

For more information including a full job description and how to apply click here.
   
LIVE NATION - HEAD OF SALES & MARKETING, VIP NATION (LONDON)
Reporting to the SVP of VIP Nation, this role is responsible for the day-to-day management of VIP Nation’s touring rights, associated key relationships and its sales and marketing function.

For more information including a full job description and how to apply click here.
   
AIRMTM - JUNIOR ACCOUNT MANAGER (LONDON)
We’re looking for a keen, bright, music-obsessed individual, who has worked in the industry for at least a year, to join our small PR team in Shepherd’s Bush.

For more information including a full job description and how to apply click here.
   
MN2S - DIGITAL PR ASSISTANT (LONDON)
Leading independent booking agency MN2S is looking for a Digital PR Assistant. You will be responsible for leveraging existing media contacts to gain coverage around MN2S & the artists we represent and building a solid network of media contacts to gain coverage of the company and our artists.

For more information including a full job description and how to apply click here.
   
LISTEN UP - PRESS INTERN (LONDON)
We are currently seeking an energetic, enthusiastic Press Intern to provide support to our expanding Press Department. The ideal candidate will be highly organised, have a good knowledge of various electronic music genres, good writing skills and a passion for press. This is a full-time paid internship for six months.

For more information including a full job description and how to apply click here.
   
AWAL/KOBALT LABEL SERVICES - SENIOR CLIENT & LABEL MANAGER (LONDON)
AWAL has been operating as a global digital distribution platform since 2004. As part of the Kobalt Music Group is positioned to provide the next generation of services for artists and labels, empowering rights holders with a progressive solution to releasing content, while maintaining ownership of their recordings.

For more information including a full job description and how to apply click here.
   
POLLSTAR UK - SALES ACCOUNT EXECUTIVE (LONDON)
The current opening for an Sales Account Executive offers a dynamic career opportunity in the live music industry. Applicants should have a minimum of five years sales experience, preferably including sales management experience, sales training experience, strong references and solid computer skills.

For more information including a full job description and how to apply click here.
 
CMU Jobs is a proven way to recruit the best music business talent for roles across the industry at all levels, from graduate to senior management. To book an ad contact Sam on 020 7099 9060 or email ads@unlimitedmedia.co.uk
 

Mixed success in Perry's trademark claims over Left Shark
So, we all know you've been preoccupied for sometime now on the big question that has dominated the music business agenda for most of the year so far. Can Katy Perry really own the rights, the image, the brand, the very essence of the being of the mighty and, some might saw, generation inspiring and world peace enabling, Left Shark? Well, "yes and no" is your answer.

As everyone knows, Left Shark became a 'thing' during Perry's Super Bowl half time show back in February, because a guy to the left of Perry dressed in a stupid shark costume was dancing about out of sync with the rest of the on-stage cast. And in 2015 that's the sort of thing that becomes a global phenomenon in mere minutes.

As Left Shark dominated online chatter - and possibly because designer Fernando Sosa made a 3D printed figurine called Left Shark available online - Perry quickly began investigating how she could take ownership of all and any intellectual property in the name, the image and the concept of Left Shark. Because God knows you don't want poor old Left Shark left in the public domain. He'd probably swim into a tuna net. Or is that dolphins?

Anyway, the US Trademark Office last week responded to Perry's various IP claims. And examiner David Collier wasn't impressed with the singer's attempts to get IP protection for the image of Left Shark. According to The Hollywood Reporter, Collier wrote that the design "identifies only a particular character; it does not function as a service mark to identify and distinguish applicant's services from those of others and to indicate the source of applicant's services".

The examiner also noted that there were inconsistencies between a photo of actual Left Shark (ie the dancer bloke in the costume) and a drawing of what Left Shark should look like. Inconsistencies that resulted in an amusingly precise description by the trademark official of the different incarnations of our sharky friend.

"Specifically, the [photo] displays the mark as a stylised depiction of a forward leaning shark in nearly a front profile with a portion of a dorsal fin, two pectoral fins and two legs and feet substituted for the caudal fin on the tail", he wrote. "The shark has five gills, a full mouth with teeth and round eyes with eyelids. However, the drawing displays the mark as a stylised depiction of an upright shark in full front profile with no dorsal fin, two full pectoral fins and two legs and feet; the shark has three gills and the sharks mouth appears without teeth; the shark also has oval eyes without eyelids".

