May 5, 2026 1 min read

šŸŽ§ Approved: Pigeon

Margate five-piece Pigeon make music that sprawls and mutates. Afro-disco, krautrock, punk-funk, post-punk: all of it is in there, somehow, but it never feels like genre tourism. It just feels alive. New album ā€˜OUTTANATIONAL’ is sublime

šŸŽ§ Approved: Pigeon
Photo credit: James Winstanley 

Margate five-piece Pigeon make music that sprawls and mutates. Afro-disco, krautrock, punk-funk, post-punk: all of it is in there, somehow, but it never feels like genre tourism. It just feels alive.

A lot of that is down to vocalist Falle Nioke, who moves between French, English, Susu, Fulani, Malinke and Coniagui within a single song, rooted in the West African griot tradition and sung entirely on instinct. 

He relocated from Guinea-Conakry to the UK in 2018, and the band’s newly released debut album ā€˜OUTTANATIONAL’ was written while he was going through the naturalisation process. It’s music about migration, belonging and the strange experience of building a new home without losing the old one. ā€œNow I’m pleased to be part of both homesā€, he says. ā€œOne side is Africa. The other side is hereā€. 

Opener ā€˜NRG’ sets the tone with an afrobeat intro and Falle Nioke warding off evil spirits over a locked-in bassline; ā€˜Black James Dean’ goes full gothic post-punk; closer ā€˜Caramel’ sprawls into something psychedelic and almost devotional. In between, it never puts a foot wrong.

Upcoming shows include Rough Trade East on 7 May, The Great Escape on 14 May and End Of The Road Festival in September. If you can get to any of them, go.

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