Jun 10, 2025 1 min read

šŸŽ§ Approved: Ain’t

Pulling from post-punk, shoegaze and 90s indie, South London’s Ain’t map out a sound that’s tense, slightly off-centre, but always measured. On new single ā€˜Jude’, guitars blur into texture, vocals drift in and out of focus, and atmosphere quietly takes the lead over melody

šŸŽ§ Approved: Ain’t
Photo credit: Marieke Macklon

South London’s Ain’t make music that feels submerged; not overwhelmed, but weightless. Guitars blur into texture, vocals drift in and out of focus, and atmosphere takes priority over melody.

Pulling from post-punk, shoegaze and 90s indie, their early tracks (ā€˜Oar’, ā€˜Teething’, ā€˜Pirouette’) mapped out a sound that’s tense, slightly off-centre but always measured.

New single ā€˜Jude’, produced by Theo Verney (English Teacher, Lime Garden), picks up that thread. 

Built around a looping riff and a chorus that creeps in rather than explodes, it finds Hanna Baker Darch writing about the blur of overthinking, drawing on late-night conversations with guitarist George Ellerby. 

ā€œSome of the lyrics reflect the bitter pints-deep tone of our conversationsā€, she says, ā€œwhich has been described as the dynamic of a witch-hag and her raccoon accompliceā€.

With a lyric video built from live footage to accompany the track, Ain’t reminds us that for all the detail in the studio recordings, they are still a live band at heart.

šŸŽ§ Listen to ā€˜Jude’ below

Great! You’ve successfully signed up.
Welcome back! You've successfully signed in.
You've successfully subscribed to CMU | the music business explained.
Your link has expired.
Success! Check your email for magic link to sign-in.
Success! Your billing info has been updated.
Your billing was not updated.
Privacy Policy