And there was you thinking Left Shark was just a man in a silly costume. But while things aren't looking good for Perry getting protection for her Left Shark design, she might still get ownership of the name. Though Collier says he needs more clarification as to what products could now be created under the brand. Costumes obviously, but what sort of costumes? Figurines apparently, but what sort of figurines? Perry needs to submit more info.

Quite what this all means for Perry's dispute with the aforementioned Sosa isn't clear, mainly because that squabble related to copyright rather than trademark protection. Though this is still a good excuse to re-link to one of our favourite Beefs Of The Week so far this year.

A beef that included great quotes from Sosa's lawyer CJ Sprigman, who said things like: "I'm obliged to admit that, unlike any shark I've seen, the Left Shark costume has legs, but that doesn't make the Left Shark costume copyrightable. The Left Shark costume has legs because the person inside it has legs".

Swedish prosecutors prepare to ask courts to seize key Pirate Bay domains
Swedish prosecutors are prepping to argue their case in court as to why The Pirate Bay's flagship .se domains should be deactivated or put under government control, as copyright enforcers continue to try and make it harder for piracy platforms to operate.

Seizing domains, of course, is one of a number of tactics used by those fighting piracy, and authorities in other countries have done just that against various other sites, usually replacing the piracy operations with a notice alerting users that the site is no longer operational because of a copyright action.

The Bay has actually anticipated having its .se domains seized for a while, and at one point kept switching its primary URL to different domain registries around the world. Though it often saw those new domains quickly blocked by each new domain registry after action by local copyright industries or IP enforcers.

But the Swedish domain has so far remained unseized (even though ISPs in various countries have been forced to block access to it). Next week prosecutors will argue in the Stockholm District Court that it's time to call time on thepiratebay.se. The action is being led by Fredrik Ingblad, who also oversaw the server raid against the Bay in Sweden last December, which resulted in the infamous file-sharing site going offline for a time.

Of course, even if Ingblad succeeds in his domain claim, the Bay will presumably have an assortment of other domains to use instead. And in the Google age it's not so problematic if your domains keep changing. Though many rights owners argue that any barriers put in the way of piracy operations are a good thing.

In related news, the majors have filed legal action in the US against another piracy operation called MP3skull, which - aside from seeking $15 million+ in damages - deals with domain matters. The labels are seeking an injunction banning domain registries, server companies and, for that matter, advertisers from doing business with the piracy company.

Which is interesting in that would be a very wide-ranging court order, though obviously injunctions are constrained by jurisdiction - ie it could only apply in the US - which would limit its impact on a site currently using a domain registered in Tonga.

ReverbNation launches publishing administration service, via Sentric partnership
Direct-to-fan company ReverbNation has launched a new publishing administration service called Connect Songs. The actual legwork will be done via an alliance with Sentric Music.

An offshoot of ReverbNation's Connect artist development offering, Connect Songs will work on a revenue share basis with songwriting artists, and will not place them under long-term contracts or require any assignment of rights. Through their partnership, Sentric will handle royalty collection, sync services, and neighbouring rights management.

"Connect Songs enables ReverbNation to provide powerful, efficient and fully transparent royalty collection services for our bands", says ReverbNation's Chief Creative Officer Simon Perry. "Combined with our growing traditional creative publishing capabilities, participating artists will have a powerful new tool to monetise their music, grow their audience and increase their visibility within the music industry".

So that's nice. Sentric CEO Chris Meehan adds: "No other company in the world has access to the volume of great, emerging artists than ReverbNation. Their commitment to offering services of real value to artists of all levels is what has attracted us to work with the company over a number of years. The publishing administration and synchronisation services will enable artists to create and protect a valuable income stream".

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Loudr partners with CD Baby to offer mechanical licensing on cover songs
Music rights company Loudr has announced a partnership with CD Baby, which will see the former handle mechanical licensing Stateside on any covers distributed by the latter's users.

