Attawalpa, the moniker of British-Peruvian artist Luis Felber, deals in esoteric, textural indie ballads that unravel in self-exploration.
His latest single âAlways The Girlsâ starts in one world but ends in another. Teetering on the edge of a bad trip, strings with slow, creeping dread slither into your subconscious. Then - release.
A kick drum lands heavy and a slow groove guitar kicks in, unfolding into a tribute to feminine energy. The strings donât vanish, they morph, swelling into something grander, cinematic, alive; adding a catharsis and intimacy to what could otherwise lean into âsoft boyâ territory.
ââAlways The Girlsâ is a song born around my embarrassment/guilt about being a manâ, explains Felber. âThe general lack of emotional wisdom that comes with that coupled with my observations of being calmer and happier around feminine energy. Itâs a celebration of our mothersâ.
In addition to writing and performing as Attawalpa, Felber has been busy scoring and soundtracking for his wife Lena Dunhamâs latest films âSharp Stickâ and âCatherine, Called Birdyâ.
Co-written, performed and produced by Felber and Matt Allchin, the score for âSharp Stickâ features the Attawalpa band, a string section and an ondes Martenot, an early electronic instrument used most recently by the likes of Jonny Greenwood and Damon Albarn.
đ§ Watch the video for âAlways The Girlsâ below