Jul 8, 2025 1 min read

šŸŽ§ Approved: Sijya

South Asian artist Sijya blends distorted synths, filtered through ā€œbattered guitar pedalsā€, with intimate, unguarded vocals. Her new single ā€˜Do I Know’ is a raw, tactile exploration of vulnerability and sound, framed by a striking video set in a reimagined Delhi

šŸŽ§ Approved: Sijya

South Asian composer, producer and graphic artist Sijya makes music that feels as multidimensional as her practice. That cross-disciplinary instinct carries through to her sound - at once fragile, immersive and sharply original, with vocal tones and sonic instincts reminiscent of Tirzah.

Her new single ā€˜Do I Know’ is a prime example. A spontaneous creation, the track features what sounds like a guitar riff... though no guitars were used. ā€œFunnily enough, people have often referred to parts in my music as guitar sounds and riffsā€, she says. ā€œI guess I’ve always been drawn to electric guitars and I’m maybe always trying to make that sound with my synthsā€. 

There’s a friction at play: synths pushed through battered guitar pedals brush against quiet, unguarded vocals, lending the track an intimacy edged with static.

The accompanying video, directed by Sukanya Baskar, explores ā€œthe idea of ineffective armourā€, brass as both a physical material and metaphor. A surreal, dreamlike portrait of the artist’s relationship with visibility, vulnerability and public presentation, the film follows Sijya through a reimagined Delhi. 

As Baskar puts it, ā€œForged and worn over time - a brass armour glistens on a figure standing in the doorway... The artist navigates a Delhi reframed through its heterotopias, disturbed yet empowered in her presentation of othernessā€. 

šŸŽ§ Watch the video for ā€˜Do I Know’ 

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