‘LULLABY’ by Together For Palestine, featuring Amena, Brian Eno, Celeste, Dan Smith (Bastille), Kieran Brunt, Lana Lubany, Leigh-Anne Pinnock, London Community Gospel Choir, Mabel, Nadine Shah, Nai Barghouti, Neneh Cherry, Sura Abdo, TYSON, Yasmeen Ayyashi, Ysee
‘LULLABY’ is a collective act rather than a conventional single. Bringing together over fifteen UK and Palestinian artists – including Brian Eno, Neneh Cherry, Celeste and Lana Lubany – the track reworks a traditional Palestinian lullaby into a shared gesture of care and solidarity. Released by the team behind Together For Palestine, it aims squarely at the Christmas number one spot with its purpose made explicit: raising humanitarian aid while foregrounding Palestinian culture, resilience and humanity. Donate here.
Sasha Keable’s new single ‘TAI CHI’
‘TAI CHI’ leans into Sasha Keable’s most cinematic instincts. Her voice - raw, controlled and quietly devastating - floats over dusky jazz tones and fluid R&B arrangements that feel closer to a Bond theme than a standard R&B single.
The visualiser is already doing some heavy lifting, so the full music video is sure to be a treat.
Sean Trelford’s debut EP ‘Ulcer’
A self-contained debut in the truest sense, Ulcer sees Sean Trelford playing, producing and recording every note himself, as well as painting the artwork. Musically, it folds woozy indie pop into grander, more classical gestures - think Tame Impala and Mac DeMarco refracted through something closer to Mahler. It’s an assured, inward-looking introduction that rewards close listening.
Deca OTA’s new album ‘The Human Condition’
‘The Human Condition’ feels like a consolidation moment for Deca OTA. Across jazz-leaning production and unshowy, controlled performances, he traces belief, self-scrutiny and emotional endurance with quiet confidence. There’s no rush to dramatise, the power here comes from patience, precision and trust in the material.
Sex Mask’s new single ‘Girth’
A lo-fi collision of post-punk, no-wave and industrial grit, this is a track built for the stage - tense, driving and deliberately rough around the edges. With Sex Mask having been recently tipped by NME as “Australia’s next big export”, this track feels like a statement of intent rather than a bid for polish.