TUESDAY 19 NOVEMBER 2019 COMPLETEMUSICUPDATE.COM
TODAY'S TOP STORY: Taylor Swift has the all-clear to sing Taylor Swift songs during a Taylor Swift honouring section of the upcoming Taylor Swift Awards. I mean, the upcoming American Music Awards. That much is now abundantly clear. I think. Maybe. Very little else about the ongoing beef between Swift and her former label Big Machine is clear, though... [READ MORE]
TOP STORIES Taylor Swift's AMA medley is all cleared insists Big Machine
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LEGAL Californian law change will likely revive child abuse lawsuits against Michael Jackson companies
Web-blocking begins in Canada
Fyre Festival ticketholders fail to get Ja Rule added back onto lawsuit
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LIVE BUSINESS NEC Group rolls out mental health support to more shows
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BRANDS & MERCH Gene Simmons signs new merch licensing deal
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ONE LINERS YMU Group, Kanye West, Glastonbury, more
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AND FINALLY... Mötley Crüe destroy "touring cessation" agreement in order to come out of retirement
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Check out all the latest job opportunities with CMU Jobs. To advertise your job opportunities here email advertising@unlimitedmedia.co.uk or call 020 7099 9060.
   
UEA(SU) - HEAD OF EVENTS (NORWICH)
The LCR is an iconic venue in the heart of the UEA campus. It hosts 50 live shows a year, over 60 student clubs events, three balls and a host of student led events. This role will be the operational lead, responsible for programming and event delivery, an expert risk management and compliance, focused on customer service and inclusivity.

For more information and to apply click here.
UEA(SU) - ASSISTANT DIRECTOR OF SOCIAL ENTERPRISE, VENUE (NORWICH)
uea(su) runs the two best venues in Norwich; the LCR and The Waterfront. These venues host approximately 200 live shows a year across a capacity range of 200-1550. This role will lead the delivery event delivery teams, devise our business plan and strategy for the venues.

For more information and to apply click here.
BELIEVE SYNC - SYNC MANAGER (LONDON)
Believe Sync is looking for a self-motivated and entrepreneurial individual based in London to source, negotiate and license sync placements for Believe’s catalogue and frontline roster. 

For more information and to apply click here.
   
DOUBLE SIX RIGHTS MANAGEMENT - REPERTOIRE AND DATA ASSISTANT (LONDON)
Double Six Rights Management is seeking a self-motivated and driven individual to support with the day-to-day operation of the company and to help maximise revenue for both label and performer clients.

For more information and to apply click here.
   
BLUE RAINCOAT MUSIC - SOCIAL MEDIA MANAGER (LONDON)
Blue Raincoat Music is seeking a Social Media Manager to implement world class social media campaigns for its management, publishing and record label clients.

For more information and to apply click here.
   
IDOL - UK DIGITAL KEY ACCOUNT MANAGER (LONDON)
Based in our London office, your main role will consist of promoting IDOL’s labels and projects within our network of partners: audio streaming services, download platforms and launch creative and innovative release campaigns to achieve commercial goals.

For more information and to apply click here.
   
ISOBEL GRIFFITHS - ADMIN AND ORCHESTRA CONTRACTOR SUPPORT ASSISTANT (LONDON)
Isobel Griffiths Ltd is looking for an admin assistant to support the Fixing Team of three Orchestra Contractors in a small but hectic office of seven staff based in the Chelsea Harbour area of SW10. Experience in an administrative role with some knowledge of orchestral music and instruments is desirable.

For more information and to apply click here.
   
DOMINO - PA/A&R COORDINATOR (LONDON)
This combined and challenging role is two thirds A&R Coordinator and one third Personal Assistant. The purpose of this role is to ensure that the recording commitments of Domino artists are organised to the highest level so that albums are delivered in a timely manner and within budget.

For more information and to apply click here.
   
ANJUNABEATS - PRODUCTION MANAGER (LONDON)
As the Production Manager you will be responsible for overseeing and implementing physical manufacturing through the entire supply chain. Devising and delivering release timelines for albums; liaising with artists and management and ensuring logistical release processes run smoothly and effectively.

