Sep 16, 2025 1 min read

šŸŽ§ Approved: corto.alto

Led by trombonist, producer and sonic experimenter Liam Shortall, corto.alto has been steadily pulling jazz into new territories. New single ā€˜VANDAL’ opens with punchy live brass and percussion before bleeding into textures that belong more to Berlin’s club culture than a jazz conservatoire

šŸŽ§ Approved: corto.alto

Glasgow’s corto.alto project, led by trombonist, producer and sonic experimenter Liam Shortall, has been steadily pulling jazz into new territories. The name itself, a playful nod to Shortall’s Irish-Spanish heritage, translates to ā€˜short.tall’ in Spanish; an apt metaphor for music that constantly stretches and contracts, straddling the acoustic and the electronic.

New single ā€˜VANDAL’ might be the clearest articulation yet of Shortall’s mission. It opens with punchy live brass and percussion before bleeding into textures that belong more to Berlin’s club culture than a jazz conservatoire. That push-pull is central to corto.alto: beats steeped in hip hop and funk history, warped into something that feels equally at home on a sweaty club dancefloor.

For this track, Shortall teamed up with Berlin-based keyboardist and producer Moses Yoofee, whose sampled vocals are twisted and replayed as pure instrumentation. Stripped of words, they become another melodic texture, sometimes ghostly, sometimes percussive.

ā€œI titled the track ā€˜VANDAL’ as a reminder to myself that rules in music are meant to be torn apartā€ Shortall says. That ethos runs through every bar here: tradition is respected, but never worshipped; boundaries are set up only so they can be broken down.

šŸŽ§Watch the video for 'VANDAL' featuring Moses Yoofee

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