Oct 16, 2025 1 min read

šŸŽ§Approved: BIG SPECIAL

Walsall duo Big Special turn post-industrial malaise into something close to gospel, trading in thunderous drums, spoken-word sermons and a humour so black it practically glows. New single, ā€˜Plaintive Native’, lands somewhere between working-class blues and post-punk sermon

šŸŽ§Approved: BIG SPECIAL
Photo credit: Isaac Watson @Whammoth

If you’ve not yet had the pleasure of being yelled at - poetically, cathartically - by Walsall duo BIG SPECIAL, now is the time. Joe Hicklin and Callum Moloney have spent the last two years turning post-industrial malaise into something close to gospel, trading in thunderous drums, spoken-word sermons and a humour so black it practically glows.

Their appeal lies in that tension, rage and empathy, bleakness and humour. Two years in, they’ve already carved a space between the social realism of Sleaford Mods and the bruised tenderness of IDLES, but their particular brand of poetry feels older, rougher and a little more haunted.

Fresh from the surprise drop of their second album ā€˜National Average’, the pair are back with a new single, ā€˜Plaintive Native’. Landing somewhere between working-class blues and post-punk sermon, it condenses the chaos of modern Britain. 

It’s a song about confusion and conviction, about trying to be good when everything feels irredeemably bad. As Hicklin puts it, ā€œpolitical turmoil clouding the minds of the nation that turns moral conviction into apathyā€.

Hicklin’s voice, steeped in Black Country grit, anchors the track’s existential thunder. Moloney’s percussion, meanwhile, turns the sermon into something enlivening. 

šŸŽ§ Watch the video for ā€˜Plaintive Native’ below

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