For more information and to apply click here.
   
ANJUNABEATS - PRODUCT MANAGER (LONDON)
Working alongside the label and relevant teams you will be the point person for your designated artists and their management teams. You’ll be responsible for creating and delivering products and assets ensuring everything is delivered on time, on spec and within budget.

For more information and to apply click here.
   
THE IVORS ACADEMY - DIRECTOR OF MARKETING, COMMUNICATIONS AND PUBLIC AFFAIRS (LONDON)
You will be responsible for the effective management of messaging across the Ivors Academy to drive recruitment of new members, increase positive engagement with existing members and partners, maximise awareness and impact of our campaigning activities with opinion formers.

For more information and to apply click here.
   
PATTERNS - PROGRAMMING AND PROMOTIONS MANAGER (BRIGHTON)
This role will programme, maintain and promote an originaland exciting program of music led clubbing events for Patterns, overseeing the overall creative direction of the venue and managing key relationships with external and internal stakeholders.

For more information and to apply click here.
   
BIMM INSTITUTE - TALENT MANAGER (LONDON/BRIGHTON/REMOTE)
The Talent Manager will screen and support students throughout their recruitment experience with industry employers, and also be responsible for providing recruitment service to all employers and industry partners.

For more information and to apply click here.
   
GRAY MATTER - AGENT ASSISTANT (LONDON)
Gray Matter Agency is looking for a Music Assistant/Agent Assistant. Key resopnsibilities will include Booking and arrange logistics, managing and updating artists’ social media profiles, updating schedules for artists on relevant websites and platforms, and more.

For more information and to apply click here.
   
INDIGO AT THE O2 - LIVE MUSIC BOOKER (LONDON)
As indigo at The O2 enters its thirteenth year it is looking for a motivated individual to join its small team as a live music booker. This newly created role will give you the freedom to express your creativity and make a real difference to a dynamic, positive and forward thinking business.

For more information and to apply click here.
   
ROCK SOUND - ADVERTISING EXECUTIVE (LONDON)
As Advertising Executive you will be connecting labels, promoters and brands with their target audience in order to drive results for Rock Sound’s partners whilst maximising advertising and sponsorship revenues.

For more information and to apply click here.
   
WARP PUBLISHING - PUBLISHING COORDINATOR (LONDON)
You will provide the highest level of publishing administration services for Warp Publishing's artists, looking after copyright and other publishing tasks as part of the Copyright & Royalties team.

For more information and to apply click here.
   
SECRETLY DISTRIBUTION - HEAD OF CONTENT (LONDON/NYC/LA/CHICAGO/BLOOMINGTON)
Secretly Distribution seeks a Head of Digital Content to be positioned in our London, New York, Los Angeles, Chicago or Bloomington, Indiana office. With a strong executive mindset, this role will work closely with peer executives across technology, sales, marketing and A&R departments to determine best practices and strategic implementation of Secretly’s content management objectives.  

For more information and to apply click here.
   
LISTEN UP - HEAD OF FESTIVAL AND EVENT PRESS (LONDON)
Listen Up is currently recruiting for a Head of Festival & Event Press to manage the Festival & Events department in its UK office. The candidate should have experience in leading an on-site press team, line managing, crisis management and an expert knowledge of print and online press campaigns.

For more information and to apply click here.
   
SECRETLY GROUP - INTERNATIONAL DIGITAL ACCOUNT MANAGER (LONDON)
Secretly Group seeks an International Digital Account Manager to fill a newly created position within a growing digital department. The new hire will manage key UK and European DSP relationships, while working closely with our existing digital and global marketing teams on territory-specific opportunities.

For more information and to apply click here.

Taylor Swift's AMA medley is all cleared insists Big Machine
Taylor Swift has the all-clear to sing Taylor Swift songs during a Taylor Swift honouring section of the upcoming Taylor Swift Awards. I mean, the upcoming American Music Awards. That much is now abundantly clear. I think. Maybe. Very little else about the ongoing beef between Swift and her former label Big Machine is clear, though.

