Sep 4, 2025 1 min read

šŸŽ§ Approved: Milo Korbenski

Imagine a flickering arcade in Brighton at 2am: music seeps from the speakers, boxy torn-cone distortion and octave-dropped vocals coalescing with synths. That’s Milo Korbenski, a figure as enigmatic as his sound. New single ā€˜Bedrock’ shifts the pace into indie slacker-ballad territory

šŸŽ§ Approved: Milo Korbenski

Imagine a flickering arcade in Brighton at 2am: music seeps from the speakers, boxy torn-cone distortion and octave-dropped vocals coalescing with synths that shimmer like neon through fog. It’s a collision of sugar and grit, blown-out pop songs echoing in empty halls. That’s Milo Korbenski, a figure as enigmatic as his sound, forever masked in white, crowned with a cowboy hat, wrapped in denim.

His third and final single from the upcoming album ā€˜Sex Angel’ - ā€˜Bedrock’ - shifts the pace into indie slacker-ballad territory. 

ā€œIt was the last song I recorded for the album, over two consecutive daysā€, Korbenski explains. ā€œAfter the first day of recording, I dreamed I was listening to the song, it was really strange, soupy, distorted, the vocals stretched and weirdā€. 

ā€œI woke up remembering that sound and wanted to get it on the trackā€, he goes on, ā€œso I added synths, pushed the distortion, and shifted all the vocals down. I loved it, and it fit the glitchy, dusty feel of the other tracks on the record. The lyrics in the second verse are my favourite on the whole album. Tbh, I think it’s probably my favourite trackā€. 

šŸŽ§ Listen to ā€˜Bedrock’ below

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