Through its recently launched Loudr Licensing platform, the company aims to provide a simpler way to deal with the so called mechanical licenses that need to be secured from the music publishers (or usually their mechanical rights societies or reps) when you release recordings of other people's songs. Mechanical licenses and royalties are often handled differently in the US than in Europe. The new service will cost CD Baby users a flat fee of $15 plus any royalties required to be paid.

"We're thrilled to offer Loudr's growing rights service and love their approach to streamlining licensing for our members. They've taken on a challenging part of the music rights process and made it exceedingly simple", says CD Baby's Director of Music Publishing Rob Filomena.

With this press release's "thrilled" quote already used up, Loudr CEO Chris Crawford chose to be excited instead. "We're excited to partner with CD Baby", he said. "A digital music distribution pioneer that shares our vision to empower the artist community, as well as promote practices that ensure songwriters and publishers are compensated for music use".

Kantar figures confirm HMV biggest seller of physical music again
Stats firm Kantar Worldpanel has backed up claims made by HMV's post-administration owner Hilco earlier this year that the retailer had now reclaimed its position as the biggest seller of physical music products in the UK, a title it lost to Amazon back in the 'gloom' times at the entertainment retail firm.

Kantar analyst Fiona Keenan said that HMV was scoring particularly well when it comes to driving sales from 'browsers'. According to the Telegraph, she said: "HMV has been successful in attracting shoppers in store that want to browse its extensive range of products before deciding what to buy, which historically was a real area of strength for the high street specialist".

She went on: "Spend from consumers browsing for music products in HMV has grown by almost 50% compared to this time last year, helping to boost the retailer's share of total browsed spend in the market to 43.4%, making it the standout player. Pre-administration, HMV's share of browsing purchases was regularly over 50%, so this recent resurgence is a positive sign for the retailer's future as it faces increased competition from the online market".

All that said, while HMV is doing well in music, the retailer still lags behind Amazon in terms of share of the wider entertainment retail market, including video and games.

Commercial radio chart show may move, but TOTP not coming back
Now, you might think that Radio 1 confirming it will move its chart show from Sundays to Fridays to tie in with the new global release day meant we'd now fully dealt with the impact records coming out on Fridays will have on British chartdom.

But you're forgetting that nearly twice as many people tune in to commercial radio's 'Big Top 40' show on a Sunday teatime than Radio 1's countdown of what we, in this here music industry, like to call the 'official' chart. The 'Big Top 40' crunches stats from a number of sources - more than the official Top 40 - but downloads and streams are still an important part of the mix, so new releases coming out on a Friday rather than a Monday from later this year is relevant for the commercial radio chart too.

Asked about this at the Student Radio Conference this week, the top bloke at Global Radio, which makes the 'Big Top 40', Ashley Tabor, wouldn't be drawn on his plans, though basically admitted a shift is being considered. According to Radio Today, when asked whether he'd move the Big Top 40 to Fridays, the Global chief said: "I don't know yet, we haven't decided".

Meanwhile the BBC has denied rumours in the Mirror last weekend that a relaunch of 'Top Of The Pops' is being plotted to tie in with the new chart day. A spokesman for the Beeb told Music Week there were "no current plans" to bring the one-time flagship pop show back. Which is good news. The rumours had it Fearne Cotton would return as frontwoman, despite her making the show entirely unwatchable during its decline into oblivion.

CMU reveals brands to share partnership case studies at The Great Escape
As we continue to finalise line-ups for the CMU Insights conference strands taking place at The Great Escape this May, today we can reveal details of some of the brand partnerships that will be put under the spotlight as part of the strand How To Sell Out Gracefully: Better Brand Partnerships.

As previously reported, this strand will kick off with a keynote from Marc Robinson, Managing Director of Globe - Universal Music UK's commercial and creative partnerships division - which will explore how artists, managers, labels, agents and promoters can best collaborate to fully capitalise on the creative, commercial and promotional potential of brand alliances.

Later in the day the strand will explore a series of specific music brand partnerships, interviewing key people involved in each alliance. This includes:

Boohoo's partnership with Rae Morris, discussed by Richard Clark, Marketing Director at boohoo, Bob Workman, VP Brand Partnerships at Warner Music, and Alistair White at Machine Management.

Jäegermeister's partnership with TesseracT, discussed by Tom Carson, Music Manager at Jäegermeister with Acle Kahney and James Monteith from the band.