Except that Swift hates the Big Machine. We know that. Everyone knows that. There are tribes in the deepest Amazon cut off from the rest of humanity for centuries who must know that. Swift hates the fact that artist manager Scooter Braun's Ithaca Holdings now owns Big Machine and its recordings catalogue, including all but her most recent album. She plans to channel that hatred into re-recording those records just as soon as her old record contract allows. You know, in a marvellous "fuck you" to Braun and the Big Machine.

The hatred cuts both ways though. As do the "fuck you" sentiments. Probably. And so - or at least according to Swift - the Big Machine has been trying to fuck with her projects until she promises to not fuck with the Big Machine by re-recording her old albums. That included the Big Machine exercising a veto it may or may not have over her upcoming appearance at the aforementioned AMAs. If the makers of the AMAs film Swift performing a hits medley, that's a recording, and the Big Machine can still stop new recordings of her old hits.

But Big Machine doesn't want to do that. We can't stress that enough. I mean, Swift says it wanted to. And it probably did want to. I mean, why wouldn't you? It would be a super "fuck you" to a relentlessly moaning pop star. But, as of yesterday, the Big Machine was very clear on this. Swift's AMA hits medley has the all-clear to go ahead. In fact the Big Machine has done a specific deal with AMA makers Dick Clark Productions to ensure it is so.

"The Big Machine Label Group and Dick Clark Productions announce that they have come to terms on a licensing agreement that approves their artists' performances to stream post show and for re-broadcast on mutually approved platforms", the two companies said yesterday, after a weekend of endless chatter about the latest Swift v Big Machine hoo haa.

Sort of clarifying what vetoes the Big Machine may or may not have over its artists singing their songs at the AMAs, the statement went on: "It should be noted that recording artists do not need label approval for live performances on television or any other live media. Record label approval is only needed for contracted artists' audio and visual recordings and in determining how those works are distributed".

So, that's all clear right? Oh, except, and this is important, Dick Clark Productions hasn't announced anything. Yes, it was the co-announcee of that announcement. But at the same time it wasn't. AMA maker Dick Clark Productions isn't in the business of announcing things. It's been making telly shows for 60 years. You don't have 60 years of success in making telly shows by going around announcing things.

"At no time did Dick Clark Productions agree to, create, authorise or distribute a statement in partnership with Big Machine Label Group regarding Taylor Swift's performance at the 2019 American Music Awards", the company, well, erm, announced yesterday. "Any final agreement on this matter needs to be made directly with Taylor Swift's management team. We have no further comment". A further comment, after all, would be an announcement.

"The Big Machine Label Group informed Dick Clark Productions today that they have agreed to grant all licences of their artists' performances to stream post show and for re-broadcast on mutually approved platforms", the Big Machine then said in a subsequently amended statement.

It then added, once again, in case anyone missed it first time round, that "it should be noted that recording artists do not need label approval for live performances on television or any other live media. Record label approval is only needed for contracted artists' audio and visual recordings and in determining how those works are distributed".

So that's all that cleared up. I think. Maybe.

Swift should now instigate another big "fuck you" to the Big Machine by using her AMA slot to perform a medley of Prince songs. Which would also be a nice reminder that pop stars spectacularly falling out with their labels is hardly a new phenomenon. By Prince standards, Swift and the Big Machine are due to become friends again in 2039.

Or maybe Braun can negotiate some sort of truce sooner. Although we said the hatred and "fuck you" shenanigans cut both ways, he is apparently busy trying to distance himself from the ongoing Swift v Big Machine bust up, insisting he has no active control over the label or the statements it issues. It's Big Machine founder Scott Borchetta who is still in control.

"Scooter is frustrated because his name is being dragged in the mud", an unnamed source has told E! News. "He doesn't run Big Machine or have operational control of [the] company. He hasn't taken part in these negotiations".

So who's to blame? Who do we believe? Whose side should we take? I know, let's believe no one and blame them all. Fuck Big Machine. Fuck Dick Clark. Fuck Taylor Swift. Fuck Scooter Braun. Fuck you, one and all!

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Californian law change will likely revive child abuse lawsuits against Michael Jackson companies
Lawsuits being pursued by the two men who accuse Michael Jackson of child abuse could be reinstated because of a change in Californian law.

Allegations made by James Safechuck and Wade Robson have, of course, come to much wider attention this year because of their involvement in the HBO documentary 'Leaving Neverland'. They both sued entities linked to Jackson in the years following the pop star's death in 2009 claiming that they had been abused by the musician as children.

Both their legal cases were ultimately dismissed in no small part because of the statute of limitations that exists for such lawsuits in California. Under previous laws, victims of child abuse needed to file their lawsuits by the age of 26. Both claimants had passed that age by the time they went legal.

However, a change was made to Californian law on this point recently, so that victims can now make a legal claim against alleged child abusers up to the age of 40.

The politician who led on that amendment to the state's statute of limitation laws, Lorena Gonzalez, noted that: "The idea that someone who is assaulted as a child can actually run out of time to report that abuse is outrageous".

Both Safechuck and Robson now hope that their respective cases against Jackson-linked companies can be reinstated as a result of the amended law. And yesterday an appeals court in California basically agreed in a provisional ruling. It was a decision that was, unsurprisingly, welcomed by the two men's legal rep Vince Finaldi who told the Associated Press: "All they've ever wanted is their day in court".

Reps for the Jackson estate have been disparaging of the two men's allegations ever since they went legal, arguing that both Safechuck and Robson spoke out in support of Jackson in relation to other claims of child abuse prior to the star's death. The estate has repeatedly alleged that the two accusers are motivated by the possible damages they might receive, while also arguing that the aforementioned HBO documentary was entirely one sided.

However, the estate's lawyers yesterday accepted that Safechuck and Robson's cases would probably have to return to the court that originally dismissed them as a result of the change to Californian law. But, they said, this week's ruling was on that point of law alone, and said nothing about the substance of the two men's allegations. Nor did it mean that the lower court would allow the cases to go to full trial second time round.

They also stressed that only the lawsuits against MJJ Productions Inc and MJJ Ventures Inc were being reinstated. Safechuck and Robson had originally also sought to hold the estate itself liable for the abuse they claim they suffered.

Estate attorney Howard L Weitzman said: "This new law extends the time for genuine victims of abuse to file legal claims. The appellate court's tentative ruling is not on the merits of Robson and Safechuck's allegations and the court in no way said that these cases will go to trial. Neither does it reverse the 2015 rulings dismissing Robson and Safechuck's claims against the estate, which are final and no longer subject to any appeals".

Weitzman added: "We are confident that the claims against Michael Jackson's corporate entities will, once again, be dismissed as has happened before".

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Web-blocking begins in Canada
Canada has joined the web-block party, despite the country's tel-co regulator last year saying it didn't have the power to set up a web-blocking agency. The Canadian Federal Court, however, reckons it does have the authority to issue a web-block injunction as part of copyright lawsuit against an unlicensed video service called GoldTV.ca.

Web-blocking is where courts or government agencies issue orders that force internet service providers to block their customers from accessing websites that prolifically infringe other people's copyrights. Such blockades aren't yet available in every country but, where they are, they have become a preferred anti-piracy tactic of the music and movie industries.

Some ISPs object to the idea of web-blocks, but some actually support them as a reasonable and balanced approach to tackling online piracy. That includes in Canada where many - though not all - ISPs previously backed a proposal that government regulator the CRTC should set up a web-blocking agency. Though it ultimately declined to do so.

It was some of those same ISPs - involved in GoldTV.ca case because they are also cable TV companies - that asked the Canadian Federal Court to issue a web-block against that particular piracy site. And last week a judge agreed to order an assortment of ISPs, well beyond those requesting the injunction, to block access to the GoldTV.ca site.

The Canadian court was seemingly influenced in its decision making by web-blocking here in the UK, the Canadian and British copyright systems being very similar. Critics of the anti-piracy tactic always point out that it is relatively easy for web-savvy people to circumvent the blockades. But the judge hearing the case ruled that - while that is true - web-blocking has still had some success in other countries.

According to Torrentfreak, judge Patrick K Gleeson said: "It's clear from the evidence that site-blocking will not eliminate user access to infringing services. However, the evidence does establish that in those jurisdictions where site-blocking measures have been implemented there has been a significant reduction in visits to infringing websites".