Dr Martens' partnership with DIY on the #Standforsomething Tour, discussed by Daniel Freeland UK, Marketing Manager at Dr Martens and Rupert Vereker, Publisher at DIY Magazine.

And Jack Daniel's partnership with grassroots venues, discussed by Micheal Boaler, Senior Brand Manager at Jack Daniel's, Alec Samways, MD at Splendid Communications and Ricky Baters, Head Booker at The Joiners, Southampton.

For full information on the CMU Insights brands strand click here. And for information on all the CMU activity at The Great Escape this year click here. Then buy your delegates pass for TGE here.

  Approved: Nonsemble - Go Seigen Vs Fujisawa Kuranosuke
In the final round of the 1953 championship of traditional Chinese strategy game Go, Fujisawa Kuranosuke was beaten for the second consecutive year by Go Seigen, who is widely regarded as one of the game's best players of all time, and by many as the greatest player of the 20th Century. Seigen soared to a 5-1 victory when he beat Fujisawa down from sen-ai-sen handicap to josen handicap.

Despite all I've just read on Wikipedia about Go and Go Seigen, I'm still not 100% sure what that last bit means, but I'm fairly certain the game was a tense and exciting event. That much I'm getting not from Wikipedia, but rather the new release from Nonsemble, 'Go Seigen Vs Fujisawa Kuranosuke', a 30 minute piece of music based on the moves played in that game.

The seven-piece group take elements of traditional chamber music and fuse them with modern influences from post-rock, minimalism and pop. The result, as found on 'Go Seigen Vs Fujisawa Kuranosuke', is a thoroughly engaging sound and style that pushes classical music forward in a really interesting way.

Set for release through Bigo & Twigetti on 27 Apr, you can preview the full album here.
CLICK HERE to read and share online
 
 

Don Letts picks favourites from the John Peel Archive
The John Peel Archive has published a new collection of tracks from the late DJ's massive record collection, curated by filmmaker and DJ Don Letts.

As well offering a track to stream from each of the records Letts pulled off the shelves, you can hear his own comments on the artists behind them. And the whole thing is kicked off with a 20 minute documentary about Letts' day spent sifting through Peel's records to find his favourites.

Cian Smyth, producer for The Space, which has commissioned a series of curated collections such as this under the banner Record Box, says: "The John Peel Archive once again offers a fresh perspective on the world of John Peel's record collection for many music fans to enjoy. Don Letts provides the third Record Box, after Joe Boyd and DJ Mala. It offers access for audiences all over the world to Don Letts' personal journey through the history of reggae and punk music, its influences and inspirations".

Listen to Don Letts' selection here.

The Orb announce spacey new album
The Orb have announced that they will release a new album, titled 'Moonbuilding 2703AD'. It will be a bit spacey.

Says the duo's Alex Paterson of the album: "It's a solid piece of music that mutates into an eight legged lunar Land Rover and takes off into a cosmic horizon of a million sounds, patterns and textures. It spins the listener on his/her head, rewiring their brains to maximum capacity, then brings them home, sweet home".

He continues: "'Moonbuilding 2703AD' is inspired by this place called Earth and the idea that in the future mankind discovers its root element in the ancient rocks on solar moons, which are based on musical harmonies, that despite being imprinted a billion lights years ago, are set to the same tempo as The Orb".

Speaking in slightly less flowery language, Thomas Fehlmann adds: "This album and the process of its production makes me feel real good. An important part of the excitement is that our working system has reached a level where we are closer than ever to an automatic recognition of each other's ideas, and ways to transform those into sound without explanation, so we could draw directly from our creative engines".

'Moonbuilding 2703AD' is due for release through Kompakt on 22 Jun.

Taylor Swift museum exhibit extended, Rihanna arrives appropriately late for weed smoking celebration, Killer Mike posts wrestling video, and further adventures

Other notable announcements and developments today...

• If you were worried that you were running out of time to catch the 'Taylor Swift Experience' exhibition at the Grammy Museum in Los Angeles, don't worry it's been extended to October. Phew.

• Rihanna has released a track in honour of this 420 thing they have in the States that I had no idea about until Monday. It seems Rihanna was caught unawares by it too, as she put this "interlude" called 'James Joint' up on her website the day after.