To that end, he added, "I am satisfied that a site-blocking order is an effective means of limiting access to GoldTV Services.

It remains to be seen if any of the other ISPs affected by the injunction appeal Gleeson's ruling. In the main, in most other countries, once web-blocks are in place even those ISPs that previously criticised the approach fall in line.

Either way, in the absence of any appeal it would seem that, while the CRTC may not be empowered to instigate web-blocks on copyright grounds, the Canadian courts - like their UK counterparts - are.

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Fyre Festival ticketholders fail to get Ja Rule added back onto lawsuit
Ja Rule has seemingly succeeded once again in having himself dismissed from one of the ongoing lawsuits relating to that pesky Fyre Festival.

The rapper, real name Jeffrey Atkins, was very much presented as a co-founder of the luxury music event until it fell apart just as ticketholders started to arrive. When the Fyre company collapsed and its boss Billy McFarland was jailed for fraud, those who went legal in relation to the festival needed to find other people to sue who might actually have some money with which to pay damages. Atkins was an obvious candidate.

However, back in July, the judge overseeing a $100 million class action lawsuit involving people who had bought tickets to the Fyre Festival agreed to remove Atkins as a defendant.

The judge said that there was no evidence that, when hyping up the festival, the rapper knew that the promises he was making could not be kept by the chaotic Fyre company. And while, by the time he posted one last tweet just before the festival was due to start, he must have known all was not well, there was no evidence that anyone had departed for the island in the Bahamas hosting the event specifically based on that message.

After that judgement lawyers leading on the lawsuit filed new papers trying to get Atkins relisted as a defendant. They argued that they had found ticketholders who did, in fact, depart for the Fyre Festival because of the rapper's late in the day tweet confirming the event was going ahead. Attorneys also argued that the two documentaries made about the whole Fyre debacle suggested that Atkins was more aware of the chaos behind the scenes than previously thought. And yet he continued to promote the show.

According to AllHipHop.com, the judge hearing the case has now rejected those latter arguments, reckoning there was still insufficient grounds to conclude that Atkins' role in promoting the failed event constituted fraud.

A legal rep for Atkins welcomed the ruling, telling AllHipHop.com: "This ruling is nothing short of a total vindication of Mr Atkins".

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NEC Group rolls out mental health support to more shows
NEC Group Arenas has announced that it will have mental health support staff on hand at more shows, following trials at recent Ariana Grande and Little Mix concerts.

The company currently has 20 employees trained as mental health first aid providers who can offer support to other staff and attendees of shows at its Arena Birmingham and Resorts World Arena venues. Their input can include simply listening or helping people find a quiet space to relax, as well as highlighting sources of further support.

Ellie Coombes, Senior Event Manager at Arena Birmingham, says: "Mental wellbeing is hugely important to us at the NEC Group. Over recent months we've put a real emphasis on making sure our employees' mental health is looked after - and it's just as important that we look after those visiting our venues".

"We always hope everyone has a great time with us", she adds, "but ... we're there on hand to help if anyone needs it. We want our visitors to come and talk to us about their mental health and know that if they're struggling, they don't have to do it alone".

Earlier this month, various music industry and live event organisations partnered with the charity Music Support to offer discounted places on the Mental Health First Aid programme, a training course designed to help people recognise the signs of mental illness and addiction so that they can better support those who are affected by them.

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StoriesGene Simmons signs new merch licensing deal
Never a man to shy away from a bit of merch, Kiss bassist Gene Simmons has signed a new worldwide deal with the brand licensing folks at IMG.

Already they're planning to have things like Simmons-related clothing, homeware, car stuff, travel accessories, video games and electronics on sale by next year.

"Gene Simmons is a branding and merchandising maven and we are so excited to be working with him", says IMG's VP Licensing Gary Krakower. "Together, we will use our extensive skills base, relationships and experience to showcase Gene's iconic style and personality".

"Maven". That was the word I was looking for. You don't see that word enough. He could also have gone with 'doyen'. Or 'passionate sell out'.


Approved: Japanese Television
Psychedelic space-surfers Japanese Television released their debut EP in 2018, following it up this summer with a second. Now they're back with a momentum-boosting video for their track 'Bruno's Nightmare'.

Said track is a good example of their sound, drawing on various aspects of psych and instrumental rock, with motoric beats driving through it. A mildly unsettling bassline provides further ground upon which the guitar and synth are able to build. The video provides suitable accompaniment, featuring some striking dance moves from a man named Brian in an empty warehouse.

"We first met Brian, aka The Doctor, at around 1am in a sweaty basement club in Manchester whilst on tour and whilst playing a set", says the band's Al Brown. "He felt like a being from another dimension. His movements were like nothing we'd ever seen before. Everyone in the venue was mesmerised. He kindly agreed that night to be in a video for us".

The band will be touring the UK in February, kicking off at The Victoria in Dalston on 6 Feb. Watch the video for 'Bruno's Nightmare' here.

Stay up to date with all of the artists featured in the CMU Approved column by subscribing to our Spotify playlist.
 

APPOINTMENTS

Management outfit YMU Group has named Fiona McAuley its new UK Head Of Digital. "Fiona joins YMU Group at an exciting time for the company and will lead our thinking on digital strategy across our expanding roster of artists", says UK MD Ian Watt. "She is a well-respected innovator in her field with a strong track record of success. Her experience, expertise and insight into this increasingly important area will ensure she becomes a valuable addition to our senior leadership team".

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DIGITAL

Spotify has launched a new daily updated personalised podcasts playlist, called Your Daily Podcasts. It'll tell you what podcasts you should be listening to every day. Presumably it only features our Setlist podcast, because what else is there?

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RELEASES

At 27 minutes, Kanye West's 'Jesus Is King' album is already a bit on the long side. Now he's announced 'Jesus Is King Part II'. Although this time he's working with Dr Dre, which might help.

Haim have released new single 'Hallelujah', accompanied by yet another Paul Thomas Anderson directed video. "We've always wanted to write a song about our bond as sisters", says Danielle Haim. That's what this is, you see, she's not just lamenting.

Harry Styles has released new single 'Watermelon Sugar'. The release date for his new album, 'Fine Line', remains 13 Dec.

The Pet Shop Boys will release their new album 'Hotspot' on 24 Jan. "We've written much of our music over the last ten years in Berlin and it was an exciting experience to work on this album in the legendary Hansa studios there and add a new dimension to our sound", they say. Here's new single 'Burning The Heather'.

Grimes has released new single 'So Heavy I Fell Through The Earth'. Her new album, 'Miss Anthropocene', will finally arrive on 21 Feb.

DJ Shadow has released the video for his De La Soul featuring single 'Rocket Fuel'. His new album, 'Our Pathetic Age', is out now and he'll be playing UK shows in February.

Princess Nokia has released new single 'Balenciaga'.

Confidence Man are back with new single 'Does It Make You Feel Good?' They've also announced that they will be playing UK shows in April next year.

Haleek Maul has released new single 'Halo', featuring Mick Jenkins. The track is taken from his debut album 'Errol', which is out on 14 Feb through Lex Records. "'Errol' is dedicated to my late grandfather in both name and subject matter", explains Maul. "With this project I'm really working through a lot of the things that I've learned about myself and the world in the period since I lost him".

Okay Kaya has announced that she will release her new album, 'Watch This Liquid Pour Itself', on 24 Jan through Jagjaguwar. From it, this is 'Little Baby Tween'.

Is it time for Christmas music yet? No, but here's some anyway. IDKHOW have released a whole EP of the stuff, titled 'Christmas Drag'. "I wrote 'Christmas Drag' over a decade ago", says the duo's Dallon Weekes. "I've always been a sucker for Christmas music, and this was one of the first Christmas songs I ever wrote for myself. I'm happy I got a chance to give it a proper recording and release".

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GIGS & TOURS

Paul McCartney is the first headliner announced for the 50th anniversary edition of Glastonbury in 2020. So well done if that was your guess. He last played the festival in 2004. "Having Paul McCartney coming back to headline the Pyramid next year is an absolute dream come true", says Emily Eavis. "There really was no one that we wanted more for the 50th anniversary".