• Marking his birthday earlier this week, Killer Mike posted a new video for his 2011 track 'Ric Flair'. As well as Mike's own wisdom, it features much from the wrestler from which the track takes its name. Look, here it is.

• Giorgio Moroder has released the title track from his first solo album for 30 years, 'Déjà Vu'. It has Sia singing the words. Listen here.

• Meg Ramy, aka US Girls, has released the first single from her as-yet-untitled, as-yet-un-release-dated first album for 4AD. Listen to 'Damn That Valley' here. And catch her live at the Courtyard Theatre in London on 14 May, why don't you?

• Waxahatchee has announced that the next single from her new album, 'Ivy Tripp', will be 'La Loose'. It'll be out on 1 Jun and sounds like this. Meanwhile, she's readying herself for a European tour, which starts next month. She'll be in the UK for ten dates in June, kicking off with a show at London's Electric Ballroom on 10 Jun.

• Having been described as being "like Ad-Rock leading Bad Brains by the nose" in this CMU Approved column, Show Me The Body have just released a new EP, titled 'SMTB'. Here's the video for opening track, 'Space Faithful'.

• Pins have released a new single, 'Young Girls', ahead of new album 'Wild Nights', out through Bella Union on 8 Jun. Listen here. Touring as support to Wire later this month, they'll play a headline show at The Lexington in London on 27 May.

• The nominations for this year's Ivor Novello Awards are out. My what a list of songs and songwriters! It certainly is a list.

Tractors: The next step in the evolution of music piracy
Online music piracy is probably not the torment to the music industry it once was, but that does not mean it's gone away entirely. In fact, there are still plenty of innovations happening in this arena. And the next could be the most terrifying of all: Tractors.

This warning has apparently been sent out by tractor maker John Deere, which is currently trying to argue that farmers who buy its machinery only licence the software by which it's then controlled. Citing protections provided by the good old Digital Millennium Copyright Act in the US, the company has claimed that it should not be forced to give tractor owners access to that software, in order to modify, upgrade or repair the machines, for a variety of reasons. All arguments on which the US Copyright Office will rule on in July.

But in the meantime, the Electronic Frontier Foundation has commented on the John Deere copyright claims in a report actually focused on a filing made by US car makers, and it reveals that "John Deere even argued that letting people modify car computer systems will result in them pirating music through the on-board entertainment system, which would be one of the more convoluted ways to copy media (and the exemption process doesn't authorise copyright infringement, anyway)".

So, there you have it. Record labels! Unite against the tyranny of tractors! Though please do be aware that this is not today's biggest tractor story.

 
ANDY MALT | Editor
Andy heads up the team, overseeing the CMU bulletin and website, coordinating features and interviews, reporting on artist and business stories, and contributing to the CMU Approved column.
Email andy@unlimitedmedia.co.uk (except press releases, see below)
   
CHRIS COOKE | MD & Business Editor
Chris provides music business coverage and analysis. Chris also leads the CMU Insights training and consultancy business and education programme CMU:DIY, and heads up CMU publisher 3CM UnLimited.
Email chris@unlimitedmedia.co.uk (except press releases, see below)
   
SAM TAYLOR | Commercial Manager & Insights Associate
Sam oversees the commercial side of the CMU media, leading on sales and sponsorship, plus helps manage and deliver the CMU Insights training courses and consultancy services.
Email sam@unlimitedmedia.co.uk or call 020 7099 9060
   
CARO MOSES | Co-Publisher
Caro helps oversee the CMU media, while as a Director of 3CM UnLimited she heads up the company's other two titles ThisWeek London and ThreeWeeks Edinburgh, and supports other parts of the business.
Email caro@unlimitedmedia.co.uk
Send ALL press releases to musicnews@unlimitedmedia.co.uk - this is checked daily by the whole editorial team meaning your release will definitely get to the right person.

For details of the training and consultancy services offered by CMU Insights click here - Andy and Chris are also available to provide music business comment, just email them direct.

To promote your company or advertise jobs or services to the entire UK music industry via the CMU bulletin or website contact Sam on 020 7099 9060 or email ads@unlimitedmedia.co.uk
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