Coldplay aren't just playing album launch shows in Jordan. No. They will also play the Natural History Museum in London three days later on 25 Nov. To get access to tickets you'll have to pre-order the new album from their website before Thursday is over.

The Killers have announced a tour of UK and Ireland stadiums next summer. Support will come variously from Blossoms, Sam Fender and Manic Street Preachers. Tickets go on sale tomorrow.

Kelis is going to tour to mark the 20th anniversary of her debut album 'Kaleidoscope' next year. There are two UK dates at Manchester's Albert Hall on 16 Mar and London's Roundhouse on 17 Mar. Tickets go on sale on Thursday.

Will Young and James Morrison have announced co-headlining dates in a selection of British forests next summer as part of the Forestry England's Forest Live initiative. More info here.

Dutch Uncles' Robin Richards has announced that he will play his debut solo show at Band On The Wall in Manchester. When? 20 Sep next year. So you've got a bit of a wait. Here's a new track though, 'Gefail Yr Ynys'.

Katie Melua has announced that she will be touring the UK and Ireland in October and November next year. She's also putting out a new live album on 15 Dec, featuring a performance from last with the Gori Women's Choir.

Stephen O'Malley of Sunn o))) will play doom metal yoga event Do.oomyoga on Friday and Saturday this week. Yes, that's a thing.

Squid have announced a UK tour in March to precede their already sold out show at The Scala in London on 2 Apr.

Check out our weekly Spotify playlist of new music featured in the CMU Daily - updated every Friday.

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Mötley Crüe destroy "touring cessation" agreement in order to come out of retirement
Remember when Mötley Crüe announced their final ever tour and even went so far as to sign paperwork promising never to play live together again?

I think we all wondered how long that would last at the time. And now we know. Five years. Nearly six. Which is probably longer than anyone expected. Anyway, they're back now, and planning to tour again next year.

The band signed their "cessation of touring agreement" in 2014, playing what was supposed to be their last ever show on New Year's Eve 2015.

However, something happened since then that no one could have predicted: Netflix. Well, OK, they could, because Netflix was very much up and running as a streaming service by then, and was already funding its own shows. So this was entirely predictable.

What I'm trying to tell you is that the band's autobiography 'The Dirt' was turned into a show for Netflix, which has brought their music to a whole new audience. Tens of thousands of young people who never got the chance are now apparently clamouring to see them play. What's a band to do? Let these poor kids down?

"Since playing Tommy Lee in 'The Dirt', so many of my fans have said how they wish they could've seen the real Mötley Crüe play live", says Colson Baker (aka Machine Gun Kelly). "I never thought I would see the day when this would become a reality. But the fans spoke and Mötley Crüe listened!"

The band are reportedly set to tour US stadiums with Def Leppard and Poison in 2020. Dates are still to be announced. What about that contract though? Does no one remember the contract! That thing was legally binding. Probably. Well, it doesn't matter now, because the band have blown it up, as shown in this video announcing their return.

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ANDY MALT | Editor
Andy heads up the team, overseeing the CMU Daily, website and Setlist podcast, managing social channels, reporting on artist and business stories, and writing the CMU Approved column.
andy@unlimitedmedia.co.uk (except press releases, see below)
   
CHRIS COOKE | Co-Founder & MD
Chris provides music business coverage, writing key business news and CMU Trends. He also leads the CMU Insights and CMU Pathways consultancy units and the CMU:DIY future talent programme, as well as heading up CMU publisher 3CM UnLimited.
chris@unlimitedmedia.co.uk (except press releases, see below)
   
SAM TAYLOR | Commercial Manager
Sam oversees the commercial side of the CMU media, leading on sales and sponsorship, and also heads up business development at CMU InsightsCMU Pathways and CMU:DIY.
sam@unlimitedmedia.co.uk or call 020 7099 9060
   
CARO MOSES | Co-Publisher
Caro helps oversee the CMU media as a Director of 3CM UnLimited, as well as heading up the company's other two titles ThisWeek London and ThreeWeeks Edinburgh, and supporting other parts of the business.
caro@unlimitedmedia.co.uk